Suffocation – Pinnacle of Bedlam Review

Suffocation – Pinnacle of Bedlam Review

New York brutal death metal pioneers, Suffocation, have never sounded better. Even though their seventh studio album, Pinnacle of Bedlam, is the first without longtime drummer Mike Smith, the music’s percussive section has not lost its technical edge. Dave Culross—whose drumming last appeared on Suffocation’s 1998 EP, Despise the Sun—fulfills his role as the band’s blast-beating machine well. From the opening burst of percussive gunfire in opening track, “Cycles of Suffering”; to the sluggish, cymbals-heavy drumming heard in tenth and final track, “Beginning of Sorrow”; Culross displays an aptitude for adjusting the knob on the tempometer as and when appropriate. Still, there is not much creativity when it comes to filling in the aural blanks between both tracks, as Culross predictably serves up a plethora of blast beats. But hey, this is Suffocation. Expecting their drummer to do anything else but that is like expecting Crucio Siege Tanks to remain in tank mode while defending Terran bases [It’s like he’s speaking KlingonSteel Druhm].

Stonewall Noise Orchestra – Salvation Review

Stonewall Noise Orchestra – Salvation Review

“The bio for Salvation, the new record by Sweden’s awesomely-named Stonewall Noise Orchestra, states that they are “influenced by 70’s [sic] groovy rock along with many other sources of inspiration.” More retro/stoner rock? With a vague disclaimer right there in the bio?! I find this troubling, at best.” Join Fisting that Andrew Guy as he reviews this stoner rock album from the land of meatballs, Swedish fish, IKEA, and Angry Metal Guy himself. Chaos ensues. Sort of.

Kongh – Sole Creation Review

Kongh – Sole Creation Review

Quite an epic album. The fuzz is there in all its imperfect majesty, while the pace is as slow as ever, bringing back the doom where it belongs: in the realm of repetitions, through think layers of narcotic sounds. Overall, the final result is a solid evolution from the psychedelic throes of Shadows of the Shapeless, but whoever (well, everyone) says that Kongh sound like Yob is right. And yet they’re wrong at the same time [Oh God! Which is it!? AMG], since the sound these three lost souls from Nässjö and Småland (that’s southern Sweden, for the most curious nerds amongst yourselves) seem to enjoy touching on the likes of Alice in Chains (“Skymning”), Mastodon (“Sole Creation”) and Brooklyn’s own Tombs.

Alpha Tiger – Beneath the Surface Review

Alpha Tiger – Beneath the Surface Review

“Move your skinny asses over, Enforcer, there’s a new sheriff in Retro City and the name is really shitty. I know a pussy cat name like Alpha Tiger won’t inspire much faith amongst the angry metal masses, but trust me, the music more than makes up for the cheese-tastic moniker (which belongs on a third-rate Japanese video game where you brawl through a zoo and up the food chain). This is unapologetically old school, traditional metal taking its cues from early 80s American acts like Agent Steel, Armored Saint, John Arch era-Fates Warning, Sacred Oath and Crimson Glory.” Yes, Steel Druhm is delivering MORE retro metal for your consideration!! Deal with it. ROAR!

Angry Metal Guy Speaks: On Capitalization

Angry Metal Guy Speaks: On Capitalization

It is not often that I feel the need to write a screed. Indeed, since the famous “On Objectivity” I have been remarkably quiet. Only Steel Druhm has weighed in with his angry opinion on a few things. But something has been growing in me. A seething blackness, a deep, dark, hatred of something that I simply cannot hold my tongue about any longer.

Defeated Sanity – Passages into Deformity Review

Defeated Sanity – Passages into Deformity Review

Brutal death metal and I have never really seen eye to eye. This could either be blamed on the fact that far too many bands in the genre sound like The Pukey Cookie Monster playing to the soundtrack of a dishwasher; or I simply just don’t know enough about the music itself [Here at Angry Metal Guy, our Modus Operandi is to blame everyone else. Therefore, it’s the genre, not you. You’ll figure it out with time. AMG]. German death metallers Defeated Sanity, however, have showcased some technicality in their previous sonic assaults, which I appreciate.

Record(s) o’ the Month – January 2013

Record(s) o’ the Month – January 2013

After donning the blue and gold on AngryMetalGuy.com for a whole month and making every red-blooded Swede vaguely uncomfortable due to the latent nationalism that they can’t possibly ever admit to, it’s time for a change. Indeed, 2013’s first month has passed and while it hasn’t been extraordinarily explosive, it brought with it a few great releases that deserve a second (or third or fourth) look. So, without further ado…

Nails – Obscene Humanity 7″ Review

Nails – Obscene Humanity 7″ Review

Nails are known for being an excellent, abrasive metallic hardcore with defiant punk elements. Based in Southern California, Nails are currently on deep-South, boozehound, sludge-loving label Southern Lord. The Obscene Humanity 7” comes to whet their audience’s appetite, filling in a gap between their recent split with Skin Like Iron and their forthcoming full-length, to be titled Abandon All Life, which will also be released on Southern Lord later in 2013.

Koldbrann – Vertigo Review

Koldbrann – Vertigo Review

“I’ve noticed that the face of Norwegian black metal is a changing, it’s becoming more adventurous, more rock infused, more progressive and God forbid, more accessible [well, it can’t get LESS accessibleSteel Druhm]. I can confirm however, that while they’re not just all about the evil any longer, they definitely haven’t lost sight or forgotten about the mighty Dark Lord Satan! Breath people, all is still right in the world.” How does Koldbrann fit in to this new movement? Follow Madam X on her trend analysis.

Helloween – Straight Out of Hell Review

Helloween – Straight Out of Hell Review

Helloween has always been a sticky wicket for yours truly. I worshipped their debut EP and the first two albums, which basically were the Old Testament for how Euro power metal should sound. With Keeper of the Seven Keys Part II came the disturbing trend of incorporating candy-coated, cutesy, tongue-in-cheeks numbers presumably designed to appeal to 12 year old girls and soccer moms. When they titled the follow-up album Pink Bubbles Go Ape, Steel Druhm packed his bags, said his goodbyes to Gorgar and decamped from the Helloween fan club. So how are they faring as a band in 2013, years after I bailed on their cheesy, German melothrash?