Cannibal Corpse

Sigh – In Somniphobia Review

Sigh – In Somniphobia Review

Bands really get the shit end of the stick sometimes, and one of the areas that this happens with is the concept of change. On the one hand, a band is never supposed to change their sound. Their fans will freeeeak out and everyone will call what they do a big pile of shit (how about that last Drudkh album, went from darling of the scene to whipping boy in the matter of a day). On the other hand, others will hear a record from a band that functionally the same and say something cocky like “Is Cannibal Corpse even remotely relevant anymore?” [Oh wait, that was me and everyone got mad.AMG] Sigh is one of those bands that I think threads that needle perfectly—offering up records every couple of years that change their sound, while keeping the core in place. In Somniphobia is really no exception to this rule—and it triumphantly continues the band’s current success streak.

Svartsot – Maledictus Eris Review

Svartsot – Maledictus Eris Review

There’s nothing quite like Danish melodic death/folk, right kids? What’s that you say? You don’t know what Steel Druhm speaks of? For shame! By now you probably should know of Svartsot and their heavier than thou approach to folk metal since they’ve been churning it out since 2007. I was a big fan of their quirky debut Ravnenes Saga and was equally amused by the follow up Mulmets Viser (as was AMG himself). Both featured heavy but very catchy and anthemic folk metal with very deathy vocals. Their sound can almost be summed up as Korpiklaani meets Cannibal Corpse after too many ales. Its a weirdly festive and danceable style (yes, you may want to dance around like a spazz to some of their tunes) that somehow remains bruisingly heavy at the same time. Because their approach is so offbeat and unique, it struck a nerve with me and I had high hopes that nerve would continue getting struck with Maledictus Eris, their third release. I’m happy to report this is more entertaining, beer stein swinging, gnome jigging, renaissance faire approved folk metal. All the elements that made the previous albums work are present and if anything, this may be more catchy and fun than before. Now, their admittedly quirky style might not be everyone’s cup of grog. It requires a little tolerance for folk-infused camp and silliness but if you can handle the oddness, its more fun than a barrel full of forest gremlins.

Jungle Rot – Kill on Command Review

Jungle Rot – Kill on Command Review

The kings of knuckle dragging neanderthal death metal are back. Yep, nobody ever accused Jungle Rot of being unpredictable or avant-garde. Quite the opposite, since 95′ these Wisconsin blokes have been churning out their primitive, simplistic, groove-based death metal with scant innovation or diversity. Now, that’s not necessarily a bad thing considering their style was always a like-ably thick headed brand of American death with all the brutality but none of the frills. Albums like War Zone and Dead and Buried were enjoyable, fun efforts showcasing their simple sounds at their best. Now we get Kill on Command and its more of the same but with a polished production and a drift into deathcore territory, intentional or not I don’t know. Before you start smashing keyboards and such, this isn’t a full blown deathcore album but it has those trademark elements of the style embedded in the writing. How much of it? Well enough to annoy me but not enough to sink the album entirely. Its still that same ugly mix of Six Feet Under and old Cannibal Corpse and its fairly well written and at times, oddly catchy. However, some other issues crop up and together they drag this album down from good to less so.

Bodyfarm – Bodyfarm EP Review

Bodyfarm – Bodyfarm EP Review

Amidst the sea of breakdowns, pig squeals, and all things core, comes a band that’s traditional and non-conforming. Bodyfarm, named from the institutions that examine and study the deceased and decomposition of dead flesh, is a straight up no BS death metal project with pure energy and substance. Along the same lines as Vader, Vomitory, or Cannibal Corpse in that there sound is stripped away aggressive death metal. No Gimmicks so to speak, just the music free from the pressures of mediocre innovations and the rising deathcore movement. I’m pleased to say these guys might have accidentally stumbled upon something refreshing.

Severe Torture – Slaughtered Review

Severe Torture – Slaughtered Review

I have to admit right up front that I wasn’t overly familiar with Severe Torture and their cadaver of work prior to getting tasked with this review. I had heard bits and pieces of previous albums but nothing about them ever really grabbed my attention or made me feel the need to track down their material. So as I got familiar with Slaughtered, this Dutch death metal band’s fifth platter (or should I say splatter), I was pretty shocked by the quality of the material on display. Maybe I simply missed the boat on their earlier stuff but this is a solid enough release that I plan to go back to investigate much more carefully in the near future.

Interview with Trevor from The Black Dahlia Murder (2009)

Trevor from The Black Dahlia Murder is the first person I’ve ever interviewed more than once. Â Unfortunately, he doesn’t remember that. Â When I talked to him, the guys were a start up band from Detroit that was soon going into the studio to record Miasma a record that went over, well, remarkably well. […]

The Black Dahlia Murder – Deflorate Review

The Black Dahlia Murder – Deflorate Review

The Black Dahlia Murder is becoming a veteran band among this new wave of melodic American death metal/metalcore or whatever the hell you want to call it. To get this out of the way right away: I think that The Black Dahlia Murder has been treated unfairly by a metal community sad to see the disappearance of the old school metal guy anywhere except brutal death metal. Modern American metal has come to be dominated by short-haired, tattooed hardcore lookin’ kids who often have super diverse taste in music and have never donned a leather jacket or a goatee in their lives. These hardcore lookin’ dudes put on shows that have an energy that often times metal dudes lack in their own live performances, and they’re gaining notoriety with their blending of brutal death metal and stupid core breakdowns. The Black Dahlia Murder has been lumped in with these guys because of tattoos and plugs, but they are certainly not akin to these bands. No, The Black Dahlia Murder is easily one of the best melodic death metal bands the United States has ever produced and despite them sounding a lot like At The Gates plus blast beats, I think they do it very, very well and very consistently.