Metallica

Orbit Culture – Descent Review

Orbit Culture – Descent Review

“Sweden’s Orbit Culture became a poster child for extreme metal with their 2020 full-length, the formidable Nija. While undeniably heavy in neck-snapping thrash grooves, ferocious roars, and an unforgiving edge of industrial atmospherics, the band showed its roots in the lush forests of melodic death metal. Soaring clean choruses and earworm melodies assemble in the darkness with an often unmatched colossal quality, creating a sound both catchy and devastating. Orbit Culture became the “it” band, not forsaking any of their uniqueness. After 2021’s solid EP Shaman, we are met with 2023’s Descent.” Culture rot.

Blackning – Awakening Rage Review

Blackning – Awakening Rage Review

“Brazil’s Blackning have been producing concise neo-thrash records for nearly a decade. After a six-year hiatus, this quartet is back with their third album, Awakening Rage. As with so many thrash greats, will this third offering be the band’s epic masterpiece? Or will it be forgotten like so many others before it?” Third time’s the harm.

Vendetta – Black as Coal Review

Vendetta – Black as Coal Review

“While the other German thrash bands of the time were branching out into their unique sounds, Vendetta rooted themselves in a Bay Area sound akin to Metallica. And like old-school Metallica, what made those albums great was Klaus Ullrich’s impressive bass presence. Brain Damage, in particular, is a concise record with ripping guitar work, impressive Steve DiGiorgio-level bass work, and the quirky but lovable vocals of Daxx Hömerlein. Fast forward to 2007, and the band is back. Ullrich surrounded himself with a new lineup for that year’s comeback record, Hate. Since then, Vendetta has been cranking out albums, but none have been the comeback we wanted. That said, they have the chops to create something great. Will it be Black as Coal?” Back for wengeance.

Forged in Black – Lightning in the Ashes Review

Forged in Black – Lightning in the Ashes Review

“Early on in my reviewing career, I had the honor of covering Descent of the Serpent, the sophomore record from British metal sub-genre benders Forged in Black. I was enamored by the interesting songwriting on display on that record, and I was equally impressed by the incredibly diverse vocal performance by singer Chris Storozynski. This combo of songcraft and vocals reminded me at times of classic metal bands like Candlemass, Judas Priest, and Metallica, but at other times, the album veered into modern groove metal territory. It was an eclectic mixture for sure, but it felt like taking a walk down my own personal metal memory lane. Even way back then, I knew that I would be anxiously awaiting the album’s follow-up.” Genre hoarding.

Torrential Thrill – State of Disaster Review

Torrential Thrill – State of Disaster Review

“Australia boasts a booming trade in classic and classic-influenced rock bands. The likes of AC/DC, INXS and Midnight Oil introduced the world to Down Under’s rock music, and have proven to be influences on hundreds of other bands. One such group is Melbourne’s Torrential Thrill and their third full-length entitled State of Disaster. I can’t confess to prior familiarity but look favorably on the rocking attitude and strong guitar leads promised by band descriptions online.” Rock in an Aussie place.

Children of the Reptile – Heavy Is the Head Review

Children of the Reptile – Heavy Is the Head Review

“Like me, you probably haven’t heard of North Carolina’s Children of the Reptile. But we are going to fix that today. Because you should listen to them and their third LP, Heavy Is the Head. Despite the endless possibilities of poking fun at that album title, I’ve had too much fun with the record for petty dick jokes. Though back-catalog gems like ‘Good Times Orc,’ ‘Master of the Forge,’ ‘Cro-Magnon Combat,’ and ‘Halls of the Skeleton Lord’ would suggest Children of the Reptile are another budding power metal outfit, they are not.” Snake no mistake.

Vanishment – No More Torture Review

Vanishment – No More Torture Review

No More Torture may be the debut album from Seattle’s Vanishment, but the music contained within is not the product of genre n00bs. The band’s members are grizzled metal and rock veterans, and they’ve chosen a pretty straightforward thrash style for this project. Promo materials cite Megadeth, Iron Maiden, Judas Priest, and Metallica as Vanishment’s source material, and after spending time with the album, it’s hard to refute that list.” Speed merchants.

Hellripper – Warlocks Grim & Withered Hags Review

Hellripper – Warlocks Grim & Withered Hags Review

“In a crowded market of goat suppliers in the metal scene, Scotland’s Hellripper stands above the mob. Their infectious blend of speed/thrash/black metal offered me a lifeline back into a thrash scene that was boring me in the 2010s. 2020’s The Affair of the Poisons was a typically rambunctious affair and very comfortably hit my year-end list. But I have most recently been experiencing the company of Warlocks Grim & Withered Hags which reaches even further north towards Orkney, an archipelago north of the Scottish mainland.” Put a goat in your moat.

High Command – Eclipse of the Dual Moons Review

High Command – Eclipse of the Dual Moons Review

“For me, 2022 has been chock-full of highly anticipated albums from returning favorites, so it’s only fitting that my last review of the year should be more of the same. Three years ago, I told you not to miss Beyond the Wall of Desolation, the debut full-length from Massachusetts band High Command and late addition to my year-end list. When I first heard that record, I immediately fell in love with the band’s epic, fantasy-themed crossover thrash and was impressed by the way they were able to take a bunch of old-school, typically aggro styles and mash them together into something oozing with grandeur.” Command to highly overrate.