Autopsy

Mammoth Grinder – Underworlds Review

Mammoth Grinder – Underworlds Review

“You may have noticed a tendency of the AMG staff to carp, whine and bitch about albums being too long and including too much filler. It’s a sad truism that because CDs are capable of holding 75 minutes of tuneage, way too many bands think they have 75 minutes worth of quality music when usually…they don’t. Mammoth Grinder are the exception to that rule and their Underworlds album clocks in at a lean, mean twenty-eight minutes and it feels as refreshing as a bath in a mountain lake.” Pressed for time? Need your ass kicked quickly and fully. Hire a Mammoth!

Autopsy – The Headless Ritual Review

Autopsy – The Headless Ritual Review

“The Gods of crusty, scabby American death are back yet again! Since their grisly and well-received Macabre Eternal comeback, I’ve been chomping at the bit to hear more new material from the reformed Autopsy. With roots running all the way back to the seminal debut by genre creators Death (Chris Reifert played drums thereon), Autopsy has had an up and down career filled with long lay-offs, breakups and resurrections so it’s always a joy to get a new platter of splatter from them (and I always worry it will be their last).” Since you never know when the wheels will come off the Autopsy table, enjoy their brand of dirty, scuzzy death while you still can! Steel Druhm’s been knee deep in it for a week and has some thoughts (and some infections).

Johansson & Speckmann – Sulphur Skies Review

Johansson & Speckmann – Sulphur Skies Review

“Neither rain, nor snow nor soccer riots can keep the Rogga Johansson express from it’s appointed rounds through the Swedish death metal landscape. This is the fourth album I’ve reviewed in 2013 that had his bloody prints all over it (Megascavenger, Just Before Dawn, Paganizer) and he’s in countless other projects as well (Demiurg, Ribspreader, etc. etc. to infinity and beyond). As I study the endless tide of Rogga works, I’m left to marvel at both his inhuman productivity and the overall quality of the material he creates. Johansson & Speckmann is his new collaboration with the legendary Paul Speckmann of long running, seminal death act Master. With such a titanic union, one obviously expects great stuff (and shitty, DIY album art) and since between them they cover the spectrum from Swedish to American death, the possibilities seem limitless (well, except by the parameters of death metal).” Have you felt like it’s been too long since a new Rogga release cropped up? Me too!

Desaster – The Arts of Destruction Review

Desaster – The Arts of Destruction Review

Desaster has been around forever, perpetually rocking their slobbering, Neanderthal variety of berserk, blackened thrash. Their sound is defined by an unswerving dedication to excessive over-the-top-itude that few bands could rival. By taking the classic Darkthrone sound and welding it together with Motorhead, old Destruction, Autopsy and Slayer, a squirming mass of belligerent bellicosity is unleashed.

Deus Otiosus – Murderer Review

Deus Otiosus – Murderer Review

When you hear the phrase “old-school death metal,” you pretty much know what to expect. You can rattle off the usual list of influences (Death, Entombed, Autopsy, etc.) by heart, and you can envision the sound in your mind without hearing a single note. There’s about 9 thousand bands that are playing this style today, and neither you or I give a fuck about them because it was already done 20 years ago, and better. So when Danish band Deus Otiosus describes their debut full-length, Murderer, as “old-school death metal,” you know what you’re in for, right?

Entrails – The Tomb Awaits Review

Entrails – The Tomb Awaits Review

This has been the year of death metal. Evidence is very much apparent if you look at the bulk of releases so far. Try to forget Morbid Angel and Decapitated for a moment. Quality albums from the likes of Hate Eternal, Vomitory, Supreme Pain, and Vader, even Autopsy – have made the genre stronger than ever in 2011. Sophomore album The Tomb Awaits is an attempt from these Swedish veterans of gritty old-school death metal to join those hallowed ranks.