Wilderun

Imperial Triumphant – Spirit of Ecstasy Review

Imperial Triumphant – Spirit of Ecstasy Review

“We already know what’s going to happen here: I review Imperial Triumphant’s fifth album, Spirit of Ecstasy, and the comments section here will explode with remarks from the peanut gallery, explaining how much they can’t stand this type of music and how it’s “hipster drivel” of the highest magnitude. Ah, yes… the most divisive band we’ve ever reviewed that’s not named Impure WilhelminaFellowship, or Wilderun, New York’s guttural black-death-jazz miscreants have no less stirred up the masses here in such a tizzy that you’d half-expect them to have somehow personally violated your dog. But no, all they did was make music.” Opulence amid the decadence.

Record(s) o’ the Month – March 2022

Record(s) o’ the Month – March 2022

One of the problems with the Record(s) o’ the Month post is that I, apparently, cannot escape the glass cage of emotion that has been my life for a few years. Unfortunately, said glass cage doesn’t have an internet connection and that makes it difficult to keep up with everything. In reality, Record o’ the Month posts take a lot of work. So, I’m here to fix that! March is hardly done and I’m posting the Record(s) o’ the Month!

Wilderun – Epigone Review

Wilderun – Epigone Review

Wilderun’s Epigone marks the band’s first new material while signed to Century Media, but fourth record. Readers of this website will know that I think they are the best band of the 2010s, having composed progressive, deathly, folksy metal records that will stay with me forever. Their last two albums have both been my record of the year (and AMG Himself’s) and the band continues to accrue acclaim for their incredible sound and talent. Epigone is, without a doubt, an album that comes with high expectations from everyone. It’s interesting to note, then, that the title means “a less distinguished follower or imitator of someone.”

Dessiderium – Aria Review

Dessiderium – Aria Review

“December is an exceptionally bad time to release any album. Between all the list compiling and TYMHM-ing that comes with the territory, I like to try to squeeze in a review or two for the “good enough” albums that find themselves caught out in the cold amid list season celebrations. Mind you, I don’t let them inside to partake, but I at least open the door just a crack to grant them a fleeting breath of celebratory warmth. For an album like Aria, this is an exceptionally disappointing fate. Had this been released even a few months prior, I feel that I would have had the time to digest this immense record to its fullest by list season.” Scrooged.

Fellwarden – Wreathed in Mourncloud Review

Fellwarden – Wreathed in Mourncloud Review

Fellwarden is an atmospheric black metal project created by Fen frontman, the Watcher and joined by fellow Fen drummer, Havenless. Much like many black metal projects we know (think Agalloch or Panopticon), Fellwarden’s music is inspired by the nature that surrounds them. For the Watcher and Havenless, the nature that surrounds them means the rearing landscapes and quiet, understated majesty of the fells of North-Western England.” Mournclouds in your coffee.

Bricks & Diamonds: The Best and Worst Sounding Albums of 2019

Bricks & Diamonds: The Best and Worst Sounding Albums of 2019

“In the tradition of the past Angry Metal-Fi end of year articles, some of the AMG team came together with a list of what we consider the best and worst sounding albums of 2019. Encouragingly, there were far more best-sounding albums on the shortlist than worst-sounding. Is this perhaps indicative of a subtle shift from extreme brickwalling in the broader metal market? We can only hope…” Bricks are for throwing.