“There are three things you need to know in regards to Raunchy: 1) I’ve had an unhealthy love affair with them since stumbling across Wasteland Discotheque back in 2008; 2) they have the most misleading band name ever; and 3) never say “can I get Raunchy?” when asking for their promo.” We call that a micro-aggression, and we only tolerate macro-aggressions at AMG. HR awaits!
“Before I even started listening to metal, I was fascinated with mythology from all over the world. Looking back, it doesn’t surprise me that I got so into metal, since Norwegian and Finnish mythology were always the kinds I enjoyed most. And when it came to exploring Viking, folk, and black metal, the pagan themes were practically calling my name. (So were the Lord of the Rings aspects, but that’s another story).” Can this Viking act live up to the myths they so shamelessly steal from? Not with that cover!
“The old PR hype machine has been cranking out the pre-release superlatives and playing up the mystery surrounding the debut EP from Scandinavian one woman black metal project Myrkur. Typical of male dominance in the metal community, the gender novelty has been thrown around, however it’s the identity of this apparently Danish born artist that has raised much speculation and underground sleuthing from dedicated metalheads.” We love a mystery here at AMG, and this one is a riddle wrapped in an enigma and coated with Scandinavian ice.
“The past two years have put to death the oft-spoken cliché that only young hungry bands make exciting music anymore. 2014 alone has given us career highlights from genre titans Vader and Behemoth, while last year’s Gorguts/Carcass one-two comeback punch still has me walking around like our gore-obsessed friends across the pond personally shoved their captive bolt pistol up my ass. Now on the eve of an At the Gates reunion record, it’s no surprise newcomers like Denmark’s Aphyxion have trouble finding a place to surface in the churning sea of the current scene. Even with three EPs and over 100 shows logged since forming in 2007, their debut album Earth Entangled shows them fighting their damnedest to breathe as a modern metal group.” I hear mercy drownings are on the rise these days….
“There’s Something Rotten… in the State of Denmark, I believe it’s the stench of death! Following on from Sense of Darkness, and still under the watchful eye of Germany’s dealers of hard and heavy (Massacre Records), Illdisposed are back with the 12th full-length installment in their mighty discography. And true to form it’s a mash-up of artfully used metalcore riffing and modern thrash with some head-bangs towards Legion of the Damned, bound together with a big Parasite Inc. melo-death colored ribbon that grasps furiously at melody while trying its utmost to give you a brutal Pantera-style wedgie.” If Pantera wants to give you a wedgie, you let them!
“Prog metal can be an off-putting proposition for some folks. With all the odd time signatures, tempo shifts and efforts to show how talented the band is, sometimes the songs themselves are abandoned along the highway of wankery. Power-prog has always been a bit easier to stomach for yours truly, taking the basics of power metal and jazzing it up some, but not too much. In this sub sub-genre of music, Denmark’s Anubis Gate have long been my favorite due to their ability to craft mesmerizing, impossibly catchy melodies and emotional songs that resonate from the very first listen.” Do these great Danes continue to enthrall the jaded Steel Druhm, or has that love died on the vine?
“Imagine that you mated Gorguts and Dodecahedron and left their bastard progeny on the doorstep of The Ocean. By the time Light Through Dead Glass flies out the F1’s mouth, nature and nurture have taken their course in shaping their grubby offspring. Passed down from their father are incoherent shrieks and furious black metal riffs, complementing the intricate bass lines and scintillating guitar tone contributed by their mother. Both parents passed on the recessive atonality and strangeness alleles, and somewhere along the line a mutation occurred giving rise to the novel trumpet player feature. Despite Epistasis’ breeding, their adopted parents have taught them some manners, instilling upon the young band a sense of melody and introspection. With such a colorful bouquet of attributes, Epistasis is an impossible specimen to miss in a screen, even for the amateur metal geneticist.” In our ongoing quest to marry ivory tower academia with metal analysis, here’s Kronos discussing insect genetics and their relation to progressive and black metal. Huh?
“Danish band Hexis have been torturing the masses since back in 2010. Up until now, their tales of atheism and abstract thought have been dished out via a bunch of demo’s, EP’s and splits with the likes of French post-metallers As We Draw, Russian atmospheric, post-hardcore band Euglena and Danish post-black metallers Redwood Hill. Now, as the new year kicks into full swing, Hexis have finally grabbed the demon by the horns and they’re all set to deliver their first full-length consisting of 13 stripped down abominations that bring to mind the harrowing events of an exorcism.” Demonic possession and metal go together like beer and another beer, so on paper at least, this seems like a marriage made in Hell. Madam X tells us if they need counseling.
“I love the first two Artillery albums. I’ve said so often and I’ll continue to trumpet the work those great Danes did until I’m in the cold, hard ground. Since I went on an Angry Metal Tirade about this very topic in my review of Artillery’s 2011 My Blood opus, I’ll digress from further gushing here. Suffice it to say, since those treasured platters, Artillery has had its share of ups and downs, with My Blood being particularly unimpressive and legacy bruising. After some line up tweaks and a new vocalist, they’re B.A.C.K. with Legions and a slightly new approach while still trying to resurrect their former greatness.” The first family of Danish thrash is back again and this time, they don’t make Steel Druhm weep at the grave of their former greatness. That’s good, since we hate seeing the guy cry black tears of wengeance.
“Mercenary is a band that’s given me fits over their career. I was very much taken with their fusion of melodic death, power-prog and metalcore on early albums like Everblack and especially The Hours That Remain. Architect of Lies lost some of the charm the older stuff had and didn’t hit me as hard, but it was still decent. However, things really fell apart on their 2011 Metamorphosis release which came across like a generic mix of emo/screamo metalcore and pop. I wrote it off to the massive line up changes the band was weathering at the time and there were a few decent tunes that gave hope they could regain their footing on subsequent releases. Despite this half-hearted optimism, the eternal Law of Dimishing Returns suggested their best days were behind them and I wouldn’t find much to praise on their new album.” Can Mercenary get themselves back on track or is this another nose dive into metalcore hell? Steel Druhm has thoughts and conclusions.
