Bathory

Ancient – Back to the Land of the Dead Review

Ancient – Back to the Land of the Dead Review

“I find black metal deeply polarizing. While helplessly captivated by the cold, desolate aura of much of the genre’s higher quality output, I also find myself mind-numbingly frustrated when magnificent records are in my view ruined by intentionally dreadful production, sounding as though they were recorded not in a studio but rather in a metal bin at the bottom of a distant lake (Transilvanian Hunger anyone?). Founded in Bergen in the early nineties by frontman Aphazel, the aptly-named Ancient have been diligently plying their trade for almost a quarter of a century now, establishing a back catalogue of uncharacteristically lush-sounding black metal and recruiting a small but loyal following along the way.” Old and cold, or old and bold?

Inquisition – Bloodshed Across the Empyrean Altar Beyond the Celestial Zenith Review

Inquisition – Bloodshed Across the Empyrean Altar Beyond the Celestial Zenith Review

This post was removed due to Dagon’s involvement in a number of explicitly Nazi projects and events. If you were unaware of this, now you know. Armed with that information, I encourage you to not support Inquisition or any Nazi band. The reason this is important is because financial support for Neo-Nazi groups often comes via the white power punk and metal music scenes and, therefore, cutting off financial support to these bands may be a meaningful way to counteract the ability to organize.

Yer Metal is Olde: Samael – Passage

Yer Metal is Olde: Samael – Passage

“1996 was a weird time for metal. That year many bands decided to abruptly switch logos on us, and whenever that happens, usually the music gets a lot more “creative” (i.e. tame) and a whole lot less metal. I remember seeing an ad for Samael’s Passage in an issue of Metal Maniacs and immediately got worried. Gone was the pentagram-infused logo and the Eric Vuille painting of Jesus with his crown of nails coming out of his head, and in their place was a logo that was fresh off of Microsoft Word and a picture of what appears to be the moon.” A bad moon was arising.

Skeleton Wolf – Skeleton Wolf Review

Skeleton Wolf – Skeleton Wolf Review

“Before I delve into the guts of this self-titled debut from Indiana’s Skeleton Wolf, I’d like to pose a question to our loyal readers here at Angry Metal Guy. What is your favorite drunken party metal album and/or band? You know the kind of metal that just lifts a gear and thrives with the accompaniment of alcohol.” Okay, who said Men Without Hats? You leave the hall right now!

SIG:AR:TYR – Northen Review

SIG:AR:TYR – Northen Review

SIG:AR:TYR are one of the most criminally overlooked acts in the Viking/folk/black metal arena and even after three high quality albums they still seem woefully under-appreciated. Taking the best elements of Bathory’s Viking era and fusing them with influences ranging from Immortal, Falkenbach and Primordial, founder and sole member Daemonskald crafted some amazingly epical moments on unsung classics like Beyond the North Winds and 2010’s Godsaga.” Prepare to feel the Hammer o’ the North.

Ereb Altor – Blot Ilt Taut – Review

Ereb Altor – Blot Ilt Taut – Review

“I’ve reviewed several albums by Sweden’s Ereb Altor, all approvingly. They even captured my Song o’ the Year for 2015 with the mighty “Nattramm.” Whenever I discuss their style, I’m forced to compare them to Viking-era Bathory because that’s clearly their chief influence and they do nothing to hide it. With that in mind, I wasn’t surprised to hear they were doing an entire album of Bathory covers to honor the late, great Quorthon.” Raise the Tribute Hammer.

Black Twilight Circle – Desert Dances and Serpent Sermons Review

Black Twilight Circle – Desert Dances and Serpent Sermons Review

“In 2015 I had the pleasure of opening up the New Year with a review of Volahn’s Aq’ab’al; a black metal album filled with so much cultural content (Mayan in this case) that it would have made Quorton’s head spin. Just over a year later I am presented with another opportunity to review a new release from Volahn’s small record label, Crepúsculo Negro—aka Black Twilight Circle.” Cultural diversity is the mission statement here at AMG.

Brutality – Sea of Ignorance Review

Brutality – Sea of Ignorance Review

Brutality came along at the first death knell of a genre that has outlasted just about every musical trend that has come and gone. They released some thrashy death metal demos, one of which (Dimension Demented) I reviewed in the print version of Unchain the Underground back in 1992.” Mr. Kikuras has long running ties to brutal endeavors.

Gravewürm – Doomed to Eternity Review

Gravewürm – Doomed to Eternity Review

“Thirty years past its prime, Gravewürm’s songwriting and musical delivery continues to leave a lot to be desired, and after twenty-five years of existence and ten full-lengths, I ask myself the same question before every Gravewürm release: does Gravewürm have anything new—anything at all—to offer in their newest output?” That’s a really good question.