Metal Blade

Fatal Embrace – The Empires of Inhumanity Review

Fatal Embrace – The Empires of Inhumanity Review

Trends often start off with a good idea or at least a respectable inspiration. However, through imitation and copying, that original idea becomes a trend and the trend gets boring, overdone and ultimately becomes a joke. The retro 80’s power metal trend is in full bloom and many would say the 80’s retro thrash movement has been overdone for years already. As someone who grew up in the 80’s metal era, I may possess more tolerance for this whole “retro” thing since it does this old heart good to hear a quality metal album that truly captures the sound, energy and spirit of a time long gone. Therefore, my review of The Empires of Inhumanity, the new release by German thrashers Fatal Embrace will be more charitable than what it would have received from other angry metal guys. In all fairness, these Teutonic shredders have been around since 1993 so they could rightfully be considered part of the original thrash movement rather than a retro band. Either way though, over four albums Fatal Embrace have demonstrated an unwavering dedication to the 80’s thrash style of Slayer and Sodom while foregoing all modern styles and current trends completely.

Aeon – Path of Fire Review

Aeon – Path of Fire Review

Swedish death metal, I mean real Swedish death metal with the legacy of brutality that everyone can identify in the form of (insert your favorite Swedish death metal bands here) lives on in Aeon, a band that hails from Östersund a city in Jämtland (which is basically in the mountains and towards the Norwegian border). Astersund, while not known for its thriving metal scene, has indeed birthed one of Sweden’s current and most brutal death metal bands who were signed to Metal Blade and released an album a couple of years ago entitled Rise to Dominate which really excited fans of the tech and (more-or-less) brutal styles of death metal. I believe when I was introduced to them the words “fucking ridiculous” were definitely involved somewhere in that conversation.

Skyforger – Kurbads Review

Skyforger – Kurbads Review

Skyforger is Latvia’s answer to folk metal and they’ve been giving it a go for quite a while. Despite having been around since 1995, however, they’ve not produced a terribly huge discography. In fact, Kurbads is the first Skyforger album since 2003, when they self-released a folk album that was mightily well-received by their fanbase, even, apparently, more so their metal album from the same year Thunderforge. The band, for the record, has also been involved in a bit of controversy surrounding the use of, what the band calls a thundercross, and what the rest of us call a swastika in their logo. But it seems the band has worked very hard to distance themselves from any of the controversy surrounding this and should be approached from a non-political stance.

The Ocean – Heliocentric Review

The Ocean – Heliocentric Review

Apparently everyone but me has heard of The Ocean Collective and has been all stoked about them for the past few years and talking about how cool they are. Apparently they’ve even opened up for bands like Cult of Luna and Opeth and have toured the world doing tons of shows and going through a bajillion members on the way! Who knew!? Apparently everyone but me! So let me say that this record was a shot in the dark. Metal Blade is distroing another more underground band through their label and while this hasn’t always done them well, this was definitely a good choice.

Bison B.C. – Dark Ages Review

Bison B.C. – Dark Ages Review

Another record from Metal Blade’s Canadian installation and the third record from Canadian 70s-metal-meets-hardcore band Bison BC. This record took me totally by surprise, as I’d never heard of this band before and wasn’t really sure of what to expect. Honestly, all I had to go with was the look of the record and it looked very 70s. That fact alone hasn’t been very reassuring, while there are some bands out there trying to push the sound a bit, it just feels like another nostalgia movement that isn’t going anywhere to me so I tend to be pretty skeptical of such records.

Those Who Lie Beneath – An Awakening Review

Those Who Lie Beneath – An Awakening Review

A wise man once told me that you should never, ever refuse to do something just because someone else has done it before you and done it poorly. I think that this is very good advice. It’s advice that really counts when it comes to breakdowns, for example, which have been considered to be the death knell for deathcore and metalcore since they became irritating and out of fashion in the underground. An Awakening is the debut record from the Portland, Oregon based Those Who Lie Beneath and they have certainly not shied away from the standards of the deathcore scene, something that has been has done very badly before them.

Anima – Enter the Killzone Review

Anima – Enter the Killzone Review

I am not a trend hater. While the whole world has been hating on Deathcore for its tight pants and swoopy hair, I’ve been defending the fact that bands don’t have to “look like metal dudes” to make good metal. While jackass elitists are purging the genre from Encyclopaedia Metallum because they don’t like the trend, bands like Suicide Silence and Job for a Cowboy have shown that these bands can write killer riffs and produce solid records, even if they’re not stylistically something I’m a big fan of. Anima, unfortunately, is not so easy to defend.

Aeternam – Disciples of the Unseen Review

Aeternam – Disciples of the Unseen Review

Egyptian metal is apparently a genre now! I didn’t have any clue! I just thought it was kind of a thing that Nile did. And then it was Nile and Behemoth. And then it was Nile, Behemoth and SepticFlesh. And now it’s Nile, Behemoth, SepticFlesh and Aeternam! I think that counts as a genre! So, that’s pretty cool in and of itself. Oh, and it turns out that Aeternam is pretty cool themselves, leading to a generally all around happy feeling for a few fleeting moments before the general irritants that keep me so angry all the time come crashing back in.

Barn Burner – Bangers Review

Barn Burner – Bangers Review

I don’t know about you, but when I think about classic rock I think about vocalists. Guys like Steve Perry, Steven Tyler, Robert Plant, Geddy Lee. You know, big voices, amazing melodies, and sure while you might not like every single person there, you appreciate what they offered in the sense of their huge influence and their technical skill. Hell, even look at early metal vocalists, guys like Paul Di’Anno, Rob Halford and Bruce Dickinson were all very different stylistically, but had gripping melodies, great presence and pushed forward with their sounds. So what fascinates me is that any band with sort of a classic rock influence and approach would ever select a vocalist with a 4 note range.. but I have now encountered it on Barn Burner’s Bangers.

Charred Walls of the Damned – Charred Walls of the Damned Review

Charred Walls of the Damned – Charred Walls of the Damned Review

Charred Walls of the Damned has two distinct honors from the get-go: not only is it the longest band name EVER, but it’s also the first thing in which excellent drummer Richard Christy has surfaced in since going to the Howard Stern show and leaving American power metallers Iced Earth in the dust. I think everyone was wondering when he was going to jump back into metal, myself included. It’s hard to imagine that the former Death and Iced Earth drummer was just going to leave everything behind. Given his background it was only a matter of time. And not just his background: homeboy has contacts, too! He brings with him the mighty Jason Suecof, mostly known for his production (Trivium, Luna Mortis, God Forbid and so on), but who is also a fucking wicked ass guitar player (seriously, dude can shred). On bass, of course, is the mighty Steve DiGiorgio who played with Christy in Iced Earth and Death. How can this project possibly lose?