Cryptopsy

Cryptopsy – The Book of Suffering – Tome II Review

Cryptopsy – The Book of Suffering – Tome II Review

“Much as they, and we, desperately want to move past it, Cryptopsy have for a long time been known for questionable, if not outright awful, stylistic decisions. Even with the music back on track, The Book of Suffering series of EPs insists on having some of the shittiest cover art imaginable, apparently under the impression that breasts decay far slower than the rest of the body, and that we’re all really into that sort of thing. I’d consider taking points off but the sad fact is that if I docked the score for every misogynistic album cover we’d probably stop getting promo altogether.” In the crypt, less is more.

Psychotomy – Aphotik Review

Psychotomy – Aphotik Review

“Italy’s Psychotomy is a new band with an old vision. Aphotik is a death metal record which is made of three main ingredients, like a cheese pizza. Our dough is Incantation, specifically their material after Diabolical Conquest; this is the foundation for the rest. Our sauce, perhaps the least important part, is the Immolation-isms of Ulcerate represented on The Destroyers of All. The sauce is not slathered on, but plays its part nonetheless in making it a pizza instead of cheesy dough.” Excuse me, there’s death in my pizza.

Abysmal Torment – The Misanthrope Review

Abysmal Torment – The Misanthrope Review

“Death metal is all about bludgeoning with extreme prejudice, but it also used to coincide with great songwriting. While the former has never been in question, I can’t consistently say the same of the latter. In an effort to cohesively combine the two, modernity has mutated penmanship into an almost grotesque caricature, often mistaking style for substance. Sometimes, however, proficiency and profusion meet in the middle to summon a storm of genuine portent. The Maltese death dealers, Abysmal Torment, have embarked upon a run of sustained quality and their fourth full-length, The Misanthrope, shows no sign of slowing.” Misanthropic brutality done right.

Bookakee – Ignominies Review

Bookakee – Ignominies Review

“…and though the word of the land was good — for blessed are they who toil as to bring glory unto Jørn — there were those that spake a word which decried all that is right and trve, and through their blasphemy bestowed they unto the land a pox which made a mockery of these things rendered unto all by our Lord’s Jørn-ness. ‘Behold!’ spake the Muppet ‘ye heathens ov Canada! Hear me, I beg! Renounce thy false idol and remove its name from thine tongues forever!'” Muppet the Revelator.

Cist – The Frozen Casket Review

Cist – The Frozen Casket Review

“A dear friend of mine winces at the thought of lasagna with mozzarella cheese. Hailing from Northern Italy, this man knows his cooking like I know ill-timed Plato references (ask my girlfriend, who I thought would appreciate it because she’s a few months more ancient than me), but is an utter purist in this regard. Here in North America, people from all over the world take their regional or national cuisine and update it, making it bigger and arguably better. Some experiments fail, but it’s the mastery of your influences and the will to proceed and get it completely wrong in the creative phase that allows for greatness instead of mere imitation.” Create death creatively!

Holophonics – Fast Forward Review

Holophonics – Fast Forward Review

“In an effort to expand my horizons, suppress my average scores, and prevent this blog from becoming a black- and power-metal only publication, I’ve decided to spend more of 2018 with the dregs of the promo bin; bands no one likes, no one has heard of, or no one has the courage to approach given their genre tag. With the questionable name of Holophonics and the even more questionable tag of ‘Alt Metal,’ I feared that Fast Forward was a product from the center of that Venn diagram.” Deep is the promo sump.

Ectoplasma – Cavern of Foul Unbeings Review

Ectoplasma – Cavern of Foul Unbeings Review

Ectoplasma might be new to the game, but the resolutely old-school Cavern of Foul Unbeings would never betray the fact. Their first LP since a 2016 debut, Cavern plunders all manner of late ’80s and early ’90’s death metal from Obituary to Death acquiring riffs and inspiration, complete with the B-movie samples and a noticeable absence of bass guitar.” Old death dies hard.

Dr. A.N. Grier’s Top Ten(ish) of 2017

Dr. A.N. Grier’s Top Ten(ish) of 2017

“Remember that scene in Ghostbusters (the real Ghostbusters…) where Winston tells Ray, ‘If someone asks you if you are a god, you say yes!’ Well, if someone asks you if you want to write a guide for teaching organic chemistry, you say hellafuckingno. I’m serious. Do yourself, and everyone around you, a favor. So, yeah, this year’s been nuts. Thankfully, there’s Angry Metal Guy—a solace for all metalheads to come together and be verbally abused and cat-tailed in the company basement.” Cat’s got yer list.

Origin – Unparalleled Universe Review

Origin – Unparalleled Universe Review

“In terms of sound, little has changed in the Origin camp since Antithesis. The excessive hyper-blasting, the tandem bass and lead guitar sweeps and taps, the switch to chunkier riffs before going back into hyper-technicality; it’s all here in fine enough form. Of course it’s more restrained than Brain Drill (really, what isn’t?), but Origin still traffics in very clinical chaos.” Legacy of br00tality.