Danish Metal

Mother of All – Global Parasitic Leviathan Review

Mother of All – Global Parasitic Leviathan Review

“Have you ever wondered what modern melodic death metal might sound like if these up-and-coming bands would take a moment to find a sound that isn’t pure pastiche? Now, I know that might seem critical—and it is. But with so many bands out there that are variations on At the Gates, In Flames, Dark Tranquillity, and whatever other big name you can think of, pure worship of these bands, who wield extended discographies and active tour schedules, just isn’t enough. That kind of retread with a tinge of mix-up can be good, of course. Just look at our latest rodeö for the proudly olde-reaching Veriteras. So do we need a Global Parasitic Leviathan to save us?” I Dismember Momma.

Solbrud – IIII Review

Solbrud – IIII Review

IIII, the aptly titled fourth album from Denmark’s Solbrud, comprises ninety-four minutes of atmospheric black metal and HOLY SHIT WHERE ARE YOU GOING HOW ARE YOU RUNNING THAT FAST?? Well, anyway. For the die-hards who didn’t immediately flee at the concept of a double LP of atmoblack, I can guarantee a valid reason for why I’m endeavoring to cover this thing at all. I’ve made it no secret that this meandering, often forceless subgenre has not so much a home in my heart as a lean-to fashioned from three sticks and a handful of dental floss.” Three times the atmoblast.

Manticora – Mycelium Review

Manticora – Mycelium Review

“AMG’s Law of Diminishing Records is a generally reliable metric that a handful of bands continuously defy, and Denmark’s prog-power mainstays Manticora is one of them. It’s easy to see why; looking retrospectively at their nine prior albums, there is no entry where the band could be accused of failing to innovate or experiment in some respect, a decades-long discographic evolution culminating in the towering To Kill / To Live duology. I maintain that the second act of that duology is their best effort to date, and I lowered my expectations for Mycelium accordingly.” Evolutionary side quests.

Myrkur – Spine Review

Myrkur – Spine Review

Myrkur apologists and her detractors both have a point. Her 2015 debut M succeeded as folky black metal, but aped predecessors like Ulver’s Bergtatt (1995). Two years later, Mareridt established a unique voice for Myrkur, but suffered from inconsistency. 2020’s Folkesange abandoned metal in favor of acoustic folk. A resounding success and an easy 4.5, Folkesange thrived on Amalie Bruun’s vocal melodies and her knack for arrangement. Its highly anticipated successor Spine resurrects Myrkur’s black metal roots amidst dreamy pop and mid-paced rock.” Crouching pop star, Myrkuring dragon.

Sylvatica – Cadaver Synod Review

Sylvatica – Cadaver Synod Review

“Danish melodic folk death quartet Sylvatica has been around since 2009, with two full-lengths plus an assortment of EPs and singles under its collective belt. The band’s debut EP, Sagn og sagaer, had a stomping folk metal edge to it that recalled early Blind Guardian but with harsh, growling vox. By the time of their first LP, 2014’s Evil Seeds, Sylvatica’s sound had evolved somewhat, bringing them closer in tone to Skyfire or maybe Stormkeep, while on their sophomore outing, Ashes and Snow (2021), that progression continued.” Evolve or die a corpse.

Timechild – Blossom & Plague Review

Timechild – Blossom & Plague Review

Timechild takes the feel-good sounds of hard rock past and fuses a modern-looking, 00’s radio melancholy to form their own brooding yet bolstered identity. Cuts from Blossom & Plague don’t feel far away from the T-injected dad jams of a band like Tremonti or the soulful and virtuosic AOR thump of Winery Dogs, but this unheralded Danish act plays without a notion that bands like that even exist.” Time, tide, and plague.

Oxx – The Primordial Blues Review

Oxx – The Primordial Blues Review

Oxx is a trio from Aarhus, Denmark, having released three full-lengths and an EP since 2012. In spite of easy recollections to mathy insanity, pigeonholing The Primordial Blues is unfair even to the act’s own discography, as the ominous sprawling of 2015 debut Bury the Ones We Love and Burn the Rest differs fundamentally to the frantic Dillinger-core of 2019’s The Skeleton Is Just A Coat Hanger.” Big, not so dumb OXX.