Steel Druhm

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Wolf – Legions of Bastards Review

By Steel Druhm on April 24, 2011 in 2011, 3.5, Heavy Metal, Reviews, Swedish Metal, Heavy Metal, 1 comment

The retro metal wolf is at the door again. The lupus I refer to is Sweden’s own Wolf, the one that’s been churning out their NWOBHM meets Mercyful Fate meets power metal style since 2000 and resisting all signs of modernizing along the way. Well, color them consistent because here on Legions of Bastards, their sixth album, they remain firmly planted in the 80’s metal sound and mentality. While retro-come-lately acts like Enforcer, Bloodbound and Steelwing made their bones raping the musical carcass of the 80’s, they’re all getting seriously sloppy seconds since Wolf got there first, many years ago. Past albums have been fun, energetic nods of the old school gods like Judas Priest and Iron Maiden and here on Legions, the retro hero-worship continues unabated. This is 110% shameless throwback metal with enough over-the-top guitar soloing, vocal wailing and cheesy metal cliches to make Spinal Tap consider a career in disco. It’s more fun than a barrel full of Charlie Sheens and just about as subtle. If any part of you is a forward-looking progressive who wants to stop living in the past, this is very much not the band or album for you. As for me, I thrive on old timey metal cheese so this is right in my personal (cheese) wheelhouse. Set the time machine to 1986, raise the horns and read on if you dare.

While Heaven Wept – Fear of Infinity Review

By Steel Druhm on April 23, 2011 in 2011, 4.0, American Metal, Doom Metal, Heavy Metal, Nuclear Blast, Reviews, Doom Metal, Heavy Metal, 18 comments

2011 got off to a rollicking start for metal and it seemed that we in the reviewer game were going to have our hands full trying to select a top ten come December. However, as March wound into April and we got to hear some very highly anticipated releases, things started to look a little less stellar. Angry Metal Guy was less than blown away by the new Amon Amarth and Septic Flesh among several others not yet reviewed. Now it’s my turn to feel less than floored by a much beloved band’s new material. As a huge fan of While Heaven Wept and their epic, beautiful doom style, I must admit to being slightly let down by Fear of Infinity, their fourth album. Now, before people get the wrong idea, this remains a very solid, well done doom metal album and maintains the style and sound of past While Heaven Wept material. However, it just doesn’t achieve the towering heights of excellence heard on their Of Empires Forlorn and Vast Oceans Lachrymose albums. Something seems amiss on some of the material here and I can’t quite place my finger on it.

Kromlek – Finis Terrae Review

By Steel Druhm on April 22, 2011 in 2.5, 2011, Folk Metal, German Metal, Reviews, Trollzorn/SMP Records, Viking Metal, Black Metal, Folk Metal, Viking Metal, 9 comments

never heard of these guys before and didn’t know what to expect but they’re described as folk/viking black metal from Germany. Finis Terrae is their third platter and features guest appearances from members of Heidevolk and Equilibrium. Since I wasn’t able to locate their earlier works, I can’t speak intelligently about how this stacks up to their past material but I can say this isn’t what I expected from a viking/folk group. Instead, a lot of Finis Terrae reminds me of a mid-paced, way more melodic version of Children of Bodom with some hints of Kalmah appearing throughout as well. Only during the back half of the album does KromleK employ what could be considered a traditional viking/black metal style and by then it seems out of place after all the COB-lite noodling. Thus, this becomes a tale of two half albums that don’t necessarily compliment each other. While I was pleasantly surprised by the strange, progressive approach on some of the material here, things get pretty uneven and spotty as things move along. What we get left with is a confusing mish-mash of styles and intentions.

Sarke – Oldarhian Review

By Steel Druhm on April 18, 2011 in 2.5, 2011, Heavy Metal, Indie Recordings, Norwegian Metal, Reviews, Heavy Metal, 2 comments

This is an odd one indeed. Basically, Sarke is a side project for Thomas Berglie (Old Man’s Child, Khold) and he handles all the instruments here. He recruitedÂ Nocturno Culto (Darkthrone) to do the vocals and together they released Vorunah in 2009 and now they’re back with Oldarhian. Although both men come from black metal backgrounds, Sarke is not a black metal band. Instead they play a mix of traditional heavy metal, Cemetary, Tiamat and new Darkthrone with some extra punk tossed in for good measure. The music is very stripped down, simplistic and not exceptionally heavy. At least for Nocturno, this material isn’t a big departure since it’s similar to Darkthrone albums like Circle the Wagons and F.O.A.D. Keeping their sound fairly consistent with the Vorunah album, Oldarhian offers more of their basic metal-punk fusion and while it has some enjoyable, rocking songs, it doesn’t completely work for me as a whole.

Demonical – Death Infernal Review

By Steel Druhm on April 15, 2011 in 2011, 3.0, Cyclone Empire, Death Metal, Reviews, Swedish Metal, Death Metal, 0 comments

I’ve said it before and now please allow me to say it again. I love old school Swedish death metal. I think it was one of the best pure metal sounds and when done right, its like a little slice of hell on Earth. I recently sang the praises of Blood Mortized for doing the style enormous justice and now here comes Demonical, yet another Swedish retro death mob. Death Infernal is their third release and as with their prior material, it’s a full on love fest for all things Entombed, Dismember, Grave and Unleashed. Featuring members who did time in Grave, Interment and other SDM acts, these guys have been around the block and clearly know what they’re doing genre-wise. While there’s little to no originality on display here, that need not spell disaster if a band executes their chosen influences and style with skill and conviction. For the most part, Demonical manages to do just that and delivers some decent Swedish flavored death mayhem. While not not a perfect album, it’s solid, serviceable and at times pretty darn good.

Steel Druhm’s Best Heavy Metal Songs of All Time 30-21

By Steel Druhm on April 14, 2011 in Blog Posts, 14 comments

Well, we’re getting down to the nitty-gritty here folks. As the list spirals down to #1, the acclaim and criticism of Steel Druhm’s tastes will escalate exponentially. That’s fine, for Steel Druhm cares not what others think and his metal tastes are sublime and unassailable. Without further ado, here is my last ten before we get to the crucial top 20 metalpieces of all time (look, I made up a cool word, Pat. Pending). [Read the previous lists by Steel Druhm: 50-41, 40-31. And by Angry Metal Guy: 50-41, 40-31, 31-20.]

Septic Flesh – The Great Mass Review

By Steel Druhm on April 13, 2011 in 2011, 4.0, Death Metal, Greek Metal, Progressive Death, Reviews, Season of Mist, Black Metal, Death Metal, Progressive Metal, 10 comments

Yet another highly anticipated 2011 release is upon us! This is the eighth crusade by the Greek masters of blackened death Septic Flesh and they brought a few new tricks with them as they refine their crazed classical music meets brutality approach. 2008’s Communion was hailed as a highly creative accomplishment and The Great Mass is a continuation and enlargement of that sound and concept. Taking their basic blackened death style and merging it with performances from the Prague Philharmonic Orchestra and a full choir, Septic Flesh have now become a full blown orchestral/symphonic death metal juggernaut. With a full orchestra involved, this is obviously going to be a bigger, more bombastic album and its hardly easy listening. While they traffic in the same over-the-top, dramatic theatrics as Therion, they manage to keep things much more linear (and therefore much more listenable). While bands like Cradle of Filth and Dimmu Borgir have long employed symphonic orchestration to accent their sound, Septic Flesh have now embedded it into their core and made it an integral part of their make up and identity.

Pentagram – Last Rites Review

By Steel Druhm on April 12, 2011 in 2011, 4.5, American Metal, Doom Metal, Metal Blade, Doom Metal, 4 comments

Pentagram has been around almost as long as actual pentagrams have. They’re seriously grizzled, wiley vets of the doom scene and the fact they’re still churning out material is amazing to me. This band has been together in one form or another since 1971 and now they’re back again in 2011. In case you somehow missed the boat on these doom titans, Pentagram plays 70’s styled doom metal similar to early Black Sabbath or old Saint Vitus and they’ve created some of the best moments in the style over their long life. For those already familiar with the Penta-brand, what makes this album a Big Fucking Deal (thank you, Joe Biden) is the return of founding guitarist and doom demigod Victor Griffin (Place of Skulls) who hasn’t graced a Pentagram platter since their last great effort, Be Forewarned way back in 1994. With one of the true masters of doom guitar reunited with one of the founding fathers of doom vocals Bobby Liebling, can things end up as anything other than unnaturally bad ass? No, no they can’t and Last Rites is the strongest and most consistently killer album since Be Forewarned and may even be better. From start to finish, this sounds like a fully recharged and hungry Pentagram and what makes it even better, it sounds WAY heavier and more battle ready than the recent string of releases with Joe Hasselvander playing all the instruments. This is Grade A doom with some serious attitude and it delivers a major kick to the arse. Not what you would expect from a bunch of old codgers eh?

Steel Druhm’s Best Heavy Metal Songs of All Time 40-31

By Steel Druhm on April 7, 2011 in Blog Posts, 12 comments

You know, I’ve had some quiet, introspective time to think about this whole “best songs list” thing. Maybe we’re wasting our time preaching about our metal cred. Maybe Gibson’s list is just as valid as Angry Metal Guy’s (50-41, 40-31) list or my list (50-41). I’m sure many of you out there have your own lists and they’re great too. As I mulled this over and over, I more I was forced to finally accept that my list is the one true list and superior to all others (except mine, of course – AMG). Now that we cleared that up, here’s more of THE List (that is right below Angry Metal Guy’s list on the pecking order – AMG).

Insense – Burn in Beautiful Fire Review

By Steel Druhm on April 6, 2011 in 1.5, 2011, Indie Recordings, Metalcore, Norwegian Metal, Reviews, Metalcore, 19 comments

Reviewing albums like this is how I pay my debt for getting the Amon Amarth review. My inbox will become a wasteland of the very worst metalcore, deathcore, screamocore and whatever soulless rubbish Angry Metal Guy can hurl at me in an Oden-like rage (thank God I didn’t ask for the upcoming Amorphis review). As part of my community service, I’m here to enlighten you about Norway’s Insense and their fourth album Burn in Beautiful Fire. If you never heard of them, these guys play third-rate metalcore with all the emo/screamo pap that goes along with that craptastic style. Their bio says Anders Friden of In Flames thinks they’re the next big thing to hit the scene. Well, if this is what Anders thinks is good music, that explains why In Flames has sucked so thoroughly since Colony. All apologies and respect to Mr. Friden but even by metalcore standards this is super shitty and irritating. It’s boring, annoyingly unoriginal and painfully below average in every aspect. I even hate the freaking album cover.