3.5

Flidais – Kazador Review

By GardensTale on December 3, 2016 in 2016, Canadian Metal, Heavy Metal, Reviews, Self-released, Heavy Metal, Progressive Metal, 19 comments

“Judging a book by its cover is an age-old tradition, despite the advice of moms everywhere. Albums are much the same. For instance, if the cover is a black passe-partout around a black and white figure, with a logo I can’t read, it’s usually a one-man black metal band. With the name of an ancient Celtic goddess and an album cover more lilac than the air freshener aisle in the local Wal-Mart, Flidais seem intent to have you believe they play some sort of flowery hippie folk metal, like the Grateful Dead with more distortion.” Lilac is the new black.

Aenaon – Hypnosophy Review

By Grymm on December 1, 2016 in 2016, Black Metal, Code666 Records, Greek Metal, Progressive Metal, Reviews, Black Metal, 38 comments

“It’s not often that AMG Himself and I get into an online kerfluffle about a review. See, I do my best to grab promos from bands I’ve never heard of, hoping that my curiosity turns me on to some great music. For the most part, it succeeds. But there comes a time when Señor AMG gets a taste of a band you’re reviewing and goes completely ga-ga over it.” When AMG attacks.

Worm Ouroboros – What Graceless Dawn Review

By Steel Druhm on November 30, 2016 in 2016, Ambient Metal, American Metal, Doom Metal, Folk Metal, Gothic Metal, Not Metal, Profound Lore Records, Reviews, Doom Metal, Not Metal, 24 comments

“The San Francisco music scene is nothing if not creative. With oddball acts like Hammers of Misfortune, Vhöl and Slough Feg calling the area home, creativity is in abundant supply. Worm Ouroboros is yet another off-kilter act providing local color to the Bay Area, lesser known but no less interesting. The brain-trust of Lorraine Rath and Jessica Way, the band’s unique blend of dark ambient goth-rock, doom and neo-folk is as interesting as it is offbeat.” Bay Area goth-waves are rising.

Krepitus – The Eyes of the Soulless Review

By GardensTale on November 30, 2016 in 2016, Canadian Metal, Death Metal, Reviews, Self-released, Thrash Metal, Death Metal, Thrash Metal, 9 comments

“Metal fans collect sub-genres like Barbie dolls: in a huge assortment of flavors, often mildly disturbing, and most pleasant when pulled apart and recombined. It’s almost strange when a band plays a sub-genre straight and usually we cover up our embarrassment by transforming ‘death metal’ into something like ‘old school Swedish death metal.’ Luckily, I have no such problems, because Krepitus play one of the more prevalent genre combos: death thrash.” Mix n’ thrash.

Bethlehem – Bethlehem Review

By Madam X on November 29, 2016 in 2016, Black Metal, Doom Metal, German Metal, Industrial Metal, International Metal, Polish Metal, Prophecy Productions, Reviews, Russian Metal, Uncategorized, Black Metal, Doom Metal, Industrial Metal, 26 comments

“With Christmas just around the corner, it gives me wry amusement that Bethlehem are about to unleash their latest slab of blackened thrash on the unsuspecting masses. Tis the season and Bethlehem are in a very giving kind of mood!” Grim yule tidings.

Panphage – Drengskapr Review

By Lord Lucan on November 23, 2016 in 2016, Black Metal, Folk Metal, Nordvis Produktion, Reviews, Swedish Metal, Black Metal, Folk Metal, 82 comments

“One-man black metal projects are like rats nowadays; you’re never more than a few meters away from one at any given time. Okay, I may have made that up, but there does seem to be quite a surplus of them knocking about at the moment. While this abundance of choice is great for those of us who like our music bleak and wintery, with every man and his dog getting in on the act, cutting through the chaff and finding material actually worth listening to can seem like a pretty mammoth task.” Allow us to separate the wheat from the rats.

Clouds – Departe Review

By Steel Druhm on November 16, 2016 in 2016, Doom Metal, International Metal, Reviews, Self-released, 47 comments

“Sometimes a piece of music is entirely about a single, specific feeling, be it rage, joy or sadness. Departe, the second album by atmospheric post-doom super group Clouds, is definitely about the latter, and it attempts to drown the listener in a vast sea of chilling, cloying melancholy without offering the slightest hint of hope or beam of light. Formed by members of The 11th Hour, Eye of Solitude, Rapture, Barren Earth and Shape of Despair, the line up reads like doom royalty and their vast experience helps make this one of the bleakest, most depressive listens of this year or any other.” Got something in your eye? You’re about to.

Eternal Deformity – No Way Out Review

By Eldritch Elitist on November 13, 2016 in 2016, Black Metal, Polish Metal, Reviews, Temple of Tortorous Records, Gothic Metal, 27 comments

“By the time you read this, Halloween 2016 is long gone. Oral surgeons have deposited their paychecks earned at the expense of children unfortunate enough to chomp down on razor blades, and your cranky olde neighbor is probably marching across the street right now to ask when the hell you’re getting that damned rotting jack o’ lantern off your porch. As I’m writing, however, the night of Halloween is still young, and I have an appropriately eerie soundtrack to accompany the festivities.” The pumpkin stays right where it’s at, bub.

Quicksand Dream – Beheading Tyrants Review

By Steel Druhm on November 11, 2016 in 2016, Cruz Del Sur, Epic Metal, Heavy Metal, Reviews, Swedish Metal, Heavy Metal, 36 comments

“When a band is so damn trve they make their fans wait 16 years for a follow up album, you know you’re dealing with some real hard asses. Quicksand Dream is their name, and the waiting game is their…game. They burst on the epic metal scene way back in 2000 with their disastrously titled Aelin – A Story About Destiny debut, and though that name was like a poke in the eye, there was no denying the righteous Cirith Ungol and Brocas Helm worshiping within. It was a sound so completely lost up the ass of metal history that it became the very embodiment of “cult” and doomed the band to self inflicted obscurity.” Those that don’t know, don’t know.

Witchtrap – Trap the Witch Review

By Dr. Wvrm on November 10, 2016 in 2016, Colombian Metal, Hells Headbangers Records, Reviews, Thrash Metal, Thrash Metal, 27 comments

“Look at that album title. Look at that art. Now that is a gimmick! Forgive my exuberance, but after only just overcoming the trauma-induced tinnitus from my previous attempts at thrash, Witchtrap prove that good things come to those who scour the promo sheet with a fine-toothed comb.” Nasty things come to those who dumpster dive.