Record reviews
“Soulburn, despite the lack of output over the last two decades, possesses quite the rich history. Starting off as the successor to death/doom overlords Asphyx in 1996 before they returned in 2010, drummer Bob Bagchus adopted the Soulburn name again in 2013 in a project featuring fellow Asphyx member Eric Daniels and Swedish one-man death-metal factory, Rogga Johansson.” No Rogga, no peace!
“Following Accept’s 2014 Blind Rage release, on and off guitarist Herman Frank once again cut ties with the long-running and influential Germanic metallers to pursue other musical endeavors, most notably his eponymous solo project. The Devil Rides Out is the third outing from Frank, and like its predecessors, it’s a burly hybrid of vintage Accept and rocking 80s hair metal acts like Dokken and Krokus.” The Devil rocks out.
“Much like their home country, Distant Sun are composed of contrasts. The same country which sired Tchaikovsky, Tolstoy, and Mendeleev also gave rise to Stalin, turned a blind eye to mass rapes and has one of the most corrupt political systems in the developing world. While not so controversial nor violent, this Moscow-based trio draws equally from both thrash and power metal, pushing their sound a little further on this, their sophomore record.” From Russia with thrash-power!
“A few years back I had the pleasure of seeing Kamelot live at the only venue in my home state that hosts good metal concerts. It was a brilliant show, with the audience belting every lyric while the band granted us an unanticipated level of interactivity, yet one man I met in the crowd remained nonplussed. Forget one of America’s best power metal bands; this guy was excited as all fuck to catch second-rate supporting act Delain.” Taste is a terrible thing to taste.
“Sometimes a piece of music is entirely about a single, specific feeling, be it rage, joy or sadness. Departe, the second album by atmospheric post-doom super group Clouds, is definitely about the latter, and it attempts to drown the listener in a vast sea of chilling, cloying melancholy without offering the slightest hint of hope or beam of light. Formed by members of The 11th Hour, Eye of Solitude, Rapture, Barren Earth and Shape of Despair, the line up reads like doom royalty and their vast experience helps make this one of the bleakest, most depressive listens of this year or any other.” Got something in your eye? You’re about to.
“Having read plenty of trash masquerading as philosophy and heard plenty of nonsensical music both within and without metal, I figured I was desensitized to weird stuff. Hell, the world seems almost desensitized to weirdness; Jacques Lacan, one of the biggest dolts to ever pretend to think about stuff and write it down, posited that an erection was equal to the square root of -1 and more than zero people took him seriously.” Weird is full of surprises.
“Knowing my obsession for all things Lovecraft, a friend of mine has been haranguing me for the last few years to check out Ctulu (the band, not the scourge of creation). Something I have consciously avoided doing, mostly because I’m an infuriating and perverse son of a bitch. When I stumbled upon their fourth and newest self-titled release in the arcane libraries of AMG, I decided enough was enough. Frankly, I wish I had sooner because Ctulu play a high-energy amalgamation of Lawless Darkness-era Watain and latter-day Immortal.” The restricted section is off limits to newbies!
“This has been a really good year for doom, with Khemmis, Messa and Northern Crown dropping stellar platters of mawkish mopery, and Spiritus Mortis wants to help send 2016 out with even more funereal notes and appropriately bowed heads. This Finnish doom troupe has been around a while and The Year is One is their fourth album, but somehow I’ve slept on them and am just coming to grips with their material.” The Year is Yuge.
“Longtime metal fans may remember Superjoint Ritual as the nadir of Philip Aneslmo’s career, if they remember it at all. The band’s general concept — mid-’80s hardcore filtered through the depravity of the New Orleans metal scene — was an interesting one, and the resulting album, 2002’s Use Once and Destroy, was a satisfying blast of spite. 12 years later, Anselmo and guitarist Jimmy Bower (also of Down) have decided to resurrect the project, with half of the original lineup and half of the band name.” Phil is back and his gears are grinding.
“My comrades may disagree, but I find the forced exploration inherent in reviewing to be a feature, not a bug. Operating outside of the norm drew me to metal in the first place, so I embrace this newfound stream of eclectic tastes and unexpected origin. Debutantes Grossty are the latest enigma I find rapping at my door. One of the only bands grinding in India today, they offer escape from the trappings of a metal culture that, though born of difference, too often trends toward uniformity.” Tasting the world, one promo at a time.
