“Based on vocalist and guitarist Chris S.R.’s amalgamation of a number of religions and philosophies, Triangle is a sprawling, grandiose effort that bridges progressive black metal, progressive rock, post-rock, and ambient music, while hinting towards a deeply personal struggle.” A triple album again? Why do we do this to AMG?
Black Metal
Dark Portrait – A Harrowing Atrocity Review
“It was with great reluctance that I took Dark Portrait’s A Harrowing Atrocity for review. It’s nothing against the band, but with the end of the year deadlines looming, TYMHM articles to write, and a top-ten list to hash out, there is little time for those unfortunate albums whose label thought it appropriate to release in the blackest month of the year.” From the promo dead pit comes…blackness.
Départe – Failure, Subside [Things You Might Have Missed 2016]
“I’ve had my eye on Australian black metal unit Départe ever since they landed an opening slot on the most Kronos-approved tour Europe has seen in the last few years. Jet-setting around the continent with Wormed and Ulcerate is no laughing matte, and all of that exposure before release so much as a demo raised red flags all over the place.” The yearly miss lists are upon us. Take note.
Sacrificio – Guerra Eterna Review
“After first looking at the album art, I bet myself $5 that the most obvious comparison for Guerra Eterna would be Under the Sign of the Black Mark. I am now $5 richer (or poorer?).” Bask in the Bathory, if you dare.
Sibiir – Sibiir Review
“Ah, another week, another black metal hybrid album. I’ve been snatching these up like candy lately, and for good reason: the only albums I’ve awarded a 3.0 or higher thus far have paired the genre’s trademark icy dissonance with a variety of other styles to great effect.” Blackened candy is best served cold.
Gnaw Their Tongues – Hymns for the Broken, Swollen and Silent Review
“Whenever I see bands like Slayer and Motörhead emblazoned across shirts for sale in fashionable high street clothing stores, I always have a little internal conflict with myself. On the one hand, I feel I ought to be enthusiastic about anything that introduces people to the world of heavy music. On the other, a childish part of me kind of likes metal being a bit of a secret society.” Join the club but prepare for hazing.
Bornholm – Primaeval Pantheons Review
“Metalheads saying “I’m a pagan” is, generally speaking, our chosen genre’s equivalent of wine-guzzling middle-aged single women who say they’re “not religious, but spiritual” during those book clubs where Eat, Pray, Love is read in perpetuity. It’s empty posturing made to make someone sound more profound and “enlightened” than they actually are. So-called pagan metal is generally melodic stuff with a lyrical eye to old folklore but, other than that, the definition doesn’t give us a whole lot to go on.” Only join Book of the Dead clubs.
Crimson Moon – Oneironaut Review
“Let’s be honest. The internet has simultaneously made everything better while absolutely fucking ruined it. Yes, we can get music and movies instantly, order pizza online, and buy embarrassing shit like hemorrhoidal cream without handing someone money face to face. At the same time, any mystery about life has been sucked out of our consciousness like an effeminate Brad Pitt in Interview With A Vampire chomping on some pale, lame white girl.” The internetz are for porn (and butt balm).
Terra – Mors Secunda Review
“I was rooting for Terra. About two years ago when this English trio released their untitled debut, I thought the group had the potential to breathe fresh life into the so-called “Cascadian” black metal scene that had been losing steam for the past few years. Nevermind that they aren’t technically from the Pacific Northwest…” Cascading is the new voguing.
Sarkom – Anti-Cosmic Art Review
“The biggest difference between 2013’s Doomsday Elite and their previous work is the amount of inspiration they brought into every track of Doomsday. They brought in The Kovenant’s Psy Coma to handle the closing orchestral arrangements, Negator’s Nachtgarm for vocal assistance, and the guitars of Keep of Kalessin’s Vyl. And Anti-Cosmic Art is here to take it one step further. The band brings more guests, unleashes more riffs, more blastbeats, and a plethora of guitar solos. The result is Sarkom’s best release to date. ” Is this the Avantasia of blackness?