Reviews

Record reviews

Ancient – Back to the Land of the Dead Review

By Lord Lucan on September 18, 2016 in 2016, American Metal, Black Metal, Greek Metal, Italian Metal, Norwegian Metal, Reviews, Soulseller Records, Black Metal, 60 comments

“I find black metal deeply polarizing. While helplessly captivated by the cold, desolate aura of much of the genre’s higher quality output, I also find myself mind-numbingly frustrated when magnificent records are in my view ruined by intentionally dreadful production, sounding as though they were recorded not in a studio but rather in a metal bin at the bottom of a distant lake (Transilvanian Hunger anyone?). Founded in Bergen in the early nineties by frontman Aphazel, the aptly-named Ancient have been diligently plying their trade for almost a quarter of a century now, establishing a back catalogue of uncharacteristically lush-sounding black metal and recruiting a small but loyal following along the way.” Old and cold, or old and bold?

Demonomancy/Witchcraft – Archaic Remnants of the Numinous/At the Diabolus Hour Review

By Treble Yell on September 17, 2016 in 2016, Black Metal, Death Metal, Finnish Metal, Italian Metal, Nuclear War Now! Productions, Reviews, Black Metal, Death Metal, 12 comments

“Worry not my child for the balm to salve your festering wounds exists in the form of a split from Demonomancy and Witchcraft. Bestial, coarse and outright evil, this 26-minute payload of blackened death offers a brief respite for those needing an outlet for their rancor.” Now available at AMG – Rancor relief.

Cara Neir/Wildspeaker – Guilt and His Reflection [Split] Review

By Mark Z. on September 16, 2016 in 2016, American Metal, Black Metal, Broken Limbs Recordings, Crust Punk, Hardcore, Reviews, Sludge, Black Metal, Crust Punk, Hardcore, Sludge, 23 comments

“Crack a beer and grab a seat. Today’s entertainment is a double feature from two Texas-based bands with a proclivity for taking black metal and turning it on its ugly, corpse-painted head. First up is Cara Neir, an idiosyncratic, punky duo whose hardcore-tinged blackness often lends itself to wild stylistic forays, as heard on 2013’s Portals to a Better, Dead World. On the flip side is Wildspeaker, a crustier, sludgier outfit who formed in 2013 and released debut Survey the Wreckage last year. They’re here to deliver Guilt and His Reflection, 13 tracks depicting ‘humanity crumbling into itself’ through ‘the story of post-civilization sins committed when desperation overwhelms.'” That certainly sounds cheery.

Chariots of the Gods – Ages Unsung Review

By Dr. Wvrm on September 16, 2016 in 2016, Canadian Metal, Melodic Death Metal, Metalcore, Reviews, Self-released, Melodic Death Metal, Metalcore, 40 comments

“Every metal-head has their watershed moment; whether that’s Master of Puppets, Symbolic or actually Watershed, that magic album taps you on the shoulder and says “young poser, let me show you the way to trveness.” Chariots of the Gods bills itself as melodic metal with In Flames as its top influence, I’m feeling cautious yet optimistic.” Get ready to chug.

Wretch – Wretch Review

By Treble Yell on September 15, 2016 in 2016, American Metal, Bad Omen Records, Doom Metal, Reviews, Doom Metal, 23 comments

“Of the wavelengths split from heavy metal’s prism, doom is the color that can most clearly trace its path back to Black Sabbath. Down-tuned riffs, fuzzed-out solos and a bottom end that would make Sir Mix-a-lot dab the sweat from his brow, today’s doom acts unabashedly carry the flame first lit by Messrs Iommi, Ward, Butler and Osborne. The danger in this familiarity is that some bands struggle to escape their progenitor’s orbit and end up as pale imitators rather than carving out a space of their own.” Doom space is tough to come by these days.

Slomatics – Future Echo Returns Review

By Akerblogger on September 15, 2016 in 2016, Black Bow Records, Doom Metal, Irish Metal, Reviews, Doom Metal, 16 comments

“A blanket of smoke and incense billows from an attic-bedroom conversion as Electric Wizard makes a rare appearance from his occult abode to make a sandwich or to record an episode of Most Haunted. Conan sits in the garage and uses his sharp fingernails to shape mythical creatures out of wood, sporadically bellowing songs of war into the night, begrudgingly quieting down when his mother threatens to take away his copy of The Silmarillion. Slomatics is the younger brother of the two aforementioned doomsters. He spends his time gazing into the stars, reading Frank Herbert, Philip. K. Dick and H.G. Wells, and exploring the Moog that his father found for cheap at the car boot sale.” At home with the Slows.

Heaven Shall Burn – Wanderer Review

By Grymm on September 14, 2016 in 2016, Century Media, German Metal, Melodic Death Metal, Metalcore, Reviews, Melodic Death Metal, Metalcore, 38 comments

“I love seeing bands progress beyond their infant stages, taking their influences and branching out into worlds unknown. Germany’s Heaven Shall Burn are not one of those bands you think of when you picture the word “progress.” They’ve taken their signature sound from 2004’s landmark Antigone, refined their attack, and proceeded to beat us over the head with variations of their trademark brand of metalcore/death metal/whatever it is the cool kids are calling them these days.” AMG: Voice of the cool kids since 2009.

Volturyon – Cleansed by Carnage Review

By Ferrous Beuller on September 14, 2016 in 2016, Death Metal, Reviews, Swedish Metal, Uncategorized, ViciSolum Productions, Death Metal, 29 comments

“One of the things I love about death metal is that I always find it appropriate. Walking to work? Absolutely. Working out? Yes please. Spring cleaning? Why not? Volturyon, Swedish purveyors of all things death, are a band clear in their understanding of this and eager to churn out an absolute riff-fest to facilitate any and all spur of the moment gym sessions… or vacuuming.” Make that carpet BLEED!

Insomnium – Winter’s Gate Review

By Steel Druhm on September 13, 2016 in 2016, Century Media, Death Metal, Doom Metal, Finnish Metal, Melodic Death Metal, Reviews, Doom Metal, Melodic Death Metal, 90 comments

“Coming from the refreshingly short blasts of concise metal by High Spirits and Sumerlands and having to tackle a 40-minute melo-death song seemed like a particularly arduous shift of gears for yours truly. Winter’s Gate is Insomnium’s seventh release, and apparently they wanted to pay homage to Edge of Sanity’s legendary Crimson opus by crafting a massive composition filled with similarly diverse moods and complexions.” Winter is coming (and staying).

Inanimate Existence – Calling From a Dream Review

By Kronos on September 13, 2016 in 2016, American Metal, Progressive Death, Progressive Metal, Reviews, Unique Leader, Death Metal, Progressive Metal, 22 comments

“Advice is a tricky thing, really. I try to give only when asked and take only what’s given freely, but the general advice economy moves much faster than I like to. So instead of giving advice, I prefer to just point out issues and have people come up with their own solutions. This works well when you’re reviewing music since most of the job is explaining why that music isn’t as good as it could be. A case in point would be the last album from Inanimate Existence, A Never-Ending Cycle of Atonement, an album about which I had many complaints.” Is this an atonement?