Cradle of Filth

Ghosts of Atlantis – 3.6.2.4 Review

Ghosts of Atlantis – 3.6.2.4 Review

“The best way to get my attention is with an awesome album cover. More than genre tags, credits, stylistic themes, or lyrical themes – more than nearly anything else – an awesome album cover is what I go by when I explore the wonderful world of metal. That’s how the English band known as Ghosts of Atlantis got my attention, although the rest did line up very nicely: they credit themselves as something of a supergroup, boasting experienced musicians from bands across various well-known labels trying out something different, tagged in my promo package as “symphonic progressive extreme metal.”” Ghost in the calculator.

In Tormentata Quiete – Krononota Review

In Tormentata Quiete – Krononota Review

“What a profoundly odd band In Tormentata Quiete is. Plenty of Italian bands are grand, pompous, cheesy, and theatrical, but few do it like this one, sporting three vocalists in a range of styles but remaining light on orchestral elements. Their first foray into the halls of AMG was shot down with a 1.0 from Grymm for being unstructured and containing baffling, out-of-place elements like rap breakdowns in the middle of their semi-symphonic avant-garde drama metal. Their second, Finestatico, earned them a 3.5 from yours truly, seemingly fixing everything its predecessor did wrong. Krononota sees another change of the guard in the vocal department, but can they maintain the high standard of before?” Pomp in a weird place.

Eleine – Dancing in Hell Review

Eleine – Dancing in Hell Review

“Symphonic and power/symphonic metal are so hit-or-miss. Even when it comes to a couple of my favorites, I can love one release and loathe the next. That’s even when the most astute listener thinks the albums sound the same. It has to be the perfect balance of elements to catch my attention and keep me coming back for repeat listens. And, other times, I have to be in the right headspace. When I first heard Eleine‘s new opus, Dancing in Hell, almost all those elements came together.” Hell is a dance-off.

Paradise in Flames – Devil’s Collection Review

Paradise in Flames – Devil’s Collection Review

Paradise in Flames is a Brazilian black metal quartet, having released two albums, two demos, and an EP since their 2003 formation. While their third full-length’s cover poses questions, a glance at their promo confuses further. They cite death metal countrymen Sepultura and Sarcófago as influences, while the Devil’s Collection was mastered by producer Tue Madsen of Meshuggah and Dark Tranquility fame. Such first impressions are baffling, but the looming question is: is Devil’s Collection any good?” Riffing is fundamental.

Carach Angren – Franckensteina Strataemontanus Review

Carach Angren – Franckensteina Strataemontanus Review

“But Franckensteina Strataemontanus is not a true retelling of Frankenstein; or, The Modern Prometheus by Mary Shelley. If any of you know the myths and legends surrounding the creation of this story, you know that there’re a lot of tales that involve Johann Konrad Dippel. There’s no proof that Shelley was ever inspired by this strange individual, but the connection is hard to ignore. An individual who reportedly invented nitroglycerin, experimented on dead animals and human cadavers, and created an elixir that would allow him to live until the age of 135. Here, Carach Angren provides us with a slight reinvention of the classic Frankenstein story. One that uses artistic license to make Dippel the psychotic creator of an unloved monster.” Frank n’ frowners.

Naglfar – Cerecloth Review

Naglfar – Cerecloth Review

“These Swedes have been around a long time and, I’m sad to admit, I kinda gave up on them after 2007’s Harvest. Yet, here we are, some thirteen years later, with Naglfar‘s newest record plopped in my lap. Upon initial inspection, Cerecloth looks, feels, and smells like Naglfar. Former bassist, Kristoffer W. Olivius, is still at the mic, after replacing the mighty Jens Rydén on 2005’s Pariah. And, as it’s been since ’95’s Vittra, each instrument is as crucial as the next. The result is some of the strongest songwriting in the genre. Never groundbreaking and never meant to be, Naglfar is a true purveyor of that melodic black metal sound.” Olde and still colde.

Reveal – Scissorgod Review

Reveal – Scissorgod Review

“No month of horror movies leading up to the big day. No romantic nights with Elvira. No King Diamond/Mercyful Fate marathons. But, I’ll be goddamned if Halloween escapes me before 2019 ends. So, instead of turkey preparations and being thankful for the useless shit in my life, November is my new October. And, as it turns out, there’s no one I’d rather spend it with than Reveal and their third concoction of mindfucking black and death, Scissorgod.” No safety scissors these.

IATT – Nomenclature Review

IATT – Nomenclature Review

IATT—FKA I Am the Trireme, the one-time recipients of an AMG 1.0—is a band I hoped would capitalize on my renewed craving for a smarter kind of blackened death metal. Much of Nomenclature certainly qualifies as prog—and as such, scratches that particular itch—but like the best music in the style, it is great music first, progressive music second. Through theatrical songwriting and melodic grandeur, IATT has assured that their second record is a deeply captivating experience.” You can call this a comeback.

Video Premiere and Interviews with Stevie Boiser and Trevor Portz of Ashen Horde

Video Premiere and Interviews with Stevie Boiser and Trevor Portz of Ashen Horde

“Back in March, I reviewed Ashen Horde‘s latest opus of black metal fury, Fallen Cathedrals. I heaped an unhealthy amount of praise its way back then, and I’m still spinning it a ton now. In fact, I would be very surprised if it were to fall outside of my top 5 albums come year’s end. My review may have been riddled with factual errors, but founder, songwriter, instrumentalist, and clean vocalist Trevor Portz showed up in the comments and revealed himself to be a gracious and enormously cool guy. So, when the opportunity to do an interview presented itself, I couldn’t resist.” We’re already off to a better start than last time.

Belzebubs – Pantheon of the Nightside Gods Review

Belzebubs – Pantheon of the Nightside Gods Review

“The concept of the virtual band is hardly a novel one anymore. The first was arguably Alvin and the Chipmunks all the way back in 1958, though it was Gorillaz who popularized the concept. Metal has dipped their toes in the idea a few times as well, most notably with Dethklok from Adult Swim’s Metalocalypse cartoon. Yet something just feels different about Belzebubs, a new virtual band formed around the webcomic of the same name by Finnish author JP Ahonen. The comic is high quality in and of itself, mixing black metal tropes, an Adams Family theme of a dark and weird yet loving family, and a Calvin & Hobbes sense of adorable bubbly slapstick. But comics and music are extremely different media. How serious can we take an actual album by the bumbling ink-drawn band?” Anime to the Nightside Eclipse.