2014

Benighted – Carnivore Sublime Review

Benighted – Carnivore Sublime Review

When you’re talking about what makes a record engaging, responsibility usually falls in the drummer’s lap. A guitarist may come up with a given riff, but it doesn’t truly take shape unless sculpted by capable limbs.

Death metal bands—especially of the “brutal” variety—have an overkill problem. They’re too busy, too serious, too caught up in their over-the-top culture. That cool riff the rhythm guitarist turns in is usually in danger of being strangled by octopus-powered flashsizzle. (Remember We Are the Nightmare? Or any Spawn of Possession song ever?) The result of such overkill? Teflon. A scribble-logo’d sea of arms-clasped, black-clad, NO SMILING, GODDAMMIT Teflon.

But somehow, Benighted always manages to stick.

Iced Earth – Plagues of Babylon Review

Iced Earth – Plagues of Babylon Review

“No one can begrudge you for being a little skeptical of a release by American power metal institution Iced Earth in 2014. Following the departure of Matt Barlow post-9/11, and the entry of one-trick-pony and professional Rob Halford impersonator Ripper Owens, the band has spit out terrible record after mediocre tripe. With the entry of Stu Block, formerly of Into Eternity, Iced Earth was poised for a big comeback in the form of Dystopia — but even that fell short. The record was plodding, mediocre at best, and Block didn’t feel like part of the crew.” So, can our heroes right the ship with Plagues of Babylon? Or are they… plague ridden?

Behemoth – The Satanist Review

Behemoth – The Satanist Review

There is no way to dodge the issue, expectations for The Satanist are sky high. It’s easy to understand how that could be. Behemoth’s most recent release was in 2009 but felt overwrought and flat; it had the form but little substance and the sound was loud but fatigued. Nearly 5 years later, Anno Domine 2014, Nergal has been through a bout with cancer and a fight with the Polish legal system. The narrative arising is simple. Indeed, it’s low hanging fruit: the best art arises from adversity. The long wait — 4.5 years between records is almost unheard of for a band on Behemoth’s level — has set the stage for what has the makings of a rebirth of sorts for Poland’s best-known extreme metal act. The Satanist can set the stage for a new era in Behemoth’s storied career and, as one would expect, the attention of the metal world is firmly fixed on it.

Within Temptation – Hydra Review

Within Temptation – Hydra Review

“I’ll admit to liking the early Within Temptation output like Mother Earth and The Silent Force. Sure, they were a dime-a-dozen, female-fronted gothic metal act with more gloss and slickness than the complete works of Glee, but the song-writing was consistently sharp and catchy without sounding too commercialized or fake and Sharon den Adel had big, captivating… vocals. Things started to drift for me by the time The Heart of Everything came along and though it had some good songs, it also felt more forced and AOR. I paid scant attention to 2011s The Unforgiven and didn’t really want to review this one, but hey, somebody had to do it and I wanna be somebody!” Steel Druhm reviewing goth rock is always a scary ride on a rough road. Tempted yet?

Sunn O))) & Ulver – Terrestrials Review

Sunn O))) & Ulver – Terrestrials Review

“Allow me to give some context: I have much more experience with Sunn O))) than with Ulver. Frankly, Ulver hasn’t really interested me for a very long time. But Sunn O)))’s collaborations have a great track record; their album with Boris was tremendous stuff — experimental music at its finest. And if there’s anything to take from Terrestrials, it’s that music isn’t mathematic and there’s no certainty that with all the right elements you’ll come out with an amazing album.” Can these two titans of weird possibly fail to make an interesting collaboration? Sheesh, is nothing certain anymore?

Kampfar – Djevelmakt Review

Kampfar – Djevelmakt Review

“With a career spanning a near lifetime (20-years to be exact), Kampfar refuse to sit squarely in any one particular niche. They shamelessly delivered their self-titled EP, Mellom Skogkledde Aaser and Fra Underverdenen as part of their first creative wave, hitting you up with old school black metal with the typical raw traditionalism you’ve come to expect of a two-man Norwegian act. When that didn’t translate into a particularly nifty live performance, more members were added and the the band forged ahead with with their second creative wave delivering Kvass and Heimgang….” Madam X surfs the waves of black metal as brought to you by Kampfar. But is their next wave worth catching?

The Unguided – Fragile Immortality Review

The Unguided – Fragile Immortality Review

“Lovers of modern metal and Amaranthe groupies, take heed! Rising from the ashes of Sonic Syndicate, The Unguided is the newish project by ex-Syndicate members Richard Sjunnesson and Roland Johansson which strives to answer the immortal question “just how cheesy, poppy and crappy can you make melodic death metal sound?”” If this question has been gnawing at you, The Unguided may have the answer you seek.

Grand Magus – Triumph and Power Review

Grand Magus – Triumph and Power Review

“Swords gleaming in the sun, banners battered by the wind as men fight and die, a shoreline awash with red: all images vividly conjured by the punchy, but regal music on Grand Magus’s last three albums. Though their style resists easy classification and has shifted and squirmed between the cracks of several genres over time, they’ve always been a band you could count on to release classy, high quality music.” Is this yet another stellar release by the mighty Magus or did they jump the Viking helmed shark?

Slough Feg – Digital Resistance Review

Slough Feg – Digital Resistance Review

“For the uninitiated, San Francisco’s Slough Feg has been producing high quality old-school rock since the dark ages known as the mid-1990’s. Their signature sound combines elements of early metal and Celtic-inspired hard rock topped off by the bizarre lyrics and unique vocals of Mike Scalzi. Think Thin Lizzy with Professor X on vocals, and you’re in the ballpark. Digital Resistance is the band’s 9th album, and according to their bio, it’s a semi-concept record about “the digital age not only in terms of music, but how technology affects life itself.” Old school metal bands doing concept albums about the horrors of technology? That makes me feel cranky and old.

Iced Earth – Plagues of Babylon (Vinyl Mix) Review

Iced Earth – Plagues of Babylon (Vinyl Mix) Review

Iced Earth is a bonafide heavy metal institution, and part of their long staying power and general widespread appeal has got to be attributed to their fearless leader and head riff master Jon Schaffer, whose strong work ethic, unwavering live free or die attitude, and keen sense of aesthetics, has kept this machine rolling for over the last two decades. With his tried and true formula of power, thrash, and lyrical armageddon, Schaffer has churned out a number of genre leading staples, ranging from 1995’s Burnt Offerings, with all of its dark imagery and heavy riffing, to 1998’s Something Wicked this Way Comes, whose last three songs became the basis for the multi-record Something Wicked Saga, an epic fantasy about the rise and fall of man.