Warbringer

Bloodletter – Funeral Hymns Review

Bloodletter – Funeral Hymns Review

“This is year two of Covid and we’re still discovering new ways in which the pandemic is altering the way we live. For instance, we’ve received multiple 2021 promos for Funeral Hymns, the sophomore release from Chicago thrash metal band Bloodletter, but Metal Archives and Bandcamp say it was released in September of 2020. I’m sure we will have more situations like this in the next couple of months. In fact, my review for next week is in the exact same boat. Not knowing who to trust, I’ve decided to trust the only person that I can trust: yours truly.” Blood can’t be dated.

Harlott – Detritus of the Final Age Review

Harlott – Detritus of the Final Age Review

“As I mentioned when I wrote 2017’s Extinction review, Harlott isn’t afraid to show love to their influences. Some might say Harlott isn’t afraid of reaching into that box of thrash classics and taking what they like, as well. At any given time, the riffs transition from Exodus to Slayer to Testament, and the vocals mimic Araya, Petrozza, and Dukes/Souza. The guitars can be acoustic at times but prefer to be heavy. The drums blast and fill with no regard for concrete floors, and the bass rattles hardware off the garage door. Harlott may not have a whole lot in the way of originality, but that doesn’t make their fourth album, Detritus of the Final Age, any less solid and nothing short of nostalgic.” Ramming speed.

Psychosomatic – The Invisible Prison Review

Psychosomatic – The Invisible Prison Review

“It feels like only yesterday when you all hated me for giving such high praise to Crisix‘s 2018 release, Against the Odds. I understand that everyone thinks Power Trip is god and everyone is getting tired of the Havok/Warbringer sound, so thrash is getting more and more difficult to get into these days. Thrash, with a modern touch, is even harder as it all seems to sound rehashed and repetitive. I’m not sorry I love the fun and upbeat character of Crisix. I’m not sorry ‘Perseverance’ and ‘Xenomorph Blood’ make me lose my shit. I’m not sorry Against the Odds made my list that year. I’m not sorry for my love of thrash. I’m not sorry for having such an exquisite taste. I’m not sorry for anything. OK… I am sorry you’re so dead inside that you can’t enjoy fun things. I’m also sorry for this: thrash veterans Psychosomatic and their newest release, The Invisible Prison.” No regrats.

Warbringer – Weapons of Tomorrow Review

Warbringer – Weapons of Tomorrow Review

Warbringer has been bringing the war to thrash since 2006, breathing life back into the classic 80s sound with a powerhouse blend of Bay Area legends like Exodus, Death Angel and Testament. On 2017’s Woe to the Vanquished they expanded their sound outward, incorporating black metal influences into their thrash template with interesting if not always completely successful results.” Has Weapons of Tomorrow upped the ante once again and armed them for revolution?

Bones – Diseased Review

Bones – Diseased Review

“Everybody knows a local band like Chicago’s Bones. If you attend small scale metal shows in your vicinity with any sort of regularity, you know them well: a groove oriented death metal band, often fresh off work, that seems to open every show regardless of whether they fit the bill. This results in often hilarious pairings, including my recent bewilderment at Kansas City’s death/doomsters Pulchra Morte opening for Gloryhammer of all bands. Bones is the very embodiment of that same working class energy, but as they fall under the eclectic umbrella of Transcending Obscurity, curveballs are to be expected.” Boning it in.

Exumer – Hostile Defiance Review

Exumer – Hostile Defiance Review

“Germany’s Exumer has been around since the 80s themselves, and they have a pretty good grasp on what it takes to craft a successful slab o’ thrash. I still enjoy their Possessed By Fire debut all these years later, and 2016s The Raging Tides had it share of sweet aggression despite some shortcomings. Now they’ve come back to bludgeon with their fifth album, Hostile Defiance, and lo and behold, all the essentials rules are followed and their mosh ducks are in a neat row.” Hostile work environment.

Interview with John Kevill of Warbringer

Interview with John Kevill of Warbringer

“I tested my mettle (and my liver) on the famed 70,000 Tons of Metal this month and somehow convinced real metal PR folks that I was a real metal journalist. This may or may not have something to do with them thinking I was the Angry Metal Guy, despite my insistence otherwise. As fortune would have it, John Kevill, vocalist and founding member of thrash metal savants Warbringer (and a personal favorite since he was cool as hell to me in a venue bathroom in 2009 (wait, that sounds off (or does it?))), was willing to sit down for a bit. In true Warbringer fashion, John went right at it regarding his thoughts on metal journalism, context, and thrash metal writ large and was as thoughtful, forward, and unapologetic as his music.” Starting wars.