“Released just a few months after Metallica’s self-titled record, Angel Rat finds Voivod among the earliest adopters of the slower, stripped-down approach that most thrash bands took in the 1990s. The album could almost qualify for our ’90s Metal Weirdness column, except for the fact that Voivod have always been weird (and would get even weirder as the decade continued).” Let that freak flag fly!
“Arizona thrashers Vektor hold a special place in my cold black heart, as their previous album Outer Isolation was one of my very first reviews for this esteemed website. Crazy to think that that was five years ago, and crazier still is that Vektor has not released any new music in that half-decade — practically an eternity in today’s climate of short attention spans and equally short tour/record/tour cycles. Fortunately, Vektor has finally rewarded their fans’ patience with a lengthy, almost impossibly dense record called Terminal Redux.”
“1996. Yours truly graduated high school and landed a job at what would end up being GameStop. At the Electronics Boutique I was working at (Rockingham Park, Salem, New Hampshire), I would sometimes be visited by a lanky, long-haired dude wearing various different black metal shirts. One shirt was of a band called December Wolves, and I told him that was an interesting name for a band. He smiled and said, “Thanks, man. I’m the bass player. Check us out sometime.” Yep, that’s my story of how I met Brian Izzi (now best known as the guitarist for crusty grinders Trap Them) and got wind of December Wolves.” Tales of wind and wolves shall trap them all.
“Maybe I’ve heard one too many shitty re-thrash bands but it’s easy to draw conclusions from the bold illustration and title of Biological Enslavement by Hemotoxin. I feared that simplistic chugs, an angsty vocalist and a Neanderthal’s lyrics would lie behind the spiky logo and alien landscape. Happily, Hemotoxin are marginally more refined than this.” Marginally refined rethrash could be a whole new genre.
“We live in a time where everything old is new again, and metal music is no exception. We have retro-stoner rock, retro-thrash, Scooby-Doobie Doom, and now… retro-tech-death? With the creation and success of Horrendous, many nimble-fingered, musically-acrobatic musicians are screaming bloody gore and exploring their more Human side to bring back a classic sound with all of the necessary upgrades to keep things somewhat fresh.” Tech-death like Death? That might just sell!
“My introduction proper to Anvil came at the pubescent age of 14 when I chose Pound for Pound as one of my 12 introductory cassettes from the Columbia House Record Club. I’d heard a song here, a song there, but Pound for Pound was the first platter I heard from nuts to noggin. My initial feeling? Underwhelmed.” Will the new platter whelm Mr. Kikuras?
“I often gripe about the general state of the current thrash scene and how it’s stagnating with a lack of cutting edge innovators and general over reliance on rehashing the past. Of course there are exceptions to the rule, however, more often than not I find myself looking back to the past and grabbing an old favorite to get my thrash fix. Already in 2016 old school thrashers have been grinning from ear to ear with the return to form of Megadeth and Anthrax, along with the enduring space-age proggy thrash of the recent Voivod EP. Fortunately there’s a heap of room for new faces to emerge and make an impact on the current thrash scene and show that young pups can be as equally wily as old dogs.” Ready yourself for the latest in pup thrash!
“Being old means you keep a lot of crap and not just what’s clogging your colon. I still have the issue of Unchain the Underground (as referenced in my last review) where I lambasted Voivod’s Angel Rat, an album that was like a poison-tipped arrow to my heart of steel at the tender age of 16.” The man has been lambasting since before some of you were eating.
“Without a doubt, Urgehal’s final release, Aeons in Sodom, has to be the toughest review I’ve yet written. It’s not difficult because it sucks or lacks anything worth writing about; rather, it’s difficult because of the strong personal and emotional attachment I have to Urgehal. I am a fanboy, in the truest sense of the word. What makes it worse is that Aeons of Sodom should have never happened.” The Doctor needs a therapist, stat!
“2015 has not been the best of years for yours truly, with car accidents, challenges, setbacks, and death upon death upon even more death dropped into my unwilling lap. I was ready to rain supernova-warm hellfire upon this calendar year, but thankfully, a much-needed vacation with friends just this past week helped to deaden the pain of all this negativity the year had brought upon me. Musically, it’s been quite positive and productive. October alone was a monster of a month for metal, as you can see by my list. So despite all the negative garbage, at least the soundtrack was incredible.”
