Dave Mustaine

Grymm Comments: On the Separation of Art from Artist

Grymm Comments: On the Separation of Art from Artist

“I’m sure by now you all know that your favorite artists don’t exactly live the lives they write about. Slayer‘s Tom Araya is a devout Catholic and a proud family man. Similarly, W.A.S.P.‘s Blackie Lawless gave up fucking like a beast for Jesus. Glenn Danzig loves his cats and Morbid Angel‘s Trey Azagthoth is a gamer and a Sailor Moon fanatic. In other words, it’s not all that often you encounter a musician (or band) that lives up to the extreme lyrics they pen. They’re just regular, mundane human beings like you and me.” How disappointing….

Genghis Khan – Genghis Khan Was A Rocker Review

Genghis Khan – Genghis Khan Was A Rocker Review

“First off, let’s get one thing straight: Genghis Khan was, in all likelihood, not a rocker. He was many things — military genius, emperor, conqueror of many lands, and guy who killed a shitload of people. It’s possible that some of those things kind of rock, although the surviving populations of Russia, China, and the Middle East may beg to differ. Regardless, Khan lived many centuries before western music even existed, and there’s no evidence of him liking rock or metal. Anyways…so yeah, Genghis Khan the band. These guys are an Italian trio playing what could loosely be called ‘power metal.'” Mr. Fisting loves his world history and has some issues with this Italian trio’s debut album and its historical inaccuracy. Forget the wrath of Khan, this is the wrath of Fisting!!

90s Metal Weirdness: MD.45 – The Craving

90s Metal Weirdness: MD.45 – The Craving

Cast your minds back to a time when metal music was not cool. Nay, indeed, a time when metal was anathema to all that was considered to be “chic” and “in.” A time when your favorite bands were actually encouraged by the music industry to play slower, cut their hair, and write sensitive lyrics about their childhoods. Yes, this unfortunately really happened.

Our new semi-irregular feature “90s Metal Weirdness” focuses on albums released between 1992 and 2001 and which we all probably would rather forget. But in the public service of publicly shaming the musicians involved, we have pushed forward.

Megadeth – Th1rt3en Review

Megadeth – Th1rt3en Review

When Megadeth released Endgame in 2009, I was noticeably effected. This was Megadeth like we hadn’t really heard them since (arguably) Youthanasia, and for more fans, much earlier than that. It was a refreshed band with excellent writing and guitar work that matched the Marty Friedman days. The songs were well written, catchy and the record was tightly edited and honed down to perfect vinyl length. Honestly, Endgame was a record that I don’t think anyone but the most idealistic of Megadeth fans could even have been expecting. And though at the time I joked that we should make sure that Mustaine wasn’t stockpiling fertilizer, (I still hold firm to that belief) the record has aged pretty well. That, of course, means that there are some expectations for Th1rt3en. Expectations that this record, for example, will not suck.

Angelus Apatrida – Clockwork Review

Angelus Apatrida – Clockwork Review

Angelus Apatrida is a Spanish thrash metal band founded in the early 2000s, that is now putting out it’s third record, but Clockwork is the first for one of metal’s biggest labels: Century Media. So when I got this record, I just kinda went “who?” and went on with my day not thinking much of it. The name, which roughly translates to “fallen angels”, means nothing to me and has been sorta flitting in and out of my brain and while I was surprised to stick this in and hear thrash metal screaming at me (that’ll teach me to not read the bio first), I wasn’t really sure that there was anything here that would stick.

Mustaine the Conspiracy Theorist

The Norwegian journalist who Mustaine is all pissed off at has posted all 25 minutes of their interview online and I’d like you to watch the first few minutes of it, up to the part where he starts talking about Metallica. Pay close attention to what he’s saying about 9/11 being an inside job and all that. I know already I’m going to take a shit-ton of heat for this post, but I gotta say it.

Megadeth – Endgame Review

Megadeth – Endgame Review

Megadeth became the coolest thing since Metallica the year that I turned 9. The band’s big mainstream breakthrough Countdown to Extinction was a classic record in many respects, because it took thrash metal that hadn’t been produced by Bob Rock and turned it into a mainstream thing. I still love that record and it’s follow up Youthanasia but I have a long-standing dislike for Dave Mustaine as a person, musician and I’m sure that those of you who know me or have read this blog know how I feel about Megadeth’s discography. If you don’t, I’ll clarify: Megadeth stinks. All-in-all, I think that the band’s discog is totally spotty, the writing has always been mediocre, I think that Friedman was an overrated player and I’m surprised that Megadeth didn’t go away for good after Mustaine’s wrist injury fiasco.