Bathory

Serment – Chante, Ô Flamme de la Liberté Review

Serment – Chante, Ô Flamme de la Liberté Review

“Some black metal bands are sheer aggression and violence, while others are all about slow-build atmosphere and ambience. Lurking around the fringes, just outside these respective circles of firelight, are the folk black metal bands, crooked harps and battered lutes clutched in their claws. By far the most interesting – to me at least – are the black metal acts that dip their bucket in multiple wells, and we have one such specimen on our hands today. Quebec’s Serment is the one-man side project from Forteresse’s guitarist and bassist, Moribond.” Folk in the eye.

Wardaemonic – Acts of Repentance Review

Wardaemonic – Acts of Repentance Review

“Length alone does not a smart song make. Anyone can throw a dozen disparate riffs together without rhyme or reason under the pretense of progressive songwriting. That’s what’s kind of amazing about Wardaemonic‘s fourth LP, Acts of Repentance. These songs aren’t necessarily clever, but what they lack in songwriting tact is made up for by a dense, captivating atmosphere.” Repentance, then war.

Malokarpatan – Krupinské ohne Review

Malokarpatan – Krupinské ohne Review

“No matter who you are or where you live, everyone is being asked to stay home from a job that they may not get to come back to. Or… living it up with their family in a mansion whose walls sport the fashionable 2020 Vintage Toilet Tissue Wallpaper. Then there’re others of us that push on like nothing is happening. Regardless of your dilemma, this shit has come out of nowhere and I-just-went-in-for-eggs-and-left-after-four-hours-because-only-ten-people-were-allowed-into-the-store-at-one-time is a thing. Everyone’s upset and no one knows what’s gonna happen next. Funny enough, that’s the perfect attitude to have for Malokarpatan‘s newest masterpiece, Krupinské ohne.”

Sicarius – God of Dead Roots Review

Sicarius – God of Dead Roots Review

“When we last saw Californian black metal band Sicarius, they were receiving high praise from yours truly for their outstanding debut Serenade of Slitting Throats. I returned to Serenade so its follow-up God of Dead Roots can be put in proper context for this review. This was beneficial, as the differences were in little things – at face value, God of Dead Roots certainly sounds like Sicarius, and Mick Kenney finds himself back behind the boards.” Roots and replanting.

Lucifuge – The One Great Curse Review

Lucifuge – The One Great Curse Review

“If you are thinking that Lucifuge’s choices of band logo and cover art — not just on this record but on previous outings too — point towards them being fans of the old black metal guard of Venom, Celtic Frost, and Bathory, you’re spot on. And these tastes are reflected, to a significant degree, in the music, too.” Olden evils.

Turia – Degen van Licht Review

Turia – Degen van Licht Review

“Hailing from the Netherlands, Turia describes Degen van Licht as “an ode to the ageless lure of the unyielding mountains, and an exploration of the sweltering warmth which encompasses these heights every summer.” That doesn’t sound much like the icy forest obsessed second wave, and neither does Degen van Licht” Hot mounds.

Bütcher – 666 Goats Carry My Chariot Review

Bütcher – 666 Goats Carry My Chariot Review

“Did you ever stop and wonder what a collaboration between Mercyful Fate, Celtic Frost, Agent Steel and Darkthrone circa Transilvanian Hunger would sound like? You probably didn’t, but Belgium blackened speed metal deviants Bütcher certainly did, and then they created 666 Goats Carry My Chariot to see if such a crazy musical time heist was even possible. It is, and I for one welcome our new time warping speed overlords, even as I flee from the super weapon of mass destruction they’ve wrought.” Goat show.