At the Gates

The Absence – The Absence Review

The Absence – The Absence Review

“Florida’s The Absence have carved out a tidy career of dependable material across two separate career arcs since forming way back in 2002. Their first few albums were thrashy, slightly blackened melodeath bangers with killer riffs, striking melodies and catchy hooks in tow. Hardly groundbreaking stuff but solidly entertaining, nonetheless. Following an eight-year recording hiatus, The Absence kicked back into gear in 2018 and now we arrive at the third album of their recharged second era, and sixth overall, following on from 2021’s reliably solid Coffinized release. On this occasion, the veteran act decided to go the self-titled route, which often translates to a stylistic reinvention, or assertive back-to-basics approach.” Absence makes the heart do something.

Darkest Hour – Perpetual | Terminal Review

Darkest Hour – Perpetual | Terminal Review

“How deep is your backlog of albums you intend to give a full spin sometime, but you never get round to it? I couldn’t even begin to tally mine. One of the albums that has languished in this limbo is Godless Prophets & the Migrant Flora, the previous release from melodeath veterans Darkest Hour. I remember liking the slice I tried, but with so much to listen to and so little time I failed to give it my full attention. Grymm sure loved it, though, and in his absence, I was more than happy to step up and finally give the band the attention they deserved from me.” In the darkest hour, we cried more, more, MOAR!

Blood Red Delusion – Ruthless Behaviour Review

Blood Red Delusion – Ruthless Behaviour Review

“Riff-focused yet stuffed to the gills with exuberantly melodic leads, Blood Red Delusion’s second salvo strikes me as something fans of classic melodic death metal albums by In Flames and At the Gates—along with more modern records like Parasite Inc.’s Time Tears Down—might flock towards. Ruthless Behavior’s no-frills, no-nonsense, and aggressively death-metal-forward approach to the genre forgoes all traces of the sweeter and smoother caresses of lushly adorned modern melodic death metal records.” Blood and poor behavior.

Full Assault – Dying World Review

Full Assault – Dying World Review

“Though Germany’s Full Assault has been around for over fifteen years, I’ve never heard of them. I was even surprised they’ve never been reviewed before in these halls. But that might just be the lack of a label. Until now. Their Iron Shields debut, Dying World, is here with neothrash tendencies that combine a Crisix-like vocal approach with At the Gates thrashery.” Assault and BATT-ER-Y!

Blood Red Throne – Nonagon Review

Blood Red Throne – Nonagon Review

“Three years ago, Blood Red Throne released a behemoth in the form of Imperial Congregation. After dozens of listens, it proves it’s one of the band’s greatest achievements. Fast forward to 2024, and they’re back with their eleventh LP, Nonagon. Continuing where they left off, Nonagon is a destructive motherfucker that incorporates the butchery of Panzerchrist, the relentless riffage of Old Man’s Child, and the melodic subtleties of Hypocrisy. But, no matter what’s sprinkled throughout, Nonagon remains 100% BRT.” Blood in the throne room.

Sylosis – A Sign of Things To Come Review

Sylosis – A Sign of Things To Come Review

“The existence of Sylosis roughly tracks my own experience with non-mainstream metal, running from 2008’s Conclusion of an Age to 2020’s Cycle of Suffering. The band lost me somewhere in the middle as I was diving into the more extreme sub-genres of metal’s sewer, despite my favorable comments on 2015’s Dormant Heart, no doubt induced by a bout of regional favoritism given that they hail from the same bit of the UK as yours truly. Cycle of Suffering represented a roaring return, comfortably my favorite of their albums and comfortably my second favorite album from 2020. Sylosis are one of Britain’s most exciting and energetic bands but how can A Sign of Things to Come hope to match their prior incredible success?” Modern problems.

Bloodletter – A Different Kind of Hell Review

Bloodletter – A Different Kind of Hell Review

“At first listen, Bloodletter sound pretty much the same in 2023 as they did in 2021 (or 2020, depending on when you believe the album was actually released). Combine the nasty thrash of a Slayer or a Dark Angel with the melodeath of The Black Dahlia Murder or At the Gates, sprinkle in some icy blackened tremolos, and you’re left with a 35-minute package of highly melodic brutality.” Hate mail!

Omnicidal – The Omnicidalist Review

Omnicidal – The Omnicidalist Review

“If you were deeply saddened by the news of Rimfrost’s demise in 2019, you were not alone. After Dr. Grier spent a week spinning Abigail in a dark room, we had to physically drag him into a cold shower and pay Brittney Slayes to give him a backrub just to get him out his catatonic state. Thankfully, the band changed their minds halfway into the pandemic, and all was right with the world. Sometime during their brief break-up, though, vocalist Sebastian Svedlund had the luminous idea to start Omnicidal, an entirely different band with an entirely different style: old school Swedish death metal with a teaspoon of Gothenburg melodeath.” Dawn of the OmniRim.