Death

VoidCeremony – Threads of Unknowing Review

By Dolphin Whisperer on April 13, 2023 in Reviews, Death Metal, Melodic Black Metal, Technical Death Metal, 29 comments

“The ghost of Kronos past summarized on the previous word count abusing outing Entropic Reflections Continuum: Dimensional Unravel that “the parts are all there, but they’re not strung together in a sensible way.” So the real question for VoidCeremony is what’s changed? Certainly, it’s not the adherence to the progressive death metal laid out by our forefathers of late Death, Domination-era Morbid Angel, or Pestilence—though the production here is spacious yet modern, but the sound is as dusty and indulgent as you would assume.” When you noodle into the void…

Ashen Horde – Antimony Review

By Ferox on January 30, 2023 in Reviews, Black Metal, Death Metal, Progressive Metal, 50 comments

“The black/death/prog polymaths of Ashen Horde are back with Antimony, their latest subgenre-surfing full-length. The new one is a concept album that explores the unsolved Victorian-era murder of one Charles Bravo. Experts agree that Bravo perished from antimony poisoning, but his story spins out from there to embrace a cornucopia of credible suspects and motivations.” Clue Town.

Seven Doors – Feast of the Repulsive Dead Review

By Steel Druhm on January 29, 2023 in Reviews, Death Metal, 25 comments

“U.K. death metal strikes early in 2023 with a debut full-length from Seven Doors, the one-man OSDM project by Ryan Wills. With a horror-inspired theme and a firm grounding in the classics like early Death, Massacre, and Cannibal Corpse, Feast of the Repulsive Dead’s formula is riffy, relentless meat n’ tatters death designed to keep one foot on your neck and the other up your strata-chocolata.” Knock knock.

Leper Colony – Leper Colony Review

By Crispy Hooligan on January 13, 2023 in Reviews, Death Metal, Thrash Metal, 34 comments

“Ah, the first week of a new year. A week of renewal. Of bitter resentment at work. Of new Rogga projects. Yes, the grimy foreman of the Swedish death metal factory is back with of course another new project. After releasing–by my rough Metallum count–seven full-length albums with various projects in 2022, Rogga returns this month with Leper Colony’s self-titled debut. Coincidentally, I’ll be the seventh writer to review Rogga for this here site. Might ye despair, lest Rogga sneer at your pleas that he just for once in his life slow down and make the death metal masterpiece that more than one reviewer suggested he’s capable of?” Pieces of genius.

Detherous – Unrelenting Malevolence Review

By Holdeneye on November 29, 2022 in Reviews, Death Metal, Thrash Metal, 52 comments

“Not much has changed for Detherous on the style front. Last time I referenced the early thrash of Kreator and the early death of…Death, but the most fitting returning comparison belongs to Demolition Hammer. As if the increased groove profile of Unrelenting Malevolence wasn’t enough to convince you that Detherous worships Demoliton Hammer’s Epidemic of Violence, the band has even included a cover of that album’s incredible opener.” Unrelenting hammer smashed facing.

Vacuous Depths – Corporal Humiliation Review

By Ferox on November 4, 2022 in Reviews, Death Metal, 12 comments

“You there! That’s right, you. Stop dwelling on Cthulhu or Satan or the uncaring expanse of deep space for a minute; it’s time for a thought exercise. Think of the worst thing you’ve ever done. No, really–the thing you don’t tell anyone about, the one that makes you stop whatever you’re doing and wince whenever it jumps unbidden into your mind. Got it? Well, guess what: Vacuous Depths know your secret, and they are here to beat you down for what you did. Here are ten tracks of primal, punishing death metal that are very much aware we all have it coming.” Punishment due.

The Willowtip Files: Capharnaum – Fractured

By Saunders on October 18, 2022 in Blog Posts, The Willowtip Files, Progressive Death, Technical Death Metal, 19 comments

“Pennsylvanian-based independent label Willowtip Records was established by Jason Tipton in the late ’90s. From humble beginnings the label has stood the test of time, becoming one of the most respected and highly regarded record labels in the extreme metal scene. It takes something special to create a label with a consistently unfuckwithable roster of quality, innovative artists, while retaining long-term integrity and durability. Willowtip is the self-proclaimed forward-thinking label, releasing a slew of modern classics and top-shelf albums that may have a lower profile but are more than worth your while.” Next stop: All star death.

De Profundis – The Corruption of Virtue

By Kenstrosity on October 14, 2022 in Reviews, Death Metal, Melodic Death Metal, Technical Death Metal, 58 comments

“De Profundis is a great band who gets a lot of love behind the scenes at AMG HQ, but somehow routinely misses out on full coverage. This kind of thing occurs occasionally and for a number of perfectly understandable reasons, of course. But after seventeen years of diligent work, it’s high time that the English death metal quintet get a proper review from us for their sixth full-length, The Corruption of Virtue. And, as is our prerogative, we bring this review to you late.” Corrupted deadlines.

Faceless Burial – At the Foothills of Deliration Review

By Dolphin Whisperer on October 11, 2022 in Reviews, Death Metal, 78 comments

“If you were expecting the same album over again, you’ll be sorely disappointed. Progression is the name of the game here, and Faceless Burial knows no other path but forward. I’ll let you in on a little secret, though, that may not entirely surprise some of you: I didn’t love Speciation. Heck, there might have been some days back in 2020 when I might have said that I didn’t even like it, but my enjoyment aside, it’s hard to argue that the act didn’t distill lethal doses of Neanderthal pit-chuggery into a slobbering mass of gnarled riffs and dripping gurgles.” Face re-burial.

Live Burial – Curse of the Forlorn Review

By Holdeneye on September 23, 2022 in Reviews, Death Metal, 83 comments

“It’s not often that I get accused of underrating an album, but when I covered Live Burial’s 2020 release Unending Futility, a handful of citizens with torches and pitchforks came after me. Even our own El Cuervo said, ‘All the shit you give a 4.0, and you 3.5 this? This record is incredible.’ Now, it’s easy to see why people were up in arms, because Live Burial is an insanely talented bunch of musicians. Their brand of old-school death metal is heavily influenced by the almighty Death, and their technical ability is not far below Chuck Schuldiner and his cast of virtuosos. But while I found Unending Futility to be incredibly well made—the production was almost as impressive as the performances—there was some intangible part of the songwriting that held me back from being more enthusiastic about the record overall.” Death and unsatisfied readers.