Death Metal

Decrepit Soul – The Coming of War!! Review

By Mark Z. on March 14, 2016 in 2016, Australian Metal, Black Metal, Death Metal, Iron Bonehead Productions, Reviews, Black Metal, Death Metal, 14 comments

“I’ve always found the crude, no-fucks-given approach of Australian blackened death band Sadistik Exekution quite endearing. With their sloppy live performances, reports that their founding guitarist lived in a Sydney dungeon, and insistence on spelling ‘fuck’ with two ‘k’s (a tendency I’ve often found myself adopting in drunken text messages), everything about the band is appealing in the same way as a B-grade 80s horror movie: extremity for the sake of extremity, with an underlying camp nurtured by splatter-happy nastiness and an utter lack of technical aptitude. It was in search of other groups with this aesthetic that I decided to check out Aussie duo Decrepit Soul’s sophomore LP The Coming of War!!” Fuckks were given about this here review.

Miasmal – Tides of Omniscience Review

By Diabolus in Muzaka on March 13, 2016 in Century Media, Death Metal, Reviews, Swedish Metal, Death Metal, 18 comments

“One lesson I’ve learned in my tenure at AMG is that burgers can be successfully compared to just about anything. Just like burgers are a great plan for a meal in a pinch, they also work in that annoying pinch when a lede just refuses to come to mind. I think we can largely agree that listening to Swe-death records is like the endless quest for the perfect burger.” In dining, as in death, it’s the seasoning that counts.

Convulse – Cycle of Revenge Review

By Kronos on March 12, 2016 in Death Metal, Finnish Metal, Svart Records, Death Metal, Progressive Death, 23 comments

“For whatever reason, bands tend to get less and less extreme as they age. Sometimes it’s the extremity of earlier albums being too much to match. Some musicians just get tired of metal, like Brent Hinds or Mikael Åkerfeldt. Bands can change style completely, like Opeth and Cynic, or they can just write more choruses, as Kurt Ballou says of Converge. Yet for all the diversity of unmetalification, there are some very consistent pathways that musicians and bands tend to follow. Today’s example, most notable in Cynic and Opeth, is something I like to call Kronos’ Law of Increasing Hippietude[1. It is suspected that this contributes directly to Angry Metal Guy’s Law of Diminishing Recordings.].” Kronos is working on his thesis and his advisor seems to have disappeared.

Suspiral – Delve into the Mysteries of Transcendence Review

By Grymm on March 9, 2016 in 2016, Black Metal, Death Metal, I Voidhanger Records, Reviews, Spanish Metal, Black Metal, Death Metal, 59 comments

“When I was younger, I remember pre-ordering Lunar: Silver Star Story Complete for the original PlayStation, back when it was announced at my local Babbage’s in the fall of 1996. It would be a full three years later before it was released. In that timeframe, I graduated from high school, worked at Babbage’s then-competitor (Electronics Boutique), quit acrimoniously from said competitor, went Straight-Edge very hard, got unnecessarily angry at life and everything around me, gave up being Straight-Edge very hard, and moved around the same town three times Yet I still had my eyes on the prize. When I got the game, it didn’t quite live up to the expectations despite all the delays. This story illustrates that some would say I have the patience of that unfortunate Bible character, Job.” Oh, that can’t be good…

Sulphur – Omens of Doom Review

By Dr. A.N. Grier on March 7, 2016 in 2016, Black Metal, Dark Essence Records, Death Metal, Norwegian Metal, Reviews, Black Metal, Death Metal, 47 comments

Sulphur (or sulfur in the States) is ungodly, foul smelling shit. This isn’t exactly news to anyone but you don’t know the half of it until you have actually jousted with the likes of benzyl or ethanethiol. There aren’t many chemicals I’ve worked with that linger on your mustache and penetrate your clothes like sulfur. It’s pungent, it’s offensive, and it’s fucking nauseating. While I’ve had my fair share of encounters with sulfur, I have never encountered its black-metal equivalent—which is odd considering I’ve been a fan of Øyvind Madsen’s other project, Vulture Industries, for years. With a name like Sulphur, I had expected some unsettling, engulfing black metal to match the stomach-turning feelings I get when “sulfur” is mentioned.

Necronomicon – Advent of the Human God Review

By Mark Z. on March 6, 2016 in Black Metal, Canadian Metal, Death Metal, Reviews, Season of Mist, Symphonic Metal, Black Metal, Death Metal, Symphonic Metal, 33 comments

“Despite being dubbed the “Chameleon of Rock” for his ever-changing style, the late David Bowie didn’t agree with this title. “For me a chameleon is something that disguises itself to look as much like its environment as possible,” he once said. “I always thought I did the exact opposite of that.” But fret not, you fanatical herpetophiliacs out there, Canadian blackened-death trio Necronomicon is proof positive that musical chameleons do, in fact, exist.” Those who deny the existence of musical chameleons may be musical chameleons themselves. Trust nothing.

Grey Heaven Fall – Black Wisdom [Things You Might Have Missed 2015]

By El Cuervo on March 3, 2016 in 2015, Aesthetics of Devastation, Avante Garde, Black Metal, Death Metal, Russian Metal, Things You Might Have Missed 2015, Black Metal, Death Metal, 20 comments

“Regret. We all experience it in one way or another. Some feel it after a heavy night of drinking before a working day. Others after indulging amorous emotions with an ex’s mother. Me? The regret I feel is for missing great music the first time around. It was in the process of skimming year end lists to uncover my omissions that I was directed towards Black Wisdom by Grey Heaven Fall.” We also regret that whole White Wizzard thing.

Inverloch – Distance | Collapsed Review

By Grymm on February 28, 2016 in 2016, Australian Metal, Death Metal, Doom Metal, Relapse, Reviews, Death Metal, Doom Metal, 15 comments

“diSEMBOWELMENT left quite a mark with their one-and-only album, 1993’s brilliant Transcendence into the Peripheral, before disbanding later that year. In the ensuing decades since, many doom/death hybrids have come and gone and few have come close to attaining the lofty heights ascended by the sadly-missed Australians. So, when bassist (now guitarist) Matthew Skarajew and drummer Paul Mazziotta would regroup as d.USK in 2011 playing the old classics with new members, I was excited to check out a band that I missed after they had called it a day.” They’re back, but is it bowely enough?

Atrocious Abnormality – Formed in Disgust

By Kronos on February 25, 2016 in 2016, American Metal, Comatose Music, Death Metal, Reviews, Death Metal, Slam, 26 comments

“If I had my druthers – and by Jorn’s undershorts, they will be had – I’d be reviewing a lot more good slam. The paucity of good slam to review occurs for two reasons. Number one; we don’t get a whole lot of promo for slam bands, I suspect because so few of them speak English, and number two; good slam is hard to find. Sturgeon’s rule says that 90 percent of everything is crap, but for certain genres of metal, that’s a conservative estimate, and brutal death metal seems to produce stinkers at an alarming pace.” Watch as Kronos pines longingly for slam.

Ritual Chamber – Obscurations (To Feast on the Seraphim) Review

By Roquentin on February 25, 2016 in 2016, American Metal, Death Metal, Profound Lore Records, Reviews, Death Metal, 17 comments

“Simply put, Obscurations (To Feast on the Seraphim), the début by one-man band Ritual Chamber, is easily an archetype of how “evil” music should sound. Guitar riffs and growled vocals rise from a gutter filled with tortured souls, putrid bile drips from drum kicks and rumbling bass lines, and a general atmosphere of rot and despair fills each and every song. Cliché as it may seem, it’s dread incarnated.” Ready for some dread and breakfast?