2.5

Adept – Sleepless Review

Adept – Sleepless Review

“Look, I get it: ‘metalcore’ is a dirty word in the metal community. Telling a bunch of underground metalheads that you like metalcore is the equivalent of painting a big scarlet letter right between your set of Fred Durst nipple rings. And while I agree the genre has its shortcomings, I can’t help but enjoy it nonetheless. Part of it’s because this is the music I grew up with – sure, there’s lots of emo choruses and re-purposed Gothenburg riffs, but they’re my emo choruses and re-purposed Gothenburg riffs!” We have a Core infection in Sector 6!

HateSphere – New Hell Review

HateSphere – New Hell Review

“If anything can be said about HateSphere, it’s that they know how to please their fans. Though many of us crave a bit more diversity across a fifteen-year career, the fact that HateSphere drops consistent album after consistent album every couple years is enough to please (almost) anyone. HateSphere’s consistency is the result of founding guitarist Peter Hansen and his continued navigation along the course set by 2001’s self-titled debut.” And it’s always tough to know if consistency is a virtue or not.

Rhine – An Outsider Review

Rhine – An Outsider Review

“I would very much have enjoyed to be present in the early planning stages for An Outsider, the sophomore release by Seattle’s Rhine. They were presumably too sincerely engrossed in masturbatory discussions of how their favorite bands have “influenced our sound” and solemn declarations that “I just wanna make good music man, fuck genre-conformism” to notice that the net result is beyond kaleidoscopic.” Mixer metal has arrived!

Prong – X – No Absolutes Review

Prong – X – No Absolutes Review

“Tommy Victor’s Prong have been cranking out music at a furious rate lately, delivering a studio record, a covers EP and a live album within the past 2 years or so. While this work ethic is admirable (and rivaled only by perhaps Max Cavalera), we all know quantity does not always equal quality. 2012’s Carved Into Stone was their best record since their early 1990s heyday, but the follow-up Ruining Lives was somewhat hindered by fake-sounding production and some half-baked attempts at melody. Can X–No Absolutes reverse the trend, or continue it further?” You just have to root for Prong, don’t you?

Exumer – The Raging Tides Review

Exumer – The Raging Tides Review

“One of the bigger musical surprises of 2012 was the rebirth of ’80s cult thrash heroes Exumer. Those thrashards [thrashtards? AMG] released the minor thrash classic Possessed by Fire way back in ’86 and things went downhill from there, forcing them to go dark for 25 long years before reforming and dropping Fire and Damnation on an unsuspecting metalverse. The nostalgia factor was high on that one and I couldn’t help but enjoy hearing from these old fiends once again. It certainly wasn’t an essential piece of thrash, but it was a good start after a quarter century of inactivity, and now a mere three years later we get The Raging Tides. So what was Exumer up to the past three years?” How can you not click through with an intro like that!?

Throne of Heresy – Antioch Review

Throne of Heresy – Antioch Review

“I have a long standing joke with friends that about fifty percent of death metal bands out there derive their identity with respect to the phrases “Lovecraftian horror” and “anti-Christian,” and Throne of Heresy isn’t out to prove me wrong. So find a bucket, because Antioch is the perfect chance to revisit a favorite conceit of mine; the album review as a drinking game.” Put on your drinking shoes and pull up your pants – we’re about to get our mead on.

Borknagar – Winter Thrice Review

Borknagar – Winter Thrice Review

“It’s been four years since Urd was released and Winter Thrice builds upon the back of Urd while trying to expand its vision. The album is sixty minutes of epic, blackened, progressive metal which builds on the back of excellent vocal performances, including the unexpected—but totally suggested by me—inclusion of Garm’s cleans in the growing vocal mosaic.”

Suppressive Fire – Bedlam Review

Suppressive Fire – Bedlam Review

“The Raleigh-based power trio of Suppressive Fire plays a brand of fun and slightly blackened thrash that skips the pizza entirely. Culling mainly from the “devil metal” of Nunslaughter, Nocturnal Breed’s Fields of Rot, and producer Joel Grind’s main outfit Toxic Holocaust, this is a modern take on thrash, infused with more extreme elements but still being rooted in the ethos of the harsher end of the classics spectrum.” So, can this debut differentiate itself in the early days of 2016?

Exmortus – Ride Forth Review

Exmortus – Ride Forth Review

“California’s own technical thrash metallers, are a band who does everything I love in metal. They write fast songs, packed with frantic energy and rarely pushing the 5 minute mark. Their guitar work is tight, melodic, and classically influenced. Ride Forth, which drops on January 8th from Prosthetic Records, is an album that goes from zero to 90 in a split second and never drops in intensity as it pounds through nine tracks of palm-muted, staccato licks, arpeggios galore, and non-stop double-kick ass kicking (all while doing it for the Horde!).” Well, that sounds promising. But everyone knows that things are never this simple with Angry Metal Guy.