Ambient

Ulveblod – Omnia Mors Aequat Review

Ulveblod – Omnia Mors Aequat Review

“I wanted a black metal/noise hybrid. I figured it was the trvest style out there: the ultimate form of pitch-black atmosphere that could conjure abstractness and bleakness to new heights. While there have been plenty of artists that have tried, like Enbilulugugal, Gnaw Their Tongues, and Abruptum, success has been limited, so I wished upon a star for noisy black metal.” Cut off your noise to spite your face.

Dodenbezweerder – Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels Review

Dodenbezweerder – Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels Review

“For those of you acquainted with the Dutch black metal scene, this is another project from Maurice “Mories” de Jong, whose sadistic tendrils puppeteer acts like Gnaw Their Tongues, De Magia Veterum, and Obscuring Veil, to name only a few. He and an anonymous member released three demos and an EP in 2019 under the moniker Dodenbezweerder, which attempts to fuse the sprawl and evocation of ambient black with the edge and claustrophobia of raw black.” Noise as a weapon.

Fool’s Ghost – Dark Woven Light Review

Fool’s Ghost – Dark Woven Light Review

“Dark, cinematic, and dreamy is not the typical combination of descriptors used for bands signed to heavy metal label Prosthetic Records. Nevertheless, there’s a first time for everything. Prosthetic Records released one of my favorite metal albums of 2019 (Paladin‘s Ascension), and now they are releasing Dark Woven Light, the debut by Fool’s Ghost, a husband and wife duo from Louisville, Kentucky.” Haunting haunts.

Krosis – A Memoir of Free Will Review

Krosis – A Memoir of Free Will Review

Krosis is a progressive deathcore band from North Carolina, A Memoir of Free Will being their second full-length. I’m not sure what progressive really entails, as the label has been used to describe anything from the djenty chuggaboundabounboundaluggs of Structures or Volumes, to the transcendental offerings of Slice the Cake or Kardashev.” Jawbreakers.

Crowhurst and Gavin Bryars – Incoherent American Narrative Review

Crowhurst and Gavin Bryars – Incoherent American Narrative Review

“Not knowing what to expect from Crowhurst and Gavin Bryars‘s new album Incoherent American Narrative, I snuggled into a corner of my couch with a piping hot mug of mint tea at my side and put on my Sennheisers. Now that I have experienced the album more than a handful of times, the idea that keeps coming to mind is that of a sound collage. Sound collages, like their visual counterparts, are compositions created from “gluing” together various, oftentimes disparate, sound pieces. Incoherent American Narrative fits that description to a T.” Art and crafts.

Raphael Weinroth-Browne – Worlds Within Review

Raphael Weinroth-Browne – Worlds Within Review

“And he now works with Leprous as a dedicated cellist, while he also participates in neo-folk troupe Musk Ox and classical duo Kamancello. Across these projects, he has exhibited a flair for flexible use of his instrument, the cello, and I was therefore excited to observe a release called Worlds Within under his own name, solely composed by himself. How does his music fare when divested from the creative control of others’ grubby hands?” Cello again.

T.O.M.B. – Thin the Veil Review

T.O.M.B. – Thin the Veil Review

“I would kill for a good atmospheric album. Just ask Kronos about that time that we discussed the atmospheric sludge/doom beauty of The Osedax around the water cooler when Gardenstale mentioned he was gonna give it, AT BEST, a 2.5. Have you seen any Gardenstale reviews lately? Didn’t think so.” Thin lines between love and hate.

Abyssal – A Beacon in the Husk [Things You Might Have Missed 2019]

Abyssal – A Beacon in the Husk [Things You Might Have Missed 2019]

“Dissonant death metal is a polarizing style, one whose purposes are often unclear. While it encompasses a variety of interpretations, its beginnings in Immolation and Demilich can be summed up in its attempted balance of malice and menace. British death metal act Abyssal‘s fourth full-length A Beacon in the Husk is the perfection of this balance: a sunless journey into the depths of the abyss, guided by its philosophical lyricism and patient dynamics.” Void tunes.