Cryptopsy

Body Harvest – Parasitic Slavery Review

By Ferrous Beuller on May 15, 2019 in 2019, Comatose Music, Death Metal, English Metal, Reviews, Death Metal, 63 comments

“Our very own Eldritch Elitist recently posited that death metal is at its peak when following either one of two separate paths: an unapologetic flogging or creative innovation. He’s not wrong. But there is also a third route worthy of consideration. The one unashamedly paved with the gilded bones of the genre’s revered forefathers. How do we quantify those bands who patch their material together from piecemeal legacy? It’s an easy approach to snub, but there is plenty of evidence to suggest the potential for success.” Ripping off the oldies.

Vltimas – Something Wicked Marches In Review

By Kenstrosity on March 29, 2019 in 2019, Death Metal, Portuguese Metal, Progressive Death, Reviews, Season of Mist, Death Metal, 90 comments

“Man, this March has been ridiculous. Just when all of us at the AMG Consortium of the Infernal’s brimstone lounge were bitching and moaning about the unfair quantity of choice black metal—leaving in its wake a noticeable dearth of death metal goodness—out of nowhere comes Equipoise, Gomorrah, Venom Prison, Aephanemer, and now Vltimas. Like Equipoise, but also not at all like Equipoise, Vltimas is a supergroup. Based out of Portugal, the band is comprised of three legends of the metal scene: David Vincent of Morbid Angel on vocals; Rune “Blasphemer” Eriksen (ex-Mayhem, Aura Noir) on the guitars, and Flo Mounier of Cryptopsy fame manning the kit.” Something supergroupy this way comes.

Continuum – Designed Obsolescence Review

By Diabolus in Muzaka on February 21, 2019 in 2019, American Metal, Reviews, Technical Death Metal, Unique Leader, Technical Death Metal, 115 comments

“The internet has created an interesting world where, no matter how esoteric what you do or like is, someone else is doing or enjoying the very same thing. On the one hand, this is great; it’s easier than ever to get recommendations on obscure Brazilian goregrind bands, because there’s a small online community devoted to just that. On the other hand, it’s a bit haunting to some types of people to be not whatsoever original in their tastes.” Fetish-tech.

Desecravity – Anathema Review

By Ferrous Beuller on February 9, 2019 in 2019, Death Metal, Japanese Metal, Reviews, Technical Death Metal, Willowtip, Death Metal, Technical Death Metal, 28 comments

“Japan probably isn’t top of the list of countries responsible for propagating the most volatile of technical death metal. Desecravity clearly don’t care for the geographical rank and file, however, as their hyper-proficient assault takes absolutely no prisoners. Anathema is the band’s third foray into profuse precision and exhibits a startling standard of musicianship. But, as with all overtly technical genres, there lingers an elephant in the room… What good is inimitable skill without commensurate song writing? I’ve lost count of the amount of bands I’ve heard over the years who exist, seemingly solely, as an extreme guitar clinic. No attention to structure, no time spent on foundation. Fortunately, Desecravity seem to be aware of this to some degree, but they aren’t entirely out of the woods yet…” Killed by tech.

Vile Apparition – Depravity Ordained Review

By Kronos on January 21, 2019 in 2019, Australian Metal, Death Metal, Memento Mori, Reviews, Death Metal, 52 comments

“Abstract: Many recent investigations in the field of death metal have returned to classical techniques in order to reliably synthesize brutality. In recent years, authors have generated several novel formulations that draw from classic literature to generate new brutalities that fit modern needs but are still as effective as older formulas. Here I report on a recently discovered compound, formulated on a reliable basic structure, which exists at high purity with few residuals. This new product is applicable for research use and will be available in digital databases shortly after the publication of this article, with physical availability expected later in 2019.” SCIENCE!

Outre-Tombe – Nécrovortex [Things You Might Have Missed 2018]

By Diabolus in Muzaka on January 11, 2019 in 2018, Canadian Metal, Death Metal, Temple of Mystery Records, Things You Might Have Missed 2018, Death Metal, 98 comments

“Everything about this record blares old-school death metal. Look at the cover; it’s timeless metal art. Outre-Tombe is a great name for an old-school death metal band. Nécrovortex is one of the coolest titles of 2018 in any genre. The cards are stacked in Outre-Tombe’s favor, and they squeeze every drop out of the opportunity afforded to them, making one of the best death metal records of 2018. Although it seemed like few people in our regular readership missed this humdinger of a record, giving great death metal the spotlight surely won’t hurt.” Belated gushery.

The Ridiculous Year o’ Death Metal Round-up, Part 2 [Things You Might Have Missed 2018]

By Ferrous Beuller on December 28, 2018 in 2018, American Metal, Austrian Metal, British Metal, Canadian Metal, Danish Metal, Death Metal, Doom Metal, Italian Metal, Portuguese Metal, Reviews, Swiss Metal, Symphonic Metal, Technical Death Metal, Things You Might Have Missed 2018, 128 comments

“2018 has been undeniably kind to death metal. So kind that it became impossible to pay the necessary attention to every release worthy of note. So, possessed of tyrannical temperament and iron resolve, Kronos and I have enlisted the help of the staff to cover those bands that went so unjustly overlooked.” – Even MORE death metal we missed!? Wow, we’re bad at this job.

The Ridiculous Year o’ Death Metal Round-up, Part 1 [Things You Might Have Missed 2018]

By Kronos on December 27, 2018 in 2019, American Metal, Canadian Metal, Death Metal, Italian Metal, Progressive Death, Reviews, Slam, Swedish Metal, Technical Death Metal, Things You Might Have Missed, Things You Might Have Missed 2018, Death Metal, Melodic Death Metal, Technical Death Metal, 131 comments

“A lot of good death metal came out this year. In the last six months, it has become an outright deluge, and Ferrous Beuller and I have doggy-paddled through it, coughing and sputtering and generally being overwhelmed. But even if great albums were few, enough good albums came out—and got passed over—that we’re in dire need of a recap. In fact the need is so dire that we can’t hope to cover it all ourselves.”

Vuohi – Witchcraft Warfare Review

By Diabolus in Muzaka on November 8, 2018 in 2018, Black Metal, Finnish Metal, Reviews, Saturnal Records, Black Metal, Death Metal, 45 comments

“It’s 6:50 PM on a cold Saturday night. I’m tapping my foot impatiently, waiting for my lovely girlfriend — a few months my elder, and perhaps a bit slower moving, therefore — to come out from her room. ‘Come on, darling,’ I say, double-checking my tie in the mirror, ‘we’ll be late if we don’t leave soon.’ I hear the door open, and expect to be floored; she always looks so good in dresses, and this is a formal event. I turn around and do a triple-take — she’s wearing a strawberry onesie. I’m left confused as to what her intentions were, and I may perhaps never figure it out. May as well make the most of it, right? This ethos permeated my listening time with the Finnish band Vuohi’s debut full-length Witchcraft Warfare.” Kitchen sink-core.

Serocs – The Phobos/Deimos Suite Review

By Kronos on November 1, 2018 in 2018, Death Metal, International Metal, Reviews, Technical Death Metal, Death Metal, Technical Death Metal, 103 comments

“By infecting the percussive brutality of Cryptopsy with a whiff of the counterpoint of Spawn of Possession, …And Then the Sky Was Opened won over our own Dr. Fisting. A good album, to be sure, but one which still came with a few production idiosyncrasies and shortcomings that kept it off of regular rotation for me. The Phobos/Deimos Suite is the tremendously talented band’s chance to finally get the formula right.” Suite but deadly.