Evil Drive – The Land of the Dead Review

Evil Drive – The Land of the Dead Review

“Every promo to hit my desk receives an initial listen without the reading of websites, promo sheets, or any such fuel that would result in premature judgment. Sometimes absorbing myself in the artwork or the musical theme of the album transforms a mediocre first-listen into something worthwhile. Other times it does not.” Will such a fair and even-handed approach make Evil Drive a pleasure trip?

Steven Wilson – 4½ Review

Steven Wilson – 4½ Review

Steven Wilson is one of music’s best producers and, as I ranted and raved last year, quickly becoming one of progressive music’s best songwriters, as well. Hand. Cannot. Erase. was, as I’ve just recently written again, a triumph. However, like all triumphs—yes, all of them—part of honing in on the “triumphant” is knowing when to edit. That doesn’t always mean that what was cut was bad, of course, and is Steven Wilson and his trusty (and ridiculously talented) backing band knocking out 37 minutes of excellent leftovers.” Yeah, I guess you should probably just expect a lovefest.

Manimal – Trapped in the Shadows Review

Manimal – Trapped in the Shadows Review

“This is quite a surprise, as I never expected to hear from these guys again. Manimal (who’s name I hate because it reminds me of the ultra cheesy 70s sci-fi show) dropped a promising debut in 2009 then proceeded to fall off the edge of the world. I forgot them, life went on and then, BOOM! A new Manimal album arrives in my promo bin.” No one knows when the Manimal may strike!

Rhapsody of Fire – Into the Legend Review

Rhapsody of Fire – Into the Legend Review

“It’s sometimes hard to keep up with the entity we call [Luca Turilli’s] Rhapsody [of Fire]. Starting in the late ’90s, these Italian cheese-mongers took the power metal world by storm with their bombastic, orchestral power metal. The young, bright-eyed Italian maestros reeled off four albums that added an epic, operatic flair to the neoclassical metal of the 1980s they’d grown up on. While the band’s near-demise is one of the greatest scares of my adult fandom, Rhapsody of Fire’s return from the near annihilation was celebrated with two excellent records and an EP in short succession. Then tragedy struck. Luca Turilli and Alex Staropoli would each get their own version of the band—with Turilli’s staying on Nuclear Blast, and Staropoli’s moving on to AFM.” What became of these poor, Italian maestros in the big, cold, dark world? Click to find out!

Gygax – Critical Hits Review

Gygax – Critical Hits Review

“When AMG himself dropped a promo on me from a new band from former Gypsyhawk members called Gygax, named after the Godfather of D&D himself, E. Gary Gygax, I was both intrigued and skeptical. I love my metal and nerd tendencies, and Gygax had better come in with a decent THAC0 and saving throw if they wanted to withstand a lashing from yours truly.”

VOLA – Inmazes [Things You Might Have Missed 2015]

VOLA – Inmazes [Things You Might Have Missed 2015]

VOLA are highly unusual in their approach to modern progressive metal. The most apt description I can define is prog-power by way of djent, offering the catchy melodies of Anubis Gate and Voyager but executed with the staccato, modern heaviness of a post-Meshuggah era.” Some things just sell themselves.

Lycus – Chasms Review

Lycus – Chasms Review

Tempest was one of those remarkable underground metal debuts which developed sufficient hype to breach the upper echelon of popular online publications despite its apparent lack of commercial appeal. The oppressive funeral doom, courtesy of the plucking, hitting and growling gents over at Lycus, was positively received by Pitchfork, Decibel and theneedledrop, ultimately garnering a Relapse record deal. Some of us didn’t quite get Lycus before. So did we get on the hype train yet or what?

Refused – Freedom [Things You Might Have Missed 2015]

Refused – Freedom [Things You Might Have Missed 2015]

“If you don’t know who Refused are, or that they’re (along with Born Against) Fucking Dead, you must be so young that you missed the phase in the early 2000s where every two-bit nü-metal act on the planet was citing their final record as a major influence (for the masochists among you here is a reminder of just how bad this era was). You young rapscallions are perfectly capable of using AltaVista yourselves so I’ll spare you the history lesson; all you need for the moment is that the band split in 1998, and few ever expected them to return.” But honestly, what old guy can pass up reliving their wasted youth?