Voyager

Contrite Metal Guy – Mistakes Were Made

By Carcharodon on June 29, 2020 in Blog Posts, 87 comments

“The life of the unpaid, overworked metal reviewer is not an easy one. Cascading promos, unreasonable deadlines, draconian editors and the unwashed metal mobs – it makes for a swirling maelstrom of music and madness. In all that tumult, errors are bound to happen and sometimes our initial impression of an album may not be completely accurate. With time and distance comes wisdom, and so we’ve decided to pull back the confessional curtain and reveal our biggest blunders, missteps, oversights and ratings face-plants. Consider this our sincere AMGea culpa. Redemption is retroactive, forgiveness is mandatory.” Tiny missteps.

Ebonivory – The Long Dream I Review

By Huck N Roll on June 5, 2020 in Reviews, Progressive Metal, 56 comments

“I first heard of Ebonivory due to Caligula’s Horse. These guys were supposed to open for the Horse on their North American tour this year, but of course that was cancelled. It did prompt me to hit up Bandcamp and purchase their discography (two EPs and an LP), which turned out to be really good. References can definitely be made between these guys and other Australian prog acts such as Voyager, Karnivool, and Dead Letter Circus. Fast forward a couple of months and here we are, with a brand new release from these Aussies.” Perfect harmony?

Voyager – Colours in the Sun Review

By Steel Druhm on October 30, 2019 in 2019, Australian Metal, Metalcore, Progressive Metal, Reviews, Season of Mist, Progressive Metal, 35 comments

“A new Voyager album is always an unknown quantity. I’ve dearly loved some of the Australian prog-meisters material, and felt ambivalent about some of it as well. I raved about 2011s The Meaning of I, but struggled to love parts of followup V. They won me over again on 2017s Ghost Mile, so naturally I hoped the good times would keep rolling with their new opus Colours in the Sun. And why shouldn’t they keep rolling?” Why indeed.

Angry Metal Primer – Novembers Doom and Voyager

By Dr. Wvrm on October 27, 2019 in 2019, American Metal, Angry Metal Playlist, Angry Metal Primer, Australian Metal, Death Metal, Doom Metal, Progressive Metal, Prophecy Productions, Season of Mist, Death Metal, Doom Metal, Progressive Metal, 14 comments

In which we go apeshit.

GosT – Valediction Review

By sentynel on October 11, 2019 in 2.0, 2019, American Metal, Black Metal, Century Media, Reviews, Synthwave, Black Metal, Synthwave, 28 comments

“Unusual genre crossovers are a tricky thing to get right. Done well, by bands like Diablo Swing Orchestra, they can produce brilliant music that sounds like nothing else. Done poorly, they certainly sound like nothing else. When we last saw 80s horror-themed black metal/synthwave crossover act GosT on their previous album Possessor, Eldritch Elitist noted the combination was sometimes awkward, but great when it worked.” GosTed.

Astrosaur – Obscuroscope Review

By Kenstrosity on October 3, 2019 in 2019, Ambient Metal, Instrumental Metal, Norwegian Metal, Pelagic Records, Post-metal, Progressive Metal, Reviews, Post-Metal, 16 comments

“Much like my need to take the infrequent day off from work, I occasionally require a break from the never-ending storm that is extreme metal. When I require such dalliances with lighter fare, I generally choose prog-metal or something bumping shoulders with post-whatever. Established bands like Voyager, Dreadnought or Fair to Midland are my go-to’s. Hailing from Norway, Astrosaur get their foot in the door with their sophomore full-length Obscuroscope, an instrumental post/prog/jazz album that promises to satisfy my Chillaxoproxin™ fix.” Relaxosaur.

In Mourning – Garden of Storms Review

By Kenstrosity on October 1, 2019 in 2019, Agonia Records, Doom Metal, Melodic Death Metal, Progressive Death, Progressive Metal, Reviews, Swedish Metal, Doom Metal, Melodic Death Metal, Progressive Metal, 66 comments

“I’ve heard it said many a time that In Mourning carry the torch that Opeth “abandoned” with the release of Heritage. I don’t happen to agree with that statement. Sure, superficially the Swedish prog-melo-death-doom quintet share something in common with Blackwater Park-era Opeth, but it was clear to me from the first minute of the indelible Monolith that In Mourning were an entirely different collective, a point that each subsequent release reinforced.” Mourning frost on the Great Pumpkin.

Avandra – Descender Review

By Kenstrosity on April 29, 2019 in 2019, Blood Music, Epic Metal, Melodic Metal, Progressive Metal, Puerto Rican Metal, Reviews, Epic Metal, Progressive Metal, 55 comments

“There are some excellent metal records out there—Voyager’s Ghost Mile comes to mind, along with Wishfield’s self-titled release from earlier this month—that I find quite relaxing. These kinds of records sneak up on you. You might not think much of them at first, but as time passes you crave them more and more. Which brings us to the band of the day: Avandra. ” Prog for pondering.

Gaia – Aerial Review

By GardensTale on September 21, 2018 in 2018, Indian Metal, Metalcore, Progressive Metal, Reviews, Self-released, Metalcore, Progressive Metal, 54 comments

“I like reviewing underdogs. Every now and then you run into an album that seems to have everything against it, yet a nagging feeling remains that if they just do everything right, it might be lightning in a bottle. Enter Gaia, brainchild of young multi-instrumentalist Abhiruk Patowary from New Delhi.” Open bottle, prepare for shocks.

The Dead Centuries – Race Against Time Review

By GardensTale on February 5, 2018 in 2018, Canadian Metal, Progressive Metal, Reviews, Self-released, Progressive Metal, 27 comments

“The much-maligned genre of djent seems to be undergoing a change as of late. It’s becoming more diffuse, more rarely a goal unto itself and more often part of the progressive metal vocabulary. This is a good thing because distilled djent commonly boils down to an exercise in making technical prowess sound as dull as possible. As an ingredient, rather than a meal, it can be used to contrast intense guitar sweeping, as a deliberately unsteady base or a breather passage.” Season sparingly.