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Vader – Welcome to the Morbid Reich Review

Vader – Welcome to the Morbid Reich Review

When one thinks of Polish death metal, the names Vader and Behemoth immediately spring to mind as the standard bearers. Both gained enormous exposure and both have been pretty consistent in output over the years. While I admit that not every Vader release has blown me away, more often than not they delivered heavy, satisfying death to the unhinged masses. 2009’s Necropolis was a one of their better albums and found them sounding hungry and hostile. Now, along comes Welcome to the Morbid Reich to steamroll it in short order. Featuring an overhauled, revamped lineup including a new guitarist and bassist, Vader seems to have a large chip on their collective shoulder and aim to prove they’re the one true lord of Pol-death. This is a WAY faster, heavier album than Necropolis, with way more blasting and pummeling. Its almost uniformly played at blistering speeds and aggressive to the point of exhaustion. In fact, its pretty much a companion piece to the new Hate Eternal album with a lot of similarities in style. There’s also some stylistic nods to countrymen Behemoth and even some throwbacks to old Deicide and Malevolent Creation. Its real nasty business from start to finish and its gives out way more of a ferocious beating than I expected.

Aurvandil – Yearning Review

Aurvandil – Yearning Review

Steel Druhm has become increasingly disillusioned with black metal over the past year or two. Apparently I’ve reached the saturation point where all the Dimmu Borgir wannabes started to sound just like all the Emperor wannabes and so on ad nauseum. There’s a clear stagnation in the scene and only the best are able to rise above the fetid swamps of mediocrity. Thankfully, into this dark morass comes a beacon of light by the name of Aurvandil with their debut Yearning. Hailing from France, Aurvandril is the brainchild and creation of founder and sole performer Aurvandil (although he apparently used a session drummer here). Mr. A is deeply entrenched in the traditional sounds and ethos of Norwegian blackness and Yearning freely references the great works of Burzum, Emperor and Enslaved while also offering a refreshing take on what came before. Its clearly a sound and style rooted in the 90’s but for whatever reason, the execution feels fresh, engaging and highly impressive. Equal parts punishing and beautifully melodic, it has a sweeping, epic atmosphere that one can’t help but appreciate. It’s good enough to partially offset my black metal malaise so he/they must be doing something right!

Necrovorous – Funeral for the Sane Review

Necrovorous – Funeral for the Sane Review

Loyal readers of these Angry Metal Pages are doubtlessly aware of my affinity for old school Swedish death metal (SDM) akin to the likes of old Entombed, Grave and Dismember (disloyal readers are to be shunned and publicly shamed). Those same readers will also be aware of my love for the retro movement in the genre spearheaded by the likes of Bloodbath, Entrails and Interment. Because the old school SDM style has such a grim, crusty and powerful vibe, it doesn’t bother me in the least when retro bands utilize the sound without much innovation, as long as its done well. Kindly add Necrovorous to the growing list of bands doing it really fucking well with their debut Funeral for the Sane. Hailing from Greece, these gents take the classic early ’90s sound of SDM and scrape in influences from primitive American acts as well as some grindcore. The results are ugly, scabby and about as nasty as shit on scrambled eggs.

Ulcerate – The Destroyers of All Review

Ulcerate – The Destroyers of All Review

Being a well on the way to aging angry metal nerd, I have a stomach that is not quite as leadbellied as it used to be, and many of my friends and acquaintances are under similar circumstances. There’s only so much beer and whiskey a stomach can handle before it gets a little acidic (although I continually go back to testing the limits every now and then). Hence I’ve been quite amused by the band name Ulcerate since they stormed the realm of heavy music with 2009’s Everything is Fire, which was one of my favorite albums of that year. The title track of that album was very impressive (one of my favorite metal songs of recent memory), as well as the rest of it (that album is nasty!).

Loss – Despond Review

Loss – Despond Review

Ever felt the need to sit amidst the shadows and brood darkly over lost loves, personal failures, lack of objectivity in music reviews and other existential mumbo jumbo? If so, I may have the perfect musical accompaniment for your days of shoegaze. Despond, the debut from Tennessee’s Loss, is one mammoth slab of remorseful, gloomy funeral doom/death that will harsh anyone’s mellow and kill any and all buzz. It’s snail paced, ponderous and crushingly heavy in that way only real doom can be. On the highway of metal music, this thing has its hazard lights flashing and moves slower than a senior citizen with cataracts and a bum hip. Now, I’m well aware that funeral doom isn’t for everyone. I myself rarely find the style compelling enough to sit through an album’s worth regardless of how well the band executes. For that very reason I was surprised by the impact Despond had on me. Not only did I enjoy listening to the entirety of Loss’s mortuary muzak, but I kept going back for more and ultimately, it left me blown away. That either means they have something truly special going on or I have a brain tumor pressing on my music appreciation lobe. Either way, this is an weirdly addictive album full of gloom and despair with some unbelievably powerful emotions and atmosphere to it.

In Solitude – The World. The Flesh. The Devil. Review

In Solitude – The World. The Flesh. The Devil. Review

Steel Druhm likes his old Mercyful Fate. Yep, those first two albums and the early EPs were pure metal magic and some of the best stuff the genre every coughed up. Needless to say, I support the sudden wave of Mercyful Fate influenced retro metal that’s been popping up of late. We have Ghost, Hell and now you can add In Solitude to this heady witch’s brew with their second release The World. The Flesh. The Devil. Along with fellow Swedes Ghost, these gents are shamelessly robbing the graves of the Melissa and Don’t Break the Oath albums and trying to bring some of that ancient black magic into 2011. While Ghost took elements of the Fate sound and added poppy, catchy hooks, In Solitude stays much closer to the source material. They actually sound A LOT like the great Fate as they trot our their own tales of demons, devil worship and all things malevolent. So, does their similarity to a Mercyful Fate tribute band necessarily mean I love them too? In this case, yes, yes it does. I love them and I’m man enough to admit it!

Anaal Nathrakh – Passion Review

Anaal Nathrakh – Passion Review

So this is one of those bands that I really know nothing about. Back when I started reviewing I got the record Constellation of the Black Widow and I remember thinking it was pretty good, but it was a few months old at that time and so I never did a review of it. But in a world full of shitty black metal that bores me to tears by being repetitive and uninteresting, Anaal Nathrakh definitely appeared to be ahead of the game by, actually, not boring me to tears. I was reasonably interested to get around to reviewing Passion when I got it a while ago, but what with my busy schedule and everything I’d hardly even gotten around to listening to it until lately. And let me say, I’m impressed.

Autopsy – Macabre Eternal Review

Autopsy – Macabre Eternal Review

A brand new Autopsy album? Well tickle me Hellmo! Now, THESE guys are the very definition of old school death metal and founder, drummer and chief gurgler Chris Reifert got his start with the legendary band Death way, way back in 86′. After playing on the Death debut, Reifert went off to launch Autopsy and they were one of the first bands to market themselves as death metal. After several classic albums loaded with crusty death mixed with grinding doom riffs, Reifert called it a day so he could pursue his other band Abscess full time. After reuniting for their The Tomb Within EP in 2010, Reifert decided to fold Abscess and resurrect the mighty Autopsy and hence, we get Macabre Eternal, their first new album in fifteen long years. So, does it live up to their legendary status in the genre? Can it ever meet the huge expectations of long time fans? Is Rhapsody of Fire entirely made of cheese? Of course! It’s an instant classic and so, so fucking sick, you just have to hear it to understand.

Bodyfarm – Bodyfarm EP Review

Bodyfarm – Bodyfarm EP Review

Amidst the sea of breakdowns, pig squeals, and all things core, comes a band that’s traditional and non-conforming. Bodyfarm, named from the institutions that examine and study the deceased and decomposition of dead flesh, is a straight up no BS death metal project with pure energy and substance. Along the same lines as Vader, Vomitory, or Cannibal Corpse in that there sound is stripped away aggressive death metal. No Gimmicks so to speak, just the music free from the pressures of mediocre innovations and the rising deathcore movement. I’m pleased to say these guys might have accidentally stumbled upon something refreshing.