Steel Druhm

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Septic Flesh – The Great Mass Review

Septic Flesh – The Great Mass Review

Yet another highly anticipated 2011 release is upon us! This is the eighth crusade by the Greek masters of blackened death Septic Flesh and they brought a few new tricks with them as they refine their crazed classical music meets brutality approach. 2008’s Communion was hailed as a highly creative accomplishment and The Great Mass is a continuation and enlargement of that sound and concept. Taking their basic blackened death style and merging it with performances from the Prague Philharmonic Orchestra and a full choir, Septic Flesh have now become a full blown orchestral/symphonic death metal juggernaut. With a full orchestra involved, this is obviously going to be a bigger, more bombastic album and its hardly easy listening. While they traffic in the same over-the-top, dramatic theatrics as Therion, they manage to keep things much more linear (and therefore much more listenable). While bands like Cradle of Filth and Dimmu Borgir have long employed symphonic orchestration to accent their sound, Septic Flesh have now embedded it into their core and made it an integral part of their make up and identity.

Pentagram – Last Rites Review

Pentagram – Last Rites Review

Pentagram has been around almost as long as actual pentagrams have. They’re seriously grizzled, wiley vets of the doom scene and the fact they’re still churning out material is amazing to me. This band has been together in one form or another since 1971 and now they’re back again in 2011. In case you somehow missed the boat on these doom titans, Pentagram plays 70’s styled doom metal similar to early Black Sabbath or old Saint Vitus and they’ve created some of the best moments in the style over their long life. For those already familiar with the Penta-brand, what makes this album a Big Fucking Deal (thank you, Joe Biden) is the return of founding guitarist and doom demigod Victor Griffin (Place of Skulls) who hasn’t graced a Pentagram platter since their last great effort, Be Forewarned way back in 1994. With one of the true masters of doom guitar reunited with one of the founding fathers of doom vocals Bobby Liebling, can things end up as anything other than unnaturally bad ass? No, no they can’t and Last Rites is the strongest and most consistently killer album since Be Forewarned and may even be better. From start to finish, this sounds like a fully recharged and hungry Pentagram and what makes it even better, it sounds WAY heavier and more battle ready than the recent string of releases with Joe Hasselvander playing all the instruments. This is Grade A doom with some serious attitude and it delivers a major kick to the arse. Not what you would expect from a bunch of old codgers eh?

Steel Druhm’s Best Heavy Metal Songs of All Time 40-31

Steel Druhm’s Best Heavy Metal Songs of All Time 40-31

You know, I’ve had some quiet, introspective time to think about this whole “best songs list” thing. Maybe we’re wasting our time preaching about our metal cred. Maybe Gibson’s list is just as valid as Angry Metal Guy’s (50-41, 40-31) list or my list (50-41). I’m sure many of you out there have your own lists and they’re great too. As I mulled this over and over, I more I was forced to finally accept that my list is the one true list and superior to all others (except mine, of course – AMG). Now that we cleared that up, here’s more of THE List (that is right below Angry Metal Guy’s list on the pecking order – AMG).

Insense – Burn in Beautiful Fire Review

Insense – Burn in Beautiful Fire Review

Reviewing albums like this is how I pay my debt for getting the Amon Amarth review. My inbox will become a wasteland of the very worst metalcore, deathcore, screamocore and whatever soulless rubbish Angry Metal Guy can hurl at me in an Oden-like rage (thank God I didn’t ask for the upcoming Amorphis review). As part of my community service, I’m here to enlighten you about Norway’s Insense and their fourth album Burn in Beautiful Fire. If you never heard of them, these guys play third-rate metalcore with all the emo/screamo pap that goes along with that craptastic style. Their bio says Anders Friden of In Flames thinks they’re the next big thing to hit the scene. Well, if this is what Anders thinks is good music, that explains why In Flames has sucked so thoroughly since Colony. All apologies and respect to Mr. Friden but even by metalcore standards this is super shitty and irritating. It’s boring, annoyingly unoriginal and painfully below average in every aspect. I even hate the freaking album cover.

Long Time Manowar Drummer Scott Columbus Passes Away

Long Time Manowar Drummer Scott Columbus Passes Away

Sadly for the metal community, long time Manowar drummer Scott Columbus passed away Monday at the age of 54. Mr. Columbus joined Manowar in 1982 and was a mainstay behind his unique stainless steel “drums of doom” until 1991. After some time away, he returned to Manowar again in 1995 and played on all their studio and live albums through 2008.

Blood Mortized – Bestial Review

Blood Mortized – Bestial Review

Steel Druhm once loved the retro thrash wave and rode it for all it was worth (as he talked of himself in the third person). However, like all waves, trends and scenes, too much becomes too much. As my passion for that movement fades, I find myself quite eagerly embracing the retro Swedish death metal wave that seems to be gaining momentum. Interment and Entrails already have quality retro death metal albums out and now Blood Mortized is set to contribute more excellently time challenged carnage. Composed of vets of the Swedish extreme metal scene and including former members of Amon Amarth and Crypt of Kerberos, Blood Mortized’s four track EP Beastial is a scabby, crusty slab of rotten and fetid death just like Entombed, Dismember and Grave used to make circa 1990-1992. Clearly inspired by the “Sunlight Studio” days of yore, these songs will take you back in time before the days of “melodic death metal” and “death with clean singing.” Yes, this is raw, filthy old school death and it sounds gory and glorious!

Steel Druhm’s Best Heavy Metal Songs of All Time 50-41

Steel Druhm’s Best Heavy Metal Songs of All Time 50-41

Much like Angry Metal Guy, I took issue with Gibson’s Top 50 Metal Songs of All Time. While AMG was primarily offended by the paucity of post-1980s selections and the Anglocentric focus, my biggest gripe was the inclusion of bands that weren’t/aren’t metal (that also pissed me off, I’m just not eloquent when I’m pissed. – AMG). As good as bands like KISS, Van Halen and AC/DC may be, they just aren’t heavy metal bands (Don’t even get me started on Korn). Even when Gibson managed to stick to the correct genre, some of their choices were quite baffling to me. Of course, if you put fifty metal fans in a room and told them to do their own lists, each would be unique and vastly different. That’s the wonderful subjectivity of music, it means something different to each of us and who are we to judge what others like? That being said, Gibson’s list blows moose cock, so here’s mine.

Artillery – My Blood Review

Artillery – My Blood Review

OK, before I get down to brass tacks regarding the new Artillery release, I need to get some stuff out there for public consumption. Yep, it’s an Angry Metal Lecture and you will sit there and listen Goddamnit! For those unaware, Denmark’s Artillery were one of the early entries into the ’80s thrash scene. Their 1985 album Fear of Tomorrow would rank in my top five thrash albums of all time. There 1987 follow up Terror Squad would reside in the top ten. Both albums featured outstanding songwriting, musicianship and most importantly, that certain something extra that makes music truly memorable and special. Though I love both classic Artillery albums, Fear of Tomorrow holds a truly special place in my metal heart. Every song is a thrash masterpiece and if you haven’t heard “The Almighty,” “Out of the Sky,” “The Eternal War” and the epic “Deeds of Darkness” then you’re doing yourself a metal disservice. These were some special platters of metal so go get them and respect the past. Alright, lecture over. Sadly, so is the praise for Artillery. After reforming in 1999 with three/fifths of the original line-up, results have been uneven. While their 1999 release B.A.C.K. was shite, the 2009 release When Death Comes was much better. Now we get My Blood and this once proud crew of Danes has delivered some shockingly sub par material again.

Mercenary – Metamorphosis Review

Mercenary – Metamorphosis Review

Well, we can’t be expected to love everything that comes out this year, although it seems at times like we have been. Although I really enjoyed the earlier releases by Denmark’s Mercenary (especially 11 Dreams and The Hours That Remain) and was looking forward to this release, the massive upheaval that led half the band to flee after 2009’s Architect of Lies has clearly taken its toll. After losing their drummer, keyboardist and singer, they were forced to retool and regroup and I’m sad to report that the 2011 incarnation of Mercenary is only a shadow of what it once was. While their sound always had elements of the dreaded metalcore style, it was merged with many other influences and thereby rendered tolerable. On Metamorphosis, they’ve emerged from their cocoon as a full blown metalcore-melo-death butterfly, just like the eight million others out there (I know the cover shows a phoenix but this is way closer to butterfly, trust me). Gone is the intriguing blend of death, power, thrash and progressive metal that graced their earlier material. Gone is that special something that made their songs so impactful and addictive. Now it’s generic metalcore with poppy, radio friendly choruses all day, all night. While fleeting moments of the old sound can be heard here and there, overall this is a very different entity and to these ears, a much lesser one. In fact, this is inferior to their previous work in every possible way.

Vicious Rumors – Razorback Killers Review

Vicious Rumors – Razorback Killers Review

2011 is turning out to be a great year for metal thus far. I find myself giving out 4.0 and 4.5 left and right and there’s lots of new stuff I’m really enjoying. With all due modesty, I caused this to happen by predicting the new Belphegor would be one of my top picks unless we had a truly banner year in metal. Well, you can thank your beloved Steel Druhm for the self-jinx by sending him all the finest ales, meats and cheeses from across the lands. Moving on, we come to another surprisingly good release, this time by long running San Francisco vets Vicious Rumors. These chaps have been knocking around since 1979 and put out some great albums early in their career like their self-titled opus and Welcome to the Ball (their debut even featured mega guitar ace Vinnie Moore). After the tragic death of vocalist Carl Albert in 1995, there was a long dry spell of lackluster and mediocre albums and not until 2006’s Warball did they truly get back into vintage fighting shape again. After a lengthy wait, they finally return with Razorback Killers and once again show themselves capable of much ass kickery and name takery.