Angry Metal Guy

Avantasia – The Mystery of Time Review

By Steel Druhm on March 26, 2013 in 2013, 3.5, German Metal, Heavy Metal, Nuclear Blast, Power Metal, Reviews, Heavy Metal, Power Metal, 23 comments

“You have to give Tobias Sammet his steely props. He doesn’t do things half-assed. Nope, he goes big, bold and lets the Metal Gods sort shit out. His Edguy material is plenty pretentious and overblown, but it can’t hold a magic candle to the sheer pretentious pomposity and bombast of his Avantasia project. Taking cues from Arjen Luccasen’s Ayreon outings, Sammet drags in every singer, guitarist and hanger-on he can and it seems he’s playing a metallic version of Pokemon (gotta catch em all). His last feat was the impressive double release of the Angel of Babylon and The Wicked Symphony albums (my fanboyish reviews of which, landed me a spot at AMG Industries, Ltd. for some reason), and I was very curious how he could top those massive platters of symphonic excess.” So how exactly does Mr. Sammet top his prior output? Steel Druhm is here to unravel the mysteries of time.

Exarsis – The Brutal State Review

By Dr. Fisting on March 25, 2013 in 2.0, 2013, Greek Metal, MDD Records, Reviews, Uncategorized, 9 comments

“One of the stranger parts of American culture is the phenomena of the Civil War reenactment. For those of you unfamiliar with this, it is exactly what it sounds like: History buffs and other geeks dress in 1860’s-era clothing, meet at a public place, and painstakingly recreate some of our nation’s most infamous battles. As fun as this might be to watch, the reenactments are somewhat predictable, because every single time (with one exception) the outcome is exactly the same. If you can imagine the futility of witnessing the same battle over and over again, fully knowing how it will end, then you are beginning to understand how difficult it is to review retro thrash albums.” And that brings us to the dulcet tones of Greek thrashers Exarsis. Mr. Fisting thinks these guys just made one of the better Bay Area thrash records of 1989, except that they’re from Greece and it’s 2013. That poses a problem.

Amaranthe – The Nexus Review

By Angry Metal Guy on March 24, 2013 in 1.5, 2013, Metalcore, Power Metal, Reviews, Spinefarm, Swedish Metal, 59 comments

As a young boy I learned a really important lesson at the hands of one of my favorite bands, Europe. Sure, you laugh, but I was 5 and it was the ’80s, so I was well within my rights to listen to Europe. In 1984, Sweden’s very own, very popular foray into glam rock released a record called Wings of Tomorrow. The album cover was simple. An armored bird of prey, in profile against a red planet cradled in a vast blanket of stars, ready to attack an unseen foe. Five-year-old me was in awe. My unconstrained imagination transported me into space with this mighty, ironclad hawk, to fight futuristic wars. This set the stage for a magical listening experience and the record is still one of my favorites. When I finally got around to The Final Countdown something important had changed: the cover was five poofy haired dudes in space. No suspension of disbelief, no imagination, just Swedish glam rockers in space. And the record? Well, it had one great song… and in retrospect a lot of stinkers. At that moment, an important seed of distrust of bands with their own pictures on the cover of a record was instilled in me. If a band isn’t creative enough to come up with a cool record cover, that band probably isn’t creative enough to write really good music.

Beyond the Shore – Ghostwatcher Review

By Madam X on March 23, 2013 in 2013, 3.0, American Metal, Labels, Metal Blade, Metalcore, Rating, Releases, Reviews, Metalcore, 3 comments

“Madam X rarely wanders down the road of hardcore or metalcore since dealing with mallrats and emo’s is troublesome (where to hide the bodies and all…). Once in a while though, venturing out into the unknown pays off and you stumble across an album with a little more imagination and progression (cast your mind back if you will to 2011’s Digital Veil delivered by Travis Richter’s The Human Abstract). Now jump back to 2009 to the release of Lexington, Kentucky based Beyond the Shore’s first EP precursor (The Arctic Front). While the album bore some small resemblance to Parkway Drive, it sounded juvenile and lacked the intensity of say “Dark Days.” Four years later Beyond the Shore haven’t been working on a funeral doom album. No, instead they’ve been working on getting into Metal Blade Records (home to As I Lay Dying and a host of other big names) good graces, honing their sound and gathering some interesting elements to add to their music.” Is our Madam X warming up to metalcore?? Say it ain’t so, X!! Oops, there I go using genres as pejoratives…

Victor Griffin’s In-Graved Review

By Steel Druhm on March 22, 2013 in 2013, 4.0, American Metal, Doom Metal, Reviews, Svart Records, Doom Metal, 13 comments

“As a long time fan of American doom pioneers Pentagram, I’ve been an admirer of Victor Griffin’s playing and his bluesy, but street tough style. Sure, he borrowed a lot of his sound from Tony Iommi, but he made it his own by mixing it with the sound of Cream-era Clapton and a touch of Hendrix. When he left Pentagram, their stock dropped precipitously, and when he returned for their Last Rites opus, everything was right in the doom world again. I enjoyed most of the material from his Place of Skulls outing, so when I heard of the new Victor Griffin’s In-Graved project, I expected solid results, which this delivered, along with a few surprises.” Doomy biker rock? Does Steel Druhm need to say more? Well, he will anyway because he’s wordy!

Wormed – Exodromos Review

By Alex Franquelli on March 21, 2013 in 2013, 4.0, Death Metal, Hammerheart Records, Reviews, Willowtip, Technical Death Metal, 3 comments

“It is brutal, rather technical and it has its roots in death metal. But is Exodromos a pure brutal technical death metal album? A lazy, complacent answer would be: yes. A more elaborate response – and one you would expect to read on these respected pages – is: not quite.” Alex Franquelli reviews the new Wormed record, in all its brutal, technical glory and asks “What next?”

Finntroll – Blodsvept Review

By Angry Metal Guy on March 20, 2013 in 2013, 3.5, Century Media, Finnish Metal, Folk Metal, Melodic Death Metal, Reviews, Swedish Metal, Folk Metal, 18 comments

I sometimes have wondered whether or not Finntroll is proof that we live in someone’s hypothetical universe. This smarmy imagineer in a banal universe somewhere, may have constructed an elaborate The Producers-like scheme to produce a flop that makes him money. “How about,” he says to himself, “a group of Finns, speaking in a minor dialect of Swedish, dressed up as characters from the LARP version of Changeling: The Dreaming and make folk-influenced heavy metal, complete with a screaming madman instead of a singer! Who on earth would buy that?” Were this hypothetical businessman able to see into our not-so-hypothetical universe he would most certainly be surprised to see that this motley menagerie of Österbottningar that fits his description are releasing their 6th full-length record in just a few days time — and it’s their second on one of metal’s premier labels.

Voodoo Circle – More Than One Way Home Review

By Madam X on March 19, 2013 in 2013, 3.5, AFM Records, German Metal, Heavy Metal, Rating, Releases, Reviews, 0 comments

“What do Alex Beyrodt (Primal Fear, Sinner, Silent Force), David Readman (Pink Cream 69), Mat Sinner (Primal Fear, Sinner), Jimmy Kresic (Liquid One, Steve Lukather) and Markus Kullmann (Dezperadoz) all have in common? A rather nice little, old timey, Deep Purple, Whitesnake and Rainbow colored hard rock supergroup by the name of Voodoo Circle, that’s what! I had no damn idea what I was getting myself into when I raided this off the promo list. Tagged as power metal, I suspected my selection would lack the maggot infested blackened corpses that usually scream out to me. But what I didn’t see coming was the album I expected from Jorn when I reviewed Symphonic. Feeling that expectation rise just a little huh?” Madam X is all about danrkness and evil, until a little Jorn shows up. Then she’s all rainbows, ponies and fairy dust. Voodoo Circle plays right into her fangirlism and here’s the result…

Former Mystic Force Vocalist Bobby Hicks Passes Away

By Steel Druhm on March 19, 2013 in Blog Posts, 2 comments

“Sad news comes to the metal world as Bobby Hicks, long time vocalist of Maryland’s progressive power metallers Mystic Force passed away on March 5th at the all too young age of 52. Although Mystic Force never garnered a huge following, they were an exceptional band and a big part of their appeal was Hicks and his powerhouse voice. On albums like Shipwrecked With the Wicked and Eternal Quest, his unique and varied delivery carried the songs to levels they couldn’t have reached with a lesser front man.” Steel Druhm says some words about a very underrated metal vocalist and band.

Serenity – War of Ages Review

By Steel Druhm on March 18, 2013 in 2013, 4.0, Austrian Metal, Heavy Metal, Napalm Records, Power Metal, Reviews, Heavy Metal, Power Metal, 17 comments

“Serenity have been releasing solid power metal albums for a while now, but so far they seem to be fairly underrated. I really enjoyed their older releases, especially Fallen Sanctuary (“The Heartblood Symphony” is a great fucking song). No small part of their appeal comes from the fact that singer Georg Neuhauser sounds a lot like Sonata Arctica’s Tony Kakko, but Serenity’s music is heavier and more ballsy than anything Sonata has attempted in ages. War of Ages sees the band right the flagship and find the proper balance between their increasing symphonic leanings and their prior metal edge. The result is a good approximation of what Kamelot would sound like if they replaced Roy Kahn with Mr. Kakko and continued on their merry, pirate-shirted way. ” Do you like Sonata Arctica? Do you like Kamelot? Well according to Steel Druhm, this is so deep in your wheelhouse, you’ll never get it out!