Happy Metal Guy makes all reviews a treat! ‘Cause he’s just so happy. Here he is reviewing a black metal record from a French band Aldaaron.
In Mourning – The Weight of Oceans Review
There are fans of the blog who are still mad at me that Monolith wasn’t 2010’s Record o’ the Year—but for some reason the record left me cold after the initial release. So here I am, reviewing the newest record… this can only end in tears.
The Wretched End – Inroads Review
Some bands can easily blur the line separating thrash and death metal. You find yourself enjoying blast beats with screams, mid-tempo chugs with blistering solos, a trebly production with some deep throat growls. They are the elements we all love so much about those two very convincing reasons for man’s existence on this planet. But what do you actually call it? Is it Death metal? Thrash metal? Death/Thrash metal? And how about that ridiculous tag ‘deathrash’?
Sacred Heart – The Vision Review
As the metal community continues the slow journey up it’s own ass, one noticeable side effect has been the shunning of any and all bands that have achieved even a minimal amount of success and/or popularity. The inverse is also true—headbangers have been known to glorify bands that are ridiculously obscure, in the hopes of sounding more knowledgeable and “underground” than the next guy. The obvious endgame of this scenario would be a band that literally no one has heard of. Well, Pure Underground Records has got you covered, with the release of The Vision a 1989 demo/EP by Sacred Heart.
Occultation – Three & Seven Review
Like a demented Doctor Who, a lot of modern metal continues to spiral backwards through time, seeking inspiration in all things “retro.” Currently, the trendy place to set the dial on the trusty Way-Back-Machine™ is the 70s.
Wodensthrone – Curse Review
Black metal and folk metal are tightly entwined in many ways, but also also have a fraught relationship. Both are often inspired my the beauty or bleakness of the natural world and frequently use pagan symbolism and iconography. Wodensthrone occupy a unique location in the liminal space between these two extremes.
Interview with Mirai Kawashima from Sigh
Enigmatic and uncomfortably cheerful, gregarious and ambitious Happy Metal Guy managed to catch up with Mirai Kawashima from the Japanese avant-garde black metal band Sigh. He bombarded him with positivity, amusing anecdotes and uncomfortable questions about steel phalli until Mr. Kawashima relented; answering the questions and talking about… flowers? This fucking blog gets weirder and weirder every day.
Paradise Lost – Tragic Idol Review
Well, well, well, if it isn’t Paradise Lost. This band is a reviewer’s wet dream, simply by virtue of all the weird shit they’ve pulled over the years. Starting out as one of the pioneers of death/doom metal in 1990, the band mutated into a sort of gothic hard rock/metal, before suddenly turning into Depeche Mode towards the end of that decade.
Before the Dawn – Rise of the Phoenix Review
I feel like I spend a lot of time discussing and reviewing musical projects helmed by Tuomas Saukkonen. Not that I’m complaining mind you, since I love the guy’s work.
Man.Machine.Industry – Lean Back, Relax and Watch the World Burn Review
Incoming! Incoming! It’s a bad album cover!