Aug22

Oerheks – Cagghenvinna Review

By Twelve on August 23, 2022 in Reviews, Atmospheric Black Metal, 13 comments

“I know pretty much nothing about Oerheks. Normally, that’s the kind of thing that gives me pause—I’d rather know who I’m writing about, what I’m supporting, and all of those fun details, but given that this Cagghenvinna is the debut album for a Flemish black metal band… well, it comes with the territory. As for what I do know, I’m fairly certain it’s a one-person project, with “H.” as its mastermind; I believe “oerheks” is Dutch, translating into something to the effect of “primal witch;” and I understand H. writes his music inspired “by local myths and lore.”” Flick of the witch.

Dreadnought – The Endless Review

By El Cuervo on August 23, 2022 in Reviews, Black Metal, Post-Metal, Progressive Metal, 46 comments

“Briefly summarizing Dreadnought’s music is impossible. You could clip a 5-minute passage from anywhere on The Endless and encounter something different from any other 5-minute passage. But, in short, the key ingredients include progressive, post and black metal, and also jazz. Occasionally shimmering guitars, looped rhythms and a dense, textured approach lean into post-genres, while the overall package is delivered through rangy, expansive songs which demonstrate progressive proclivities.” Endless dread knots.

The Sombre – Monuments of Grief Review

By Carcharodon on August 23, 2022 in Reviews, Death Doom, 6 comments

“Look, let’s cut to the chase here, Monuments of Grief is, unsurprisingly, bleak as all fuck. With an album title like that, released under the nom de guerre The Sombre and as the followup to Shapeless Misery, there is no levity, no joy and no whimsy to be found here. Monuments of Grief is just that, a towering obelisk of doom that drags the listener down into a hopeless pit of despair, from whence one can look up at the light but with absolutely no hope of reaching it.” Sweet grief.

Conan – Evidence of Immortality Review

By Ferox on August 22, 2022 in Reviews, 34 comments

“Conan, destined to wear the jeweled crown of Aquilonia upon a heavy brow, leaned into the wood and pushed. Long had they been lashed to the Wheel of Pain, sinews straining to honor their commitment to King Riff. Lo these many years did Conan’s toil yield downtuned sacrifices to the King, great heaving plates of troo doom crashing into each other as the sound of their collision rose to the clouds to challenge the thunder itself. Mighty indeed were Conan’s labors, and yet, as they strained against the Wheel, Conan couldn’t help but wonder: Is this all there is? Is it meant that I should spend my days cranking out an endless chain of plodding tribute? What is to be Conan’s and only Conan’s?” Crom as you are.

Dawnwalker – House of Sand Review

By Twelve on August 22, 2022 in Reviews, Progressive Metal, 40 comments

“Dawnwalker have been around since 2011, but my first exposure to them didn’t happen until a mere couple of years ago, courtesy of this very blog. I was able to review Ages, the band’s fourth full-length release and compliment it on its well-done blend of progressive, death, and folk-like metal into one monolithic beast of an album. If words like those excite you, though, you should know that Dawnwalker do not stay in the same place for long—House of Sand is nothing like that, but don’t let that get you down. For their fifth full-length, the English band explore some new sounds, revisit old ones, and build out their album in a frankly beautiful way.” Downtuned Abbey.

Mimorium – The Route of Haeresis Review

By Maddog on August 22, 2022 in Reviews, Black Metal, Melodic Black Metal, 32 comments

“The Route of Haeresis gave me a rare opportunity to nab a band that earned praise from the mighty Grier. The angrier doc gushed about Mimorium’s second release Blood of Qayin in 2020, comparing it favorably with Dissection’s classics. Mimorium is back with another album of energetic melodic black metal that tries to scratch the same itch as the iciest Swedish bands of the mid-90s. Many have tried this, and few have succeeded.” Theft in the autopsy suite.

Moths – Space Force Review

By Dolphin Whisperer on August 20, 2022 in Reviews, Doom Metal, Progressive Metal, Stoner Rock, 35 comments

“Moths seemingly come out of nowhere. Often left unchecked, they move from chewing a couple holes in that one jacket you forgot about (and probably doesn’t fit you anymore anyway) to causing major issues with carpets, rugs, and insulation. These Moths are different, though. Hailing from Puerto Rico, Moths flutter about with vibe-heavy jazz doom hoping to infest oscillating melodies into your highest consciousness.” Bug hugs.

Hours of Worship – The Cold that You Left Review

By Thus Spoke on August 19, 2022 in Reviews, Gothic Metal, 47 comments

“I was born in the mid-90’s, so neither it nor the 80s are decades I remember. Hours of Worship’s second LP, The Cold That You Left, however, is so soaked in that era’s signature gothic electronica that it gives even me nostalgia. The duo’s professed touchstones of Type O Negative and early The Cure are pretty much on the money. This is pure aestheticized depression that goths everywhere would clamor to inject directly into their veins. I’m no Wednesday Addams wannabe, but listening to this makes me want to dye my hair and paint my nails black, apply heavy eyeliner, and start hanging around in graveyards.” Goth in a dark place.

Soilwork – Övergivenheten Review

By Dr. A.N. Grier on August 19, 2022 in Reviews, Melodic Death Metal, Metalcore, 76 comments

“There once was a boy that hated everything… ah, fuck it. Welcome to this year’s episode of ‘Soilwork Just Won’t Quit.'” Digging deeper and deeper.

Doldrey – Celestial Deconstruction Review

By Steel Druhm on August 19, 2022 in Reviews, Crust Punk, Death Metal, 19 comments

“Having just covered the latest iteration of classic Gothenburg melodeath with The Halo Effect, it only made sense to tackle the one millionth take on buzzy, fuzzy Entombedcore, this time by way of Singapore’s Doldrey. This unsung act dropped an EP in 2019 and 2022 sees the full-length debut hit the mean streets. Billing themselves as “Deathpunk,” their style is not far removed from crusty acts like Mammoth Grinder, but more firmly tethered to the early days of the Stockholm sound. This means the HM-2s are set to ‘Brutal Stun’ and the d-beats are available for bulk purchase.” Noisy punks, noisy punks…