“Oranssi Pazuzu narrowly missed out on Captain Ricard’s Best Black Metal Album of 2013 award (that went to Teethed Glory and Injury) with the magnificent Vaonielu. An instantly accessible yet bizarre and musically deep record, Vaonielu kept me away from my Toto loop for weeks with its sublime blend of catchy, aggressive riffs, trippy grooves, psychedelic synths, and menacing atmosphere.” Fear the wrath of Pazuzu’s schlong!
“Svart Records is a bastion of strange Finnish acts, and Jess and the Ancient Ones is one of the strangest. Starting with the same 70s occult rock indulged in by Ghost and Jex Thoth, they add in surfer rock and more than a little tripped out psychedelic acid rock to arrive at something altogether different.” Surf’s up and Satan is down!
“Sabbath Assembly have always been odd, especially since they used their music to proselytize about the obscure religious splinter group known as the Process Church of the Final Judgment. This resulted in albums like Ye Are Gods and Quaternity playing like Manson-esque hippie cult indoctrination music and they were definitely an acquired taste with limited replay value. Cast out and finding their own way.
“Live albums are a dicey bag. Not every band has the capabilities to produce something classic along the lines of Live After Death or Alive in Athens, and most certainly not from the funeral doom genre. On top of that, to make your first album after a seven-year absence a live album that’s three-quarters new material? That’s some rather gutsy planning right there….” Play live or die.
“Stop me if you’ve heard this one before: in an alternate universe where musical ideas are themselves beings, three idea-beings walk into a bar. The first one is incredibly boring and pretentious yet still quite popular, and his name is Nachtmystium P. Floyd. The second is loud and already drunk, and his name is Rattus Kaaos; upon spying him the bartender mutters “raucous Finnish punk” under his breath. The third is Ornassi Pazuzu, who categorically refuses to stop droning on about anything and everything psychedelic. The nightly cover band got food poisoning, so there was an impromptu call for music. These three all wanted to jam so went up together, played, and wondered if they should keep this gig up. They did, and now we have Abyssion.” Good bar to avoid on cover nights.
“If being wrong about things ranks amongst your favorite hobbies, you probably answer the question of “which country has the overall best death metal scene?” with something other than “Finland.”” Finland, Finland, Finland! It’s always about Finland.
“The stoner doom warriors, led by vocalist/guitarist Lori S. finally returned to the studio after a self imposed hiatus following the release of their excellent III long player a decade ago. The result is this anticipated fourth full-length album, entitled Middle of Nowhere, Center of Everywhere. So where do Acid King stand in 2015? Has a lengthy period of gestation resulted in a drastic detour from their long established and rarely tweaked formula?” Prolific they are not, but back they are.
“Today’s metal underground is more complex than ever. The Internet has opened up every time period and obscure scene for both exploration and exploitation, resulting in genres and subgenres spliced apart, hybridized, fused with non-metal elements, and shat out in an accelerating vortex of name-your-price Bandcamp zip files and ostensibly enthusiastic blog posts that seem to proclaim every half-assed side project as the best thing since Black Sabbath.” Why, we’d never!
“So, do you know anything about techno? What you’re about to read is a review of an album as far removed from metal as anything that ever appeared on Angry Metal Guy. There are only two, minor and farfetched at that, connections between Finland’s Tähtiportti and metal.” Admit it, you like techno. Bats and ants and bats and ants!
“Say what you will about the quality of metal in 2014, there was certainly no shortage of impressive debut offerings from hungry up and comers led by killer full-length debuts from Artificial Brain, Black Crown Initiate and Dreamgrave. Another band that released a stellar first effort worthy of your time and cash was Hamburg-based duo Mantar.” We missed this, and it never stops hurting.
