Bethlehem

Eremit – Bearer of Many Names Review

Eremit – Bearer of Many Names Review

“Two years ago, German then-duo Eremit trudged onto the scene with a 68-minute, three-song mammoth, Carrier of Weight, an album that contained a foreboding atmosphere, a production that could crush an elephant like it was an empty aluminum can, and about six or seven total riffs between all three gargantuan-length songs. It was a bit much for me, but even then, I could sense the potential for these sludge-bearers to smother the masses and climb to the top of the heap where witches with bells sit upon oaken (Lewandowski-painted) thrones, surveying the wastelands forevermore. If there was something that the shitstorm that was 2020 and parts of 2021 taught me, it’s that patience is most certainly a welcome virtue, and time can soften an old fuddy-duddy like yours truly. As such, the now-trio-again have seen fit to unleash their newest beast, Bearer of Many Names, with a sleeker, heavier disposition.” Names with weight.

Advent Sorrow – Kali Yuga Crown Review

Advent Sorrow – Kali Yuga Crown Review

“Modern life is safe. Extreme danger and fear are rare, which makes experiences that mimic them memorable. The genre of depressive/suicidal black metal (DSBM) appears to support this, because not much is more extreme than profound depression and suicide. Yet those of us who listen, do so because it makes us feel better; that dabbling in the pain through music lessens its impact in the real world.” Depression lite.

Critical Mess – Man Made Machine Made Man Review

Critical Mess – Man Made Machine Made Man Review

“After waxing lyrically about female voices in metal in my previous review, a random grab from the promo bin saw it fit to expand upon that intro with a female growler. When leaving The Agonist, Alissa White-Gluz infamously said: ‘No one can do what I can do,’ and metal has been happy to prove her wrong time and time again. Bands such as Aephanemer, Bethlehem, and Light This City are just a few examples of extraordinary female laryngeal destruction, and Critical Mess is joining that growing pantheon.” Woman made.

Bethlehem – Lebe Dich Leer Review

Bethlehem – Lebe Dich Leer Review

“I had picked Lebe Dich Leer for my review queue simply because it sounded interesting, only to find out that they were a foundational band in the development of suicidal black metal and their history was surrounded by controversy over false accusations of Satanism by concerned parents/idiots. An intimidating prospect for sure. So as you proceed, keep in mind that the following is from the perspective of someone venturing out of their comfort zone and new to the story of Bethlehem in general, so you can safely ignore my opinion if it suits you.” Green is the new black.

Darkened Nocturn Slaughtercult – Mardom Review

Darkened Nocturn Slaughtercult – Mardom Review

“Contrary to popular belief, many of us writers here at Angry Metal Guy Institute haven’t been exposed to every band a genre offers. Whether that’s due to time constraints, the ol’ chestnut of “I’ll get around to checking them out eventually” and then forgetting to check them out eventually, or just the simple fact that you haven’t heard of them, many bands honestly fly under our radar. That’s just a fact of life. In this instance, I hadn’t heard a note of Germany’s black metal quartet Darkened Nocturn Slaughtercult until guitarist/frontwoman Onielar took over the coveted mic for fellow German legends Bethlehem in 2016 on their self-titled album.” Scary friends of creepy acquaintances.

Deinonychus – Ode to Acts of Murder, Dystopia, and Suicide Review

Deinonychus – Ode to Acts of Murder, Dystopia, and Suicide Review

“I’ve been meaning to check out Deinonychus for one simple reason: I fucking love dinosaurs. Fellow dino nerds will know that Deinonychus was a fearsome predator of the early Cretaceous period, closely related to the infamous Velociraptor and with a name that means ‘terrible claw.’ It’s a badass band name, and though this Dutch trio doesn’t sing about slicing open unsuspecting sauropods, their music is no less compelling.” Music to go extinct to.

Sektarism – La Mort de L’Infidele Review

Sektarism – La Mort de L’Infidele Review

“As anyone who knows me well enough can attest, I function in strange ways. I enjoy my iced coffee in the wintertime. In the summertime, though, when everyone is either at the beach or cruising down the highway of their choice, I prefer to shutter myself in my house, grab a beer, and listen to either Kyuss or funeral doom. Strange, I know, but there’s something to be said about taking it easy on days where it’s overly sunny and hot as balls outside. So imagine my delight when I discovered La Mort de L’Infidele by France’s Sektarism in the promo bin, just waiting for me to engage in enough summertime sadness to make Lana Del Ray blush.” There ain’t no cure for the summertime blues.

Bethlehem – Bethlehem Review

Bethlehem – Bethlehem Review

“With Christmas just around the corner, it gives me wry amusement that Bethlehem are about to unleash their latest slab of blackened thrash on the unsuspecting masses. Tis the season and Bethlehem are in a very giving kind of mood!” Grim yule tidings.

Unbegotten – Proem of the Unborn Review

Unbegotten – Proem of the Unborn Review

“The phrase “Spain is different!” seems to roll off the tongue of many a Spaniard. And rightly so; as a country its culture, cuisine and even the architecture, are markedly recognizable in flavor, style, look and feel. So how does that relate to Unbegotten’s debut release Proem of the Unborn? Have these mutinous Spaniards turned against their Spanish roots? Or have they perhaps added a little Flamenco or maybe some Latin pizzazz to their black metal offering?” Spain’s Unbegotten isn’t that different after all…