“When you listen to Demiricous’ first two records, they clearly didn’t know what sound, style, or production they wanted. One is more At the Gatesy and relatively dynamic in the mix. The other is a Hatesphere punishment that makes your ears scream in pain. Back in the saddle, Demiricous has brought all their death/thrash influences together on Chaotic Lethal.” Chaotic good or chaotic bad?
“In one of my very first reviews after being officially added to the Angry Metal Guy staff, my plan to preemptively punish myself with metalcore was foiled by my inability to not like metalcore. Well, “metalcore” may be a bit of a misleading label when it comes to Leach, because 2019’s Hymns for the Hollow found them employing a sound that reminded me a lot of the groovy melodic death/thrash style currently employed by their fellow Swedes in The Crown and The Haunted. That “core” label probably gets leveled at these guys because their songs tend to have more of a commercial tinge and because vocalist Markus Wikander uses hardcore shouts that can veer into “screamy” territory at times. Long story short: Hymns of the Hollow won me over with its simple-but-effective formula. But follow-up Lovely Light of Life is finding me two years older and two years wiser, and there’s no way I’ll fall for Leach’s charms again. Right?” Love, hate, and metalcore.
“It brings me no joy to write that, to my ears, Royal Destroyer does not meet the high bar set by Cobra Speed Venom, one of The Crown’s finest efforts and 2018’s best record. With that bit of unpleasantry dealt with, I can thankfully write that Royal Destroyer is still a good record, and nowhere near the misstep Death is Not Dead was.” Crown Royal?
“A rye and ginger made in subtly wrong ways is, after many listens, how I’ve come to view Mortuary’s latest record, The Autophagous Reign. I rated highly its predecessor, Nothingless than Nothingness — a rating I stand by. Both are the same in the sense that this or that rye and ginger are the same. But as we all know, not all rye and gingers are created equal, even if we use the same rye and ginger-ale.” Drinking with the dead.
“Ever since I was a wee n00bian babe, Steel Druhm has been threatening to smother me with a metalcore pillow. Personally, I’ve always lived by the adage “If thou must be smothered, thou shouldst at least choose the pillow.” So rather than let Steel continue to hang The Core of Damocles above my head, I decided I would take matters into my own hands and pick up the next available metalcore promo. Hymns for the Hollow is the second album from Swedish band Leach and upon first glance it seemed as if it would do the trick. Surely I will gain copious brownie points by volunteering for this selfless martyrdom, no?” Attach the Core of Triumph.
The holidays are near, but this is no time for shopping! Instead you should be consuming the Top Ten lists of the esteemed El Cuervo and Diabolus in Muzaka. These are the gifts that keeps on giving.
More lists for the list machine! The men who unwisely go by their real names, Mark Z. and L. Saunders boldly proclaim their best albums of 2018.
“I was certain this promo was a trap when Steel Druhm gave it to me. Metal Blade Records on my 4th review?! There has to be something catastrophically wrong with whatever is inside this zip file. What I soon found out was that there’s absolutely nothing wrong with Skull Pit’s self-titled debut, but there’s a hell of a lot right with it.” Steel charity, iron n00b debt.
“Well, it’s been three years since we’ve heard anything from Denmark’s HateSphere. You know what that means. Another HateSphere record. As I’ve said before, I’m only mildly entertained by the Scandinavian groove/thrash of HateSphere. Because of this, they may never receive a glowing review from me but I gotta give ’em props. While not the most interesting band in their field, they are definitely one of the most consistent. With a new element here and a new vocal approach there, they keep their fanbase coming back for more. Not to mention they’ve been dropping albums every 1-3 years since 2001. And, now, after nearly two decades as a band, HateSphere is about to drop their tenth full-length release, Reduced to Flesh.” Don’t hate spheres.
“Your parents, guidance counselor, and teachers were right: you don’t get a second chance at a first impression. This is why The Crown will always be a wonderfully over-the-top and high energy death-tinged thrash band to my ears. Deathrace King introduced me to their work, opening with the perfectly titled “Deathexplosion.” Johan Lindstrand’s shout of “FIRE!” over a fast, aggressive, and simple riff sold me on the band and their brand of metal immediately.” Snakes on speed.
