“Just last week we covered Manimal and their crusade to recreate Judas Priest’s Painkiller for the umpteenth time. Now Primal Fear magically appears as if summoned from some traditional classic metal purgatory to defend their title of Lead Priest Imitator Supreme.” You just don’t mess with another man’s eagle.
“Replace Steel Panther’s cut-rate comedy with a quintet of Torontonians who seem to actually love the ridiculous hard rock of old and, for better or for worse, you end up with Diemonds .” Female fronted cock rock? That seems wrong.
“Except for AC/DC, few acts are as unchanging, predictable and satisfying as U.D.O. Since departing from Accept in 1996, Udo Dirkschneider has been a one man Germanic metal sweat shop, mass producing albums with startling regularity and consistency. While his style never strays far from what Accept did in their prime, the unsinkable lawn gnome of metal has made it his mission to keep the 80s sound alive.” Giving you exactly the same metal since the early 80s, Udo is prepared to give just a little more. He’s a giver…of metal.
“Accept (and Grave Digger) are Germany’s grand contribution to the Pantheon of Unkillable Cockroaches of Metal. Decade after decade they continue releasing albums brimming with the same traditional metal ideas, slightly rejiggered and reformed, but always recognizable and predictable. Even after the loss of the diminutive but iconic Udo Dirkschneider, the boys from Berlin just kept right on rolling and the two post-Udo platters were their liveliest in forever. Here they come yet again with Blind Rage and it’s comforting as always that nothing much has changed.” With age comes wisdom, and in the case of Accept, surprisingly solid metal.
“What do you get when you take a rough and ready Germanic power metal band and add two members of Blind Guardian? You get a better rough and ready Germanic power metal band. Sinbreed is that band and features the talents of Blind Guardian guitarist Marcus Siepen and drummer Frederik Ehmke, which gives them some instant musical credibility and clout. Their 2009 debut When World’s Collide was a rock solid slab of slick, but angry metal in the vein of modern Accept, Herman Frank and Paragon and Shadows improves on that template with even more raspy, Udo-like vocals and thrashy guitar lines.” More power metal at AMG? What is this, a pirate-shirted coup?
“Wow, these guys have been around forever! Empire of the Undead is Gamma Ray’s eleventh freaking album, and we get it despite the fact their recording studio burned down and everything was lost, except the masters for this baby. So what do you get from a band so beloved and long in the tooth?” After so many albums, what are you expecting? Steel Druhm expects you to read this.
“Primal Fear never claimed to be innovators or trail blazers. They just want to rock their Judas Priest inspired, traditional metal shtick and write catchy, anthemic songs. They’ve been good at it too and certainly made a career of it, since Delivering the Black is album number ten for the Teutonic terrors. However, with their innate lack of innovative spirit, the risk of staleness becomes an ever present stalking horse, and some of their discography has suffered it’s awful sting…” Ready for more music Judas Priest could have/should have written after Painkiller? No matter how you answered, here it is!
“First off, let’s get one thing straight: Genghis Khan was, in all likelihood, not a rocker. He was many things — military genius, emperor, conqueror of many lands, and guy who killed a shitload of people. It’s possible that some of those things kind of rock, although the surviving populations of Russia, China, and the Middle East may beg to differ. Regardless, Khan lived many centuries before western music even existed, and there’s no evidence of him liking rock or metal. Anyways…so yeah, Genghis Khan the band. These guys are an Italian trio playing what could loosely be called ‘power metal.'” Mr. Fisting loves his world history and has some issues with this Italian trio’s debut album and its historical inaccuracy. Forget the wrath of Khan, this is the wrath of Fisting!!
“U.D.O. (i.e. Udo Dirkschneider), the voice of Accept is back with his umpteenth album full of typically old school, Germanic heavy metal. As with all his previous platters, Steelhammer is Accept-ish in design, with nods to Teutonic power metal like Grave Digger. Sometimes speedy, sometimes mid-tempo, the man and his band traffic in meat and potato metal riffs with his now classic raspy snarl dropped on top thereof. While you have to admire his consistency, it doesn’t always lead to memorable albums, though you can usually count on a handful of above-average ragers. 2011s Rev-Raptor was a rather fun and engaging outing, and Steelhammer follows right along in the same cheesy, but familiar mode.” It’s Udo and his band U.D.O. and that means more Germanic metal with silliness, hooks and Accept-isms. If you liked any of his other 200 albums, you’ll probably like this too.
Steel Druhm heard the cries for more power metal and now he’s running amok with power reviews! This time its Germany’s long toiling speedsters, Paragon. They put the “power” in power metal and Mr. Steel surely appreciates that since there’s quite a power shortage in his neck of the woods.
