4.0

Vanhelga – Längtan Review

By Grymm on April 17, 2014 in 2014, Art of Propaganda, Black Metal, Reviews, Swedish Metal, Black Metal, 7 comments

“My childhood was a blur, but I had a rather distinct memory of someone from the First Grade. Remember when you were a kid, if you did something exemplary, your teacher would reward you with a sticker to show for your efforts? There was a kid in my class named Jason (last name escapes me) who won a “You’re the Cat’s MEOW!!!” sticker, complete with purring kitty and stars bedazzling the pre-Comic Sans font in gold letters. After slapping the sticker on his wrist, Jason was dismayed that due to adolescent sweating and kid grubbiness, it wouldn’t stick. Luckily, he had the grand idea that stapling the sticker to the underside of his wrist would be a nice way to permanently show off his rewards. Gleefully, Jason ran around the room, giggling incessantly and displaying the proud reward of his efforts as color drained from his face and blood jizzed from his arm, both at an alarming rate.” Grown up Jason would like this band.

Nightsatan – Nightsatan and the Loops of Doom Review

By Steel Druhm on March 28, 2014 in 2014, Finnish Metal, Not Metal, Reviews, Doom Metal, 11 comments

“Well, after reviewing another album by true cult creepers and religious deviants Sabbath Assembly, I thought things couldn’t wander any further into strangeville. Clearly, I was mistaken and to prove it, Nightsatan arrived in my promo bin with their second album, Nightsatan and the Loops of Doom. Why are they so weird you ask, apart from the truly dreadful moniker? Well for starters, this Finnish three-piece records spacy, synth-heavy soundtracks to late 1970s/early 80s, Grade-Z, post-apocalyptic sci-fi movies…that don’t exist. That’s correct, soundtracks to imaginary movies that would have played at your local drive-ins at midnight along with such classics as Galaxy of Terror, Deathrace 2000 and Deathsport (the latter of which features the mother of all cheesy synth soundtracks).” Ready to expand your horizons into strange new worlds? Barbarella awaits!

Pyrrhon – The Mother of Virtues Review

By Kronos on March 27, 2014 in 2014, American Metal, Death Metal, Progressive Death, Relapse, Reviews, Death Metal, 5 comments

““New York City’s PYRRHON emerge with a mind bending album of surrealistic death metal for fans of Gorguts, Ulcerate & Portal!” Brave words, promo guy, brave words. I as much as I admire your confidence, extraordinary claims require extraordinary evidence. When you invoke Ulcerate and Gorguts in order to hawk your wares, you’ve certainly caught my attention, but lying won’t go unpunished. Besmirching the name of my favorite band of Kiwis is a cardinal sin, so either Pyrrhon has their shit really together, or an overzealous Relapse employee is going to find rat feces in his Cheerios tomorrow.” We at AMG disavow any knowledge and/or awareness of food tampering or promo vendor harassment.

Brainstorm – Firesoul Review

By Steel Druhm on March 21, 2014 in 2014, AFM Records, German Metal, Heavy Metal, Reviews, Heavy Metal, 16 comments

“Ever since hearing the Ivanhoe albums way back in the late 90s, I’ve been a huge fan of Andy B. Franck’s vocals. He has pipes that could only be destined for a life fronting a metal band, though he possesses the range to do virtually any kind of music. His slightly proggy, but hyper-accessible albums with Symphorce are always in rotation at Casa de la Druhm, as are his many releases with traditional metal act Brainstorm. The latter are especially tasty, blending Judas Priest’s Painkiller era with the punch and crunch of American power metal like Iced Earth and Pantera, then layering in a plethora of earwormy vocal hooks and monumental, anthemic choruses that cannot be forgotten. Albums like Mentus Mortis, Soul Temptation and Liquid Monster are nearly perfect examples of pure heavy metal and whenever I spin them for someone unacquainted, they wonder how they could have missed the boat.” Intrigued yet?

Abyssal – Novit enim Dominus qui sunt eius Review

By Natalie Zed on March 8, 2014 in 2014, Black Metal, Doom Metal, English Metal, Profound Lore Records, Black Metal, Doom Metal, 6 comments

“The latin phrase “Novit enim Dominus qui sunt eius” comes from an incident in the early 13th century known as the Massacre at Béziers. The ironically named Pope Innocent II had declared a crusade against those he identified as heretics in Northern France, and the first town his assembled force attacked was the well-fortified town of Béziers. As the siege developed, it became a massacre, with more disciplined soldiers losing control of the mercenaries in the force who massacred the people, pillaged the town and ultimately burned it to the ground. The Massacre at Béziers has become emblematic of religion gone mad, persecution in its most extreme and dangerous incarnation, not just for the degree of the bloodshed, but for its indiscriminate-ness.” This is late, but also good. Nat knows her black metal!

Morbus Chron – Sweven Review

By Steel Druhm on March 7, 2014 in 2014, Century Media, Death Metal, Reviews, Swedish Metal, Death Metal, 21 comments

“The times they are a changing! If you were around for my review of Morbus Chron’s 2011 opus Sleepers in the Rift, you know how impressed I was with their Autopsy-laden salute to early American death metal. That album was a sewage leak of nastiness and I still spin it often. Naturally, I expected more of the same with their follow up, but I didn’t get it. Not even close. That’s because Sweven (yea olde English for “visions”) is an enormous departure in style and approach, veering off into the world of proggy, tripped out weirdness, while somehow still remaining death metal.” Wow, this one really knocked Steel Druhm off his feet, and he’s notoriously difficult to knock over. You best read on.

Nebelung – Palingenesis Review

By Natalie Zed on March 2, 2014 in 2014, Blog Posts, Folk Metal, German Metal, Reviews, Temple of Tortorous Records, Folk Metal, 12 comments

“I grew up in the woods. My parents’ house was located just outside of town, set back just a little from the highway, and there was a stretch of woodlot on one side of the house that stretched almost half a kilometre. I’d play there, read there, climb the trees and bury treasure in the soft, mossy dirt. Behind the house were some farmer’s fields — corn, soybeans — and behind there, more woods and lakes. I spent much of my time pleasantly lost, surrounded by bugs and dirt and the green and a blue arch of sky; I had a recurring dream (I think) of walking out my back door and into the woods at night, surrounded by dancing lights, and losing track of which were fireflies and which were stars. Listening to dark folk project Nebelung’s latest release, Palingenesis, is the closest I have felt to those dreams, and that time in my life, in years.” The beauty in this darkness took Natalie back to some happy childhood memories. How cool is that?

Will of the Ancients – To Our Glorious Dead Review

By Grymm on February 21, 2014 in 2014, Black Metal, Canadian Metal, Death Metal, Power Metal, Reviews, Black Metal, Power Metal, Thrash Metal, 11 comments

“There’s something to be said about wearing influences on your sleeves. I may hail from the blackest forests of Southern New Hampshire and primarily enjoy black metal, but I have a soft spot for well-played power metal, old-school thrash, and melodic death metal. I’m known to geek out at the sound of a well-crafted guitar melody, soaring vocals, and urgent drumming. But, never in a million years would I picture it all on one album.” Grymm gets a shock, and you just might too!

Behemoth – The Satanist Review

By Angry Metal Guy on February 6, 2014 in 2014, Black Metal, Nuclear Blast, Reviews, 67 comments

There is no way to dodge the issue, expectations for The Satanist are sky high. It’s easy to understand how that could be. Behemoth’s most recent release was in 2009 but felt overwrought and flat; it had the form but little substance and the sound was loud but fatigued. Nearly 5 years later, Anno Domine 2014, Nergal has been through a bout with cancer and a fight with the Polish legal system. The narrative arising is simple. Indeed, it’s low hanging fruit: the best art arises from adversity. The long wait — 4.5 years between records is almost unheard of for a band on Behemoth’s level — has set the stage for what has the makings of a rebirth of sorts for Poland’s best-known extreme metal act. The Satanist can set the stage for a new era in Behemoth’s storied career and, as one would expect, the attention of the metal world is firmly fixed on it.

Soreption – Engineering the Void Review

By Grymm on January 25, 2014 in 2014, Death Metal, Reviews, Swedish Metal, Unique Leader, Death Metal, 6 comments

Technical death metal. You know the images and sounds those three words conjure up: endless sweep arpeggios, slapped bass with only the freshest of strings, fast double-bass drumming, an album cover that utilizes colors on the cooler side of the Color Wheel (mostly hues of purple and blue) and has an alien somewhere in it, the band logo in a sharp, nigh-symmetrical font…. And for the most part, you know what to expect when someone tries to take the throne from the likes of Decapitated, Gorguts, or Necrophagist. We’re all about the Color Wheel here at AMG, but only the cool side. We also appreciate some good tech-death. Does this qualify?