American Metal

Solace of Requiem – Casting Ruin Review

Solace of Requiem – Casting Ruin Review

If there is one thing that can be said about Solace of Requiem, it’s that these guys have yet to pick a style and run with it. Comparing their albums to one another is like comparing metal to sushi. However, their lack of staleness is breath of fresh air (or in this case “putridity?”). Appearing on the scene in 2004 with their self-titled debut of Morbid Angel worship, these guys stuck to the time-tested formula of old-school death metal; mean, fast, and in-your-face. From there they expanded that style by introducing some groove and thrashier elements on Utopia Reborn before incorporating a black-infused tech death approach on their third release, The Great Awakening. Do you like brutal sushi? Do you enjoy an ever shifting musical template? One stop shopping right here, folks!

Cannibal Corpse – A Skeletal Domain Review

Cannibal Corpse – A Skeletal Domain Review

“There’s another tidbit that escaped me as I drifted from the pulse of the underground: among a large faction of metalheads, Cannibal Corpse has passed out of vogue. I’m fully aware of the phenomena of a band achieving a level of commercial success and no longer being considered the REAL DEAL. That everyone here wasn’t scrambling to review the new Cannibal Corpse album came as a surprise to me. I remember reading about them in the pages of old metal rags when Eaten Back to Life first came out and they were being slagged left and right. People just didn’t get death metal yet.” Al Kikuras is old and out of touch and Cannibal Corpse is possibly out of vogue. What is this world coming to?

Earth – Primitive and Deadly Review

Earth – Primitive and Deadly Review

“Wait, wait, Earth? Dylan Carlson’s music child that went from pioneering drone doom to dabbling in experimental psychedelic-country-drone-whatnot? How long has it been since they released anything even remotely attached to metal? Nine years, eighteen years? Surely this review has no place here. This is, after all, Angry METAL Guy: trve, kvlt, ov the underground and all that.” Are you shocked to see an Earth review here? We are too.

YOB – Clearing the Path to Ascend Review

YOB – Clearing the Path to Ascend Review

“Eugene, Oregon’s YOB have come a long way since their beginnings way back into the nineties. They started their career on a high note by churning out a pretty unique beast of an album, Elaborations of Carbon, whose mad, gigantic sound would become the band’s trademark. By 2005, albums like The Unreal Never Lived ensured them the status of one of the frontrunners of the sludge/doom scene and following that record, the band went on a two-year hiatus which looked like a permanent disbandment at the time. When they came back from the dead, fuelled by the perseverance of mastermind Mike Scheidt, it was clear that YOB underwent some kind of transformation, which was reflected on the following two albums. Taking that into account, the expectations and fears for their first new material in three years were running high through a mist of uncertainties and worries about the direction the band would take.” YOB is love, but is YOB still YOB? YOB!

Joy – Under the Spell of Joy Review

Joy – Under the Spell of Joy Review

Joy takes “retro” seriously. I’m sure most of our readers are familiar with the morass of “retro” groups that exclusively write music with a deaf ear to everything recorded after a particular golden time in the history of heavy metal, but this San Diego power trio set back the clock to a time pre-dating the genre entirely, recalling when Black Sabbath was a blues band and “heavy metal” existed only as a Steppenwolf lyric.” Set the machine for 1 B.S.D. (before Steel Druhm).

Godsmack – 1000hp Review

Godsmack – 1000hp Review

“Scientists agree that post-9/11 alternative rock is unquestionably the lowest point in both American culture and human history. Out of that entire era, one band stands tall above the shit heap of tribal tats, soul patches, and whining. That band is Godsmack. Yes, there are bands that are even less talented, and some that are more insulting to music lovers. But Godsmack has just the right combination of blatant unoriginality and shallow suburban angst, unrivaled in their ability to annoy me while enthralling the rest of middle-class ‘Murricah.” Hey, Mr. Fisting Himself is back and he seems really bitter.

Pallbearer – Foundations of Burden Review

Pallbearer – Foundations of Burden Review

“Ah, the dreaded Second Album. It’s the infamous make-or-break moment that either legitimizes a young act as The Real Deal, or the one record that calls a band on its bullshit. Case in point: 2012’s Sorrow and Extinction put Little Rock, Arkansas’s Pallbearer into the ears and hearts of many doom aficionados, rightfully earning its place on many end-of-year playlists. A minor line-up shuffle and a few high-profile tours later, they’ve returned with the much-anticipated Foundations of Burden.” With several AMG staff members anxiously hoping for a big win from these doomsters, can they deliver?

Fallujah – The Flesh Prevails Prevails: A Review of the DR10 Master

Fallujah – The Flesh Prevails Prevails: A Review of the DR10 Master

“It’s been around a month since I panned Fallujah’s incredibly ambitious The Flesh Prevails on account of a gratuitously loud mastering job, and now that the storm that battered the review’s comments section has passed, the staff at Angry Metal Guy have all agreed that it’s time to take another look at the album. But this time it’s not quite the same album. How so? We have an alternate master, provided for us with consent from Fallujah by Zack Ohren, the man behind the knobs for The Flesh Prevails.” Does a more dynamic mastering make that much of a difference? You may be surprised.

Midnight – No Mercy for Mayhem Review

Midnight – No Mercy for Mayhem Review

“Punk and black/death metal are closer brethren than one might think. Obviously, punk’s influence on metal is undeniable, but when a band like Cleveland’s Midnight comes along and seamlessly mashes both styles together, it becomes even more evident how the different genres are all branches of the same tree. There are also some strong elements of NWOBHM, thrash, crust… I can go on and on, but what Midnight really hammers home is that when you throw them into a big pile, light it on fire, and piss on it, besides that horrible acrid cloud of pissmist, you get what can best be described as rock and roll.” This album has charisma AND pissmist. You can’t beat that for a dollar!