Tyr

Angry Metal Guy’s Top 10(ish) o’ 2013

Angry Metal Guy’s Top 10(ish) o’ 2013

Angry Metal Guy is becoming an interwebs institution. You might not realize this, but this is my fifth Top 10(ish) Records o’ the Year since I started this as a lone Internet Metal Warrior back in 2009, reviewing for my literally dozens of readers, none of whom commented. Can’t believe it? Try these on for size. It’s impressive how far this little blog that could can come, and it’s amazing how much I used to review! Several CDs a week! Incredible. Anyway, the times they are achangin’, but the one thing that isn’t changing is that I have opinions and galldarnit, I’m going to tell you them.

Steel Druhm’s Top Ten(ish) of 2013

Steel Druhm’s Top Ten(ish) of 2013

“As I gaze out the windows of the AMG offices (located hundreds of miles beneath the Earth’s crust, so I’m not sure why we have windows), I can’t help but wistfully reflect on my time with this fine metal institution. In just a few short years, the site has gone from one man’s labor of love to a major force in the metal blogosphere with a staff of ten dedicated writers, and though the journey wasn’t always easy, it’s been exceedingly interesting and rewarding.” Follow along as Steel Druhm gets maudlin, waxes nostalgic and grudgingly drops his Top Ten(ish) for 2013. A Two Kleenex read!

Steel Druhm’s Top Ten(ish) Songs of 2013

Steel Druhm’s Top Ten(ish) Songs of 2013

“In my (vain)glorious time at AMG Conglomerated, I’ve written off almost every year as a substandard time for quality metal. While some of that criticism was well founded, 2013 was the most craptastic year so far! The first half was the ultimate in lackluster and underwhelming, with many major players releasing flat, uninspiring platters. Hell, even the mythical Amorphis fell off their Pedestal of I-ruhn with a dull thud. While the back end of 2013 picked up the quality dramatically, it wasn’t enough to redeem a very sub par year.” Join the all knowing Steel Druhm as he takes you on a whirlwind tour of the best of a fairly crappy year in metal. Yes, 2013 kind of blew, get over it!

Things You Might Have Missed 2013: Týr – Valkyrja

Things You Might Have Missed 2013: Týr – Valkyrja

As an Angry Metal Guy, I have truly been off my game this year. In fact, having become an Angry Sociology PhD Student™ has taken away precious time from my blogging gig. As the one is—and will hopefully lead to—gainful employment, and the other is an avocation, you can probably understand that I have been working hard at the former. But, unfortunately, this means that some big records I stepped up to review never got reviewed. Possibly the greatest of these oversights this year was Týr’s Valkyrja, which was so good that I made it a Record o’ the Month for September. “Watch this space,” I said. Well, those of you who watched are going to finally get your review.

Record(s) o’ the Month – August 2013

Record(s) o’ the Month – August 2013

After July’s lull, it’s important to remember that there are some big releases that hit in August (though, it seems like the big hit is coming in September: Haken, Týr, Carcass, Ulcerate, etc.). This wasn’t the worst month ever, that’s for sure. There was some really amazing stuff going on here, actually. Still, there really was no serious competition for the top spot this month. Nej, indeed, it was pretty obvious all along that Swanö was going for the win with his new project Witherscape.

Things You Might Have Missed 2011: Forefather – Last of the Line

Things You Might Have Missed 2011: Forefather – Last of the Line

This little gem fell from Odin’s mighty beard in the waning days of December and since that time of year is so hectic, this may have eluded the attention of many metal-minded folk. Steel Druhm simply cannot abide such a ruinous oversight. Why? Because the U.K.’s Forefather plays such a highly endearing mix of black, viking and folk metal with some power and NWOBHM tossed into the Anglo-Saxon stew. Over the course of five albums, they’ve honed that mix into an insanely catchy, guitar-driven style of epic-infused music. With Last of the Line (Seven Kingdoms Records), that honing continues unabated and this is one sharp ass piece of jagged iron. Though Forefather consists entirely of two brothers (both appear in Folkearth as well), they know exactly how to blend genres and craft tunes that alternate between catchy and heavy, epic and black and most of this material is designed to stick deep in your brainpan. Stylistically touching on Falconer (or Mithotyn to be more exact), Running Wild, Tyr, Crom, Ensiferum and Amon Amarth, they manage to carve out their own identity and I’m betting after hearing some of this stuff, you’ll join me in wondering why Forefather isn’t more of a household name in metal… houses.

Crom – Of Love and Death Review

Crom – Of Love and Death Review

Steel Druhm has been waiting for this for a long time! For the uninitiated, Crom is the brainchild of one Walter Grosse and he functions as a one-man-band, doing it all for the metal masses. His first album, 2008’s Vengeance, was one of those special sleepers that didn’t get nearly as much attention and praise as it deserved. Fusing viking, epic and power metal, it had a unique, engaging style all its own and the songwriting was top-notch (it almost sounded like Tyr mixed with Europe and Hammerheart-era Bathory if you can imagine that). So good was the material, years later, I still find myself singing the immortal line “I swear this oath, this oath of Wengeance…” at least once a week (wengeance, like revenge, is best served cold, with crackers and cheese). While the lyrics were based around viking and mythical themes, it had a dead-serious feeling that most power metal acts couldn’t come close to achieving. After a long wait, we finally get Of Love and Death. So, is it more viking/power with all the sacking and rampaging we expect? Well no, it’s something quite different. Apparently in the three years since Vengeance, Mr. Grosse grew tired of viking battles and blood oaths and turned all introspective and emo. This is an album steeped in the subjects of love, heartache, loss and loneliness. That’s right, he done gone and turned in his war hammer for a big-ass book of love poems. As odd as it seems, it doesn’t totally kill things and Grosse’s writing and performing chops are still there. However, this certainly isn’t the sequel I was hoping for and there are issues that ultimately render it a partial disappointment.

Voyager – The Meaning of I Review

Voyager – The Meaning of I Review

Now here’s something quite a bit different! Australia’s Voyager has been tinkering with their odd blend of progressive space metal for a while now. However, here on album number four The Meaning of I, they’ve really hit on the perfect blend of influences and styles. Taking elements of traditional, power, progressive and even death metal, Voyager fuses it all together and the result is an odd, hyper-melodic and unique album that’s as intelligent as it is catchy (and its VERY catchy). As a big fan of their 2009 release I Am the Revolution, I expected great things and even I was surprised by how good this ended up. With traces of Nevermore, Star One, Tyr, Pagan’s Mind, Scar Symmetry, Vanden Plas and Anubis Gate swirling about in a creative maelstrom, you should certainly expect the unexpected. Despite the plethora of influences, The Meaning of I ends up a cohesive and compelling release with one killer song after another and brains til Tuesday. In case that doesn’t have you interested yet, they may be the only metal band currently using a melodica both in the studio and live. Call them spacey-prog or astral-metal but whatever tag you throw on them, they rock muchly. Can you tell Steel Druhm is impressed? He is.