“Hailing from the Netherlands, doom duo Swampcult offer us sophomore outing The Festival – this time in full concept album regalia. We have all heard the myriad odes to Cthulhu and the Elder Ones, of star spawned atrocities and dark bloodlines, replete with many a tentacle toting album cover. Thematically speaking, originality is barely worth discussing; the real question is, as always: is it any good?” Get in your LoveCraft!
“Deathcult can be comfortably lumped in the niche “weird” OSDM scene with bands like Obliteration, Morbus Chron, and Tribulation. The root of it all is old Death, Entombed, and Autopsy riffs, but it tries to be more “progressive” by making the songs a bit more technically involved and spaced out, but less immediate along with hints from the melodicism of the old Swedish scene to spice things up. Beasts of Faith aims to mix this all together with a nearly transparent coat of new paint much like The Matrix added virtual reality to a combination of Descartes’s “evil demon” thing and Plato’s cave allegory.” This isn’t your father’s old school death.
“I haven’t reviewed death metal in a good long time, so I thought I’d get back on the dead horse with upstart Arizona act, Gatecreeper. For their Sonoran Depravation debut they’ve crafted a style mixing equal parts of the D-beat Swede-death style made famous by Entombed, the grit and dirge of Asphyx and the bastard war grind of Bolt Thrower. Sounds tempting, eh?” Tempted by the tank of another….
“I became absolutely giddy when I managed to snag Cryfemal’s ludicrously titled D6s6nt6rro as it hurtled into the depths of the AMG Rookie Pit. A one-man Spanish black metal project from a guy who calls himself Ebola, (yeah, really) Cryfemal has existed since 1996 and has an impressive number of releases under its belt.” From the rookie pit to the throwback ditch.
“Boy, does Noctem bring back memories. Back in 2014, Exilium was one of the better albums I reviewed. A lot of this had to do with the fact that I was a n00b in 2014 (Exilium being one of the first reviews I ever wrote for AMG). But, even so, it stuck with me for the rest of the year. So, you can imagine the excitement and nostalgia I felt when this newest album, Haeresis, showed up in my inbox.” Reflections of a semi-former n00b.
“Vögguvísur Yggdrasils is the fourth full-length from Iceland’s most (only?) notable Viking metal band, Skálmöld. I’ve formerly criticized this genre tag in my review of the album’s predecessor but ultimately conceded that it was a neater way of describing the number of influences at play in their energetic interpretation of Northern European mythology.” Let your blood eagle fly.
“Whenever a band drops a landmark album, the inevitable game of genre pollution happens. Every now and then, one of that band’s influences creates an album or sound that’s as good, if not better, than the original. However, for the most part, the creative well runs dry after a while. Case in point: Spanish newcomers The Holeum are tossing their hats into the overly crowded post-metal ring with their debut, Negative Abyss.” Post metal for Post-Summertime.
“Concerning geography, I’m the first to admit my complete and total cluelessness. I’m the guy that, until recently, thought the Philippines were off the coast of Central America. My knowledge of European countries is directly linked to the number of metal bands they have produced. When it comes to Brazil, I’m aware of exactly three things; their Olympics were a gong show, they lost 7-1 and they love their power metal. That’s right, Almah is back with E.V.O, another offering of trademark Brazilian power.” From Brazil with love.
![Torrid Husk & End – Swallow Matewan [Split] Review](https://www.angrymetalguy.com/wp-content/uploads/2016/09/TorridHuskEndArtwork-768x768.jpg)
“On a Saturday morning I was lazily kicking back in bed, gazing through the shades at the vibrant colors of the gorgeous day ahead, feeling the mild spring breeze float through the window when I decided it was time to delve into Swallow Matewan, a split release between West Virginia’s Torrid Husk and Greece’s End. Some 40-odd minutes later of listening to the despairing double dose of violent, rainbow killing, unicorn enslaving atmospheric black metal and I was left emotionally damaged and wallowing in self-pity.” Unicorn enslaving is frowned upon in this establishment.
“When I think of India, a few things come to mind: curry, sacred cows, and the terrific 2001 novel Life of Pi. I certainly don’t think of heavy metal, much less fiery 80s-inspired metal with a deliciously modern twist. Enter Kryptos. Formed in 1998, this quartet has showboated their love of classic Judas Priest and Iron Maiden through 3 prior full-lengths, in addition to opening for acts like Death Angel and becoming the first Indian metal band to tour Europe in 2010.” Fist of the old star!
