Danish Metal

Iotunn – Access All Worlds Review

Iotunn – Access All Worlds Review

“If any of you are fellow Dungeons & Dragons nerds, which of course you are because you listen to metal, you should be familiar with the concept of a natural 20. Well, lately I’ve been experimenting with literally randomizing what promos to pick, using a single line of code to spit out a number corresponding with a place in a list. This time, the code landed on an unassuming sounding debut by a band called Iotunn, marked as space rock. Imagine my surprise when fellow prog lover Huck N Roll informed me that instead I’d landed on a very promising chunk of Metal Blade backed cosmic progressive death metal with none other than Jón Aldará (Barren Earth, Hamferð) on vocals.” Significant access.

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

“When I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but absolutely warrant your attention.” Death Redux.

Afsky – Ofte Jeg Drømmer Mig Død [Things You Might Have Missed 2020]

Afsky – Ofte Jeg Drømmer Mig Død [Things You Might Have Missed 2020]

“Every year, the chase is on to find that underground band no one’s ever heard of. The one that you present to everyone who loves music and watch as their expressions change from an unconvinced “Who is this?” to “Holy shit, this is amazing!” Well, folks, for those of you with a taste for pure black metal, unadulterated by frills and ribbons, I have the album for you.” Afsky and answered.

Yer Metal Is Olde: King Diamond – The Eye

Yer Metal Is Olde: King Diamond – The Eye

“Then there’re examples like Fast Eddie Clarke walking away from Motörhead and the canning of Ozzy Osbourne by Black Sabbath. Anthrax, Exodus, Iron Maiden, and Judas Priest lost their vocalists, who psyched everyone out and returned later anyway. In some cases, end-of-era albums are more like transition pieces—bridging the gap between the band of old and the band of new. Arguably Metallica‘s …And Justice For All fits the bill. It was clear that Justice was different, but it wasn’t until Metallica arrived that everyone saw what Justice really was. King Diamond‘s The Eye is also such an album.” Fading eyesight.

Undergang – Aldrig i livet Review

Undergang – Aldrig i livet Review

“Back in 2011 when Indhentet Af Døden dropped, Undergang got onto my radar because they were described as a mix of Obituary and Demilich, which is obviously a winning combination. I couldn’t wait to get my grubby mitts on that record, and when I did, they got even grubbier because Undergang plays filthy, sewer-dwelling death metal exclusively.” Septic mesh.

Pyramaze – Epitaph Review

Pyramaze – Epitaph Review

“There was a time when Pyramaze threatened to become my favorite prog-metal band. With their Melancholy Beast debut highly impressing, and follow up Legend of the Bone Carver completely blowing me away, I was very much on the Pyramaze war wagon and looking forward to more flawless victories. Sadly, vocalist Lance King departed, and third album Immortal was a step down despite heroic vocal efforts by Matt Barlow. Seven years went by before we got the next album, this one featuring the unknown Terje Harøy on the mic. Disciples of the Sun was a big comeback for Pyramaze, showcasing a new direction and an abundance of impossibly catchy songs. Two years later however, the band took another downturn on Contingent by trying to create a bigger-than-life concept album with a movie soundtrack sheen that ended up feeling more pretentious than interesting. This brings us to their sixth outing, Epitaph.” Grave new world.

Defecto – Duality Review

Defecto – Duality Review

“I’ve seen the question time and time again on any review below a 2.5. “Why even review this?” Well, there’s a bunch of reasons. An important one is, as soon as we pick a promo, we’re honor bound to review it regardless of quality. Oftentimes we don’t even know what we’re getting into, signing the contract over only the band name, album title and genre. A writer may start up a promising promo and have his head in his hands before the first minute is out, knowing he’s on the hook. That wasn’t the case with Defecto; I’ve reviewed the Danes before, to unspectacular result, and fully intended not to subject myself this time. But the band was brought up during our monthly meeting and the Emperor commanded me to pick up where I left off. Drat.” Double broken.

Sunken – Livslede Review

Sunken – Livslede Review

“I love albums that make me feel cold. Hamferð’s Tamsins likam has that effect; regardless of environment or actual temperature, listening makes me feel as though I’m wrapped in darkness, walking through the dead of winter. October Falls’s The Plague of a Coming Age has a similar effect. These albums are prized in my library. In a non-menacing way, they conjure darkness in the most comforting way possible. Always I’m on the lookout for more, and today, I have found some. Hailing from Denmark, Sunken release their second album, Livslede, which roughly translates into “a profound and lasting discomfort with existence.” To summarize: it is dark, it is emotional, and it is fantastic.” Sunken woe-nuts.

Manticora – To Live to Kill to Live Review

Manticora – To Live to Kill to Live Review

“Where To Kill saw Manticora‘s established brand of Teutonic-inspired thrashing power metal trading measures with its burgeoning extreme metal aspirations, its successor finds the band integrating their new ideas near-seamlessly. This results in an array of wonderfully off-kilter compositions.” Live to win, to kill, and live, til you die.