“Post-metal had something of a heyday in the last decade, with seemingly everyone on the Internet gushing over Isis’ Panopticon, Neurosis’ Given to the Rising, and whatever Cult of Luna and Pelican were up to. While there’s still quality post-metal coming out today (The Ocean’s Pelagial in 2013, Beak’s debut last year), I think it’s safe to say the genre is no longer as in vogue as it once was.” And if you don’t have vogue, what do you have?
“There are many things one can do in 20 minutes. Cook a frozen pizza. Watch an episode of an over-produced and unfunny American sitcom. Slump idly while contemplating the ultimate meaninglessness and futility of life. Now Bog Oak are here to stake their claim on these precious minutes with their short but sweet début EP.” From the darkest depths of the cranberry bog comes this blackened doom act. Mmmm, cranberries.
“I must admit I was pretty excited when I first read about San Francisco’s Lotus Thief, a duo consisting of musicians that are also members of Botanist. The promo blurb and various press snippets mentioned buzzwords like “space metal”, touches of avant-garde, and experimentalism which was enough to tickle my interest. Knowing how great the music from their other project was, I dug into Lotus Thief’s debut Rervm with a lot of expectations.” Expectations are a lot like chocolates. Too many make you die and otherwise ruin shit.
“Ever since I picked up my first copy of Darkthrone’s Transylvanian Hunger, I’ve been in love with old-school black metal (even though it wasn’t “old school” back then). I’m not sure if it’s the satanic themes, the atmospheric tapestry of nonstop trebly guitars, the vicious/desperate vox, or my craving for the frozen, isolated terrain that personifies the genre so well (“cold” isn’t a word used in the southwestern United States).” It’s old, but is it still bold?
“Remember Babylon Whores? No? Honestly my memory did require some jogging, but they were a rather good Finnish gothic rock band (yeah another) that released some underrated albums in the late nineties/early noughties before disappearing about ten years ago.” There’s nothing like some tasty, goth-rock stle metal! But does this have the right flavor?
“Two decades ago, a young troupe of bummed-out Finns churned out two primitive death/doom demo tapes, and promptly disappeared following the death of one of their guitar players. Rippikoulu’s latter release, 1993’s primitive doom/death gem Musta seremonia, followed suit with other short-lived doom/death groups from the early 90s by accruing a great deal of kvlt charm cultivated by many years dwelling in obscurity and anonymity.” Back from dead, we get some old timey doom/death right out of Finland.
“Finnish folklore tells the tale of a small rabid cult in the 19th century, performing blasphemous actions on followers of old Finnish religions, including ritual sacrifice and burying innocent townsfolk alive. This small cult was discovered, and sentenced to die by fire on the altar in their own mansion, burned alive with most of their scriptures, save for one book which was left miraculously intact. Such is the story of Kadotetut, told by relative newcomers Vainaja. Svart Records labeled this as “one of the heaviest records ever made in the Finnish language,” and I’ll be hard pressed to disagree.” Really heavy shit about creepy Finnish murder cults. That my friends, is metal.
“In the mood for something really different? Sabbath Assembly certainly qualifies. As explained in my review of their Ye Are Gods opus, this is a bizarre project based on the teachings of the mega-obscure Process Church of the Final Judgment; a strange apocalyptic hippie cult from the 60s that believed in a union of Christ and Satan that triggers armageddon. Led by Jamie Myers (Hammers of Misfortune, Wolves in the Throne Room) and Dave “Xtian” Nuss (ex-Angkor Wat), they craft an unusual hybrid of 60s hippie folk rock and religious hymnal music.” Need religion in your life? Feel the urge to join a Satanic cult? Here’s the one album that meets all your needs! Now with added scripture reading.
“The majesty and grandeur of the Finnish wilderness has been source material for a veritable fuckload of metal bands over the years, with Amorphis and Korpiklaani, being the better known examples. Those untamed forests and pristine lakes apparently beckoned to the folks in Kuolemanlaakso as well, since their sophomore album is a loose conceptual piece focused on the Finnish countryside and the national folklore that featured it so prominently.” Nature-themed doom death from Finland seems like an easy sell. Are you buying?
“Since all my “Things You Might Have Missed” this year came from the doom genre, I thought I’d shake things up with… some doom/death! Yes I know, not a very big shake up, but worthwhile metal is worthwhile. Anywho, Kuolemanlaakso is a Finnish doom/death act with an insanely complicated name, composed of members from Swallow the Sun and Chaosweaver and they rock a rather simple, but very effective style of death/doom that somehow remains accessible.” This is a release Steel Druhm was supposed to review last month, but he was too overworked (he’s essentially an indentured servant with an iPod and a keyboard). Since he liked this quite a bit, he wanted to be sure you didn’t miss it and feel remorse later. You can thank him with beer.
