Trouble

Things You Might Have Missed: Dawnbringer – Night of the Hammer

Things You Might Have Missed: Dawnbringer – Night of the Hammer

“One of the biggest disappointments this year was Profound Lore’s inexplicable failure to get us a copy of the new Dawnbringer promo, Night of the Hammer. Due to said failure, it was we who might have missed one of the best albums of the year. I’ve been a major supporter of Chris Black’s (High Spirits, Pharaoh, ex-Nachtmystium) weird proto-metal project ever since their outre Nucleus platter, and I was equally bowled over by 2012’s Into the Lair of the Sun God. Maintaining the band’s upward trajectory once again, Night of the Hammer takes the Dawnbringer sound even further backward into metal’s past.” Like a hammer to a nail, so are the days of our metal lives….

Anguish – Mountain Review

Anguish – Mountain Review

“Sweden’s Anguish have a lot of hype going for them. Their debut, 2012’s Through the Archdemon’s Head, turned the heads of fans, critics, and foxes the world over, bludgeoning everyone with their massive mix of Candlemass, Trouble, and the *ahem* unique vocals of J. Dee. Unfortunately, I never had the opportunity to check that album out, but when news hit that their newest release, Mountain, would take their sound and streamline it, cutting out the fat and giving us just the meaty morsels of their maddening dinner spread, I took the opportunity to jump in…” There may or may not be some minor hype about this band, but we ignore the buzz and deal in facts. Just the facts.

The Skull – For Those Which Are Asleep Review

The Skull – For Those Which Are Asleep Review

The Skull has an origin story that’s weirder than most. A few years back, several members of doom legends Trouble found themselves out of the band, and decided to form a “tribute” to their former group. Besides the irony of a tribute band containing 3/5ths of the band they are tribute-ing, The Skull quickly proved their credentials onstage. At a packed hometown gig in Chicago, I witnessed the band deliver a set of long-unheard Trouble classics. Eric Wagner (vocals), Jeff Olson (drums) and Ron Holzner (bass) sounded predictably solid, while Lothar Keller and Matt Goldsborough handily replicated the guitar interplay of Trouble’s recorded work. But when the band announced an album of original material, I was skeptical at first…” Can The Skull give us more trouble than Trouble? One can only hope.

Novembers Doom – Bled White Review

Novembers Doom – Bled White Review

“Of all the bands skulking around the doom/death catacombs, none manage to trigger more raw emotion in me than Novembers Doom. They aren’t necessarily the best band in the genre, but when they lock everything in, the melancholy pours like rain off a tin roof in Seattle. They’re the authors of one of the most depressing songs of all time (“What Could have Been”) and there’s something unique about their fusion of Paradise Lost and Type O Negative with vaguely Opeth-esque style death metal that really drills deep down into the heart of darkness within.” If you’re staring into the heart of darkness, it must be November!

Autopsy – Tourniquets Hacksaws and Graves Review

Autopsy – Tourniquets Hacksaws and Graves Review

“Well, that cover and the title pretty much say it all. Autopsy is back again rather soon after last year’s The Headless Ritual, and they’re up to their usual sick, crusty, gore-soaked death metal shenanigans. Rocking their old school style of death mixed with doom and horror movies shtick, these shameless fiends show no interest in evolving and if anything, they’re actually devolving further into a grisly stew of sticky unpleasantness. No surprises await the Autopsy fan, just more reliably unhinged sonic mayhem that approximates being on a condemned rollercoaster with zombies, serial killers and hostile ex-girlfriends.” Don the gore-gore boots and join the kickline of the dead, because Autopsy is back to bloody the waters.

Exorcism – I Am God Review

Exorcism – I Am God Review

“Super-groups are an odd breed of duck. They either end up a bunch of egos, ball-busting for attention (a fight nobody wins) or they end up something along the lines of Down’s NOLA – chilled out, soaked in beer, raw and dirty and probably totally fucking stoned. This little collective I happened upon most recently via Rock n Growl Promotion, hail from a range of countries including, unsurprisingly, the USA and more surprisingly Spain, Italy and France.” An international doom rock supergroup starring the likes of Joe Stump? Intriguing!

Blackfinger – Blackfinger Review

Blackfinger – Blackfinger Review

“If the prospect of Trouble without longtime vocalist Eric Wagner seems like a bad idea, the thought of Wagner without Trouble is simply a question mark. Other than his Lid project back in the ’90s, the man hasn’t done much outside of his main band, leaving us to wonder what Eric Wagner might sound like if left to his own devices. And it seemed like we’d never find out, given his lack of output since leaving Trouble back in 2007. Finally, after a six-year absence, Wagner re-enters the music world with his new band, dubbed Blackfinger.” There are a few big Trouble fanboys on the AMG staff and they were all atwitter over this release. Should they be? Should you?

Bloody Hammers – Spiritual Relics Review

Bloody Hammers – Spiritual Relics Review

Well, this is a bit of a surprise. I never heard of Bloody Hammers until I reviewed their self-titled debut in February, and now they’re back with a follow-up a mere seven months later! Talk about productivity! While I liked aspects of the debut and their Hour of 13 and Witchfinder General meets Danzig approach to retro “occult rock,” things felt a bit underwhelming as a whole and suffered from inconsistent songwriting.” With so little time between releases, is it realistic to expect big improvement on Spiritual Relics? Steel Druhm is here to prep your expectations accordingly.

Autopsy – The Headless Ritual Review

Autopsy – The Headless Ritual Review

“The Gods of crusty, scabby American death are back yet again! Since their grisly and well-received Macabre Eternal comeback, I’ve been chomping at the bit to hear more new material from the reformed Autopsy. With roots running all the way back to the seminal debut by genre creators Death (Chris Reifert played drums thereon), Autopsy has had an up and down career filled with long lay-offs, breakups and resurrections so it’s always a joy to get a new platter of splatter from them (and I always worry it will be their last).” Since you never know when the wheels will come off the Autopsy table, enjoy their brand of dirty, scuzzy death while you still can! Steel Druhm’s been knee deep in it for a week and has some thoughts (and some infections).