Cannibal Corpse

Sinister – Deformation of the Holy Realm Review

Sinister – Deformation of the Holy Realm Review

“I’m always happy to see old school death metal bands that are still around and putting out new music, especially when that music is as good as Sinister‘s. Though they formed in 1988, this Dutch group’s 2017 album Syncretism was my first exposure to the band and my neck has never been the same.” Deform the neck bones.

Twitch of the Death Nerve – A Resting Place for the Wrathful Review

Twitch of the Death Nerve – A Resting Place for the Wrathful Review

Twitch of the Death Nerve is a modern brutal death metal band from jolly old England, beginning in 2004 and, including sophomore release A Resting Place for the Wrathful, have two full-lengths and one split contribution to their name. By the time their first full-length dropped in 2014, death metal had gone through effectively every relevant mutation – their influences are vast and plenty.” Wrath never sleeps.

Horrific Demise – Excruciating Extermination [Things You Might Have Missed 2019]

Horrific Demise – Excruciating Extermination [Things You Might Have Missed 2019]

“It’s winter again, and Ulver’s first three records express the beauty and wonder of the season that left us when we grew up and got annoyed at clearing a foot of snow off our cars so we can dutifully trudge to work. Horrific Demise’s debut record Excruciating Extermination conjures a world where Harambe comes back and decides to use your scrotum as a speedbag. That’s right, it’s one of these again.” Ouch.

Purulent Necrosis – Cadaverized Humanity Review

Purulent Necrosis – Cadaverized Humanity Review

“The good folks at Comatose Music traffic almost exclusively in brutal death metal, so their promo team needs to get creative. It won’t surprise you that Purulent Necrosis is brutal death metal—that morbid word salad (with feta) is what brutal band names are made of. I commend Comatose on their promotion of Cadaverized Humanity though—upon its release, according to the label, “indiscriminate killing on an unprecedented scale is sure to follow.” Kill for your music.

Entombed A.D. – Bowels of Earth Review

Entombed A.D. – Bowels of Earth Review

“Anyone who’s read metal reviews for a while knows the two major intro paragraph fallbacks for popular and/or established metal bands. The first is to call them “the AC/DC of [subgenre]” and conveniently using a tautology to describe the sound, i.e. Cannibal Corpse sounds like Cannibal Corpse. The second is invoking the shadow of the band’s crowning achievement and asking rhetorically if the new record will beat it. Entombed A.D. isn’t established enough to be an AC/DC band, and Entombed simpliciter changed their sound more than once.” Bowel movements.

Illdisposed – Reveal Your Soul for the Dead Review

Illdisposed – Reveal Your Soul for the Dead Review

“Back in my younger years, I played in a little local band that was glorified Obituary-core. I had no delusions of grandeur, unless “grandeur” was playing at seedy bars for beer money some weekends. It was fun, and it was what I wanted to write and play at the time. Recently, before seeing Iron Maiden for the fourth time, my friend – who was in the old band for a spell – said that if he started another band, he’d want it to be Kataklysm 2.0. He quickly corrected himself and said it would be Kataklysm 0.9, as there was no way to beat Kataklysm at their own game. This was a somewhat unfortunate development – I’d love to play death metal with my friend again, but Kataklysm 0.9 already exists in the form of Danish death metal band Illdisposed.” Math is hard.

Carnal Tomb – Abhorrent Veneration Review

Carnal Tomb – Abhorrent Veneration Review

“I’m sitting here watching the sun illuminate the leaves of the many trees in my gigantic new backyard, and I’m finally allowing myself to entertain a glimmer of hope that this all might work out. Ask Mrs. Holdeneye and she will tell you that I can become quite despondent and Eeyore-like when exposed to even mild amounts of stress, so moving twice this year has affected my baseline mood significantly. Perhaps this explains why I’ve been listening to far more death metal during the last few months than is my norm — I’ve been unconsciously trying to vent the frustration that comes from uncertainty and constant change, things I love just about as much as Ron Swanson does.”Stressball deathball.

Backstabber – Conspiracy Theorist Review

Backstabber – Conspiracy Theorist Review

“Oh Canada. How doth thee provideth the world oodles of death metal. The country never seems to run out of new bands to show off every year. Usually I can expect good things from most of those bands, too, which is all the more impressive. To kick off the new year ov death metal, I abducted Québécois Backstabber and their self-released debut Conspiracy Theorist. Ten tracks (seven proper, three instrumental) of modernized death metal with a politically charged message of subterfuge and paranoia sounds like an interesting proposition. Can these guys sell me their scandals, or will they simply appear to me as loonies in tin-foil hats?” Watch the skies.

Meathook – Crypts, Coffins, Corpses Review

Meathook – Crypts, Coffins, Corpses Review

“Why brutal death metal and slam appeal to me hit me upon visiting a weird occult shop in Covington. Dead things in jars, all manner of non-human skulls, bloodied animals – these people were serious about this stuff. It’s not fun anymore when it hits that point. Writing gross-out lyrics is essentially writing fart and toilet jokes for people into horror films. It’s lowbrow, but it’s fun because of it.” Hooks in you.