Death

Vrenth – Succumb to Chaos Review

Vrenth – Succumb to Chaos Review

“Over the years, I’ve come to realize that death metal is more about the visceral reaction that your body and mind have to a barbaric aural bludgeoning than it is about memorability, and I’ve thus come to enjoy entire albums full of quality metal of the dead variety. But every once in a while, a death metal band comes along with the apparent intent of providing that same visceral journey while simultaneously providing riff after memorable riff, a host of unforgettable solos, and enough stylistic changeups to keep the listener on their toes. California’s Vrenth is just such a band.” Death with life.

Ensanguinate – Eldritch Anatomy Review

Ensanguinate – Eldritch Anatomy Review

“I’ve listened to a goodly amount of death metal this year, and seem to be at a place mentally where I just want more and more of it. When I saw the name Ensanguinate in the promo sump, it spoke to me of wet, gruesome things and horrid death sounds most unappetizing. Naturally, I took it home to pet and cuddle.” Draining blood!

Fleshrot – Unburied Corpse Review

Fleshrot – Unburied Corpse Review

“Another day, another death metal album. This must have been how reviewers back in the time of my younger youth felt when rethrash brought us swaths of sweaty song-named bands who littered the 4th to 5th spots on the local concert circuit. For every Blood Incantation or Astral Tomb that pops along—bands who play recognizably death metal but with a sense of ambition or divergence—there are at least a dozen other Dead and Dripping or Molder style bands that leak out of the collective pool of putrid palm-muted chugs. From this same OSDM ooze Fleshrot has seeped into our sudoriferous sump leaving enough of an odor for me to take a second look in the perennial quest to find the most 1991 of what 2022 has to offer.” Slowly we Fleshrot.

Inhuman Condition – Fearsick Review

Inhuman Condition – Fearsick Review

“Formed by members of Death, Massacre and Wombbath, Inhuman Condition hit the streets with a wet, disgusting thud via their 2021 Rat°God debut. It was a painfully retro throwback to late 80s death metal and no new stones were turned, but it was a ton of dumb, beefbrained fun packed with enough nostalgia to bring all the Steels to the boneyard. Now scarcely a year later Inhuman Condition is back with a whole new album. Talk about inhuman working conditions!” Condition critical.

Disfuneral – Blood Red Tentacle Review

Disfuneral – Blood Red Tentacle Review

“”There is nothing new to be discovered here.” So reads the promo copy for Disfuneral’s debut full-length, which… look, Promo Copy Sir or Madam, we’ve all struggled with writer’s block, but let’s strive to keep things professional. Your job is to claim this album improves on both Left Hand Path and Beethoven’s Fifth Symphony; ours is to throw cold water on such claims so Steel will toss a few scraps of Mystery Meat our way come mealtime.” Tentacle Elmo.

Falls of Rauros – Key to a Vanishing Future Review

Falls of Rauros – Key to a Vanishing Future Review

“This multi-instrument outfit continues to work with its traditional format of six tracks over forty-five minutes. But, while this new record doesn’t have anything you haven’t already heard, the band has a knack for execution. Somehow, they continue to breathe uniqueness into each effort and supply just enough originality to make each new record different from the last.” Vanishing returns?

Embryonic Autopsy – Prophecies of the Conjoined Review

Embryonic Autopsy – Prophecies of the Conjoined Review

“Listen to this record and it might just put a baby in you. Not by the traditional means, interesting though it might be to imagine those mechanics. Instead, Arizona’s Embryonic Autopsy debut with a concept album about the experiments, designed to birth human/alien hybrids, that may or may not have been performed at Area 51. With songs like “Telekinetic Insemination” and “Craving of the Mutated Fetus,” these gentlemen have a very specific kind of breeding on the brain. The sci-fi milieu, and some elements of the music, put this offering of brutal death metal squarely in Artificial Brain territory.” Newgenics.

Abyssus – Death Revival Review

Abyssus – Death Revival Review

“Steps to ensure Steel Druhm throws his dirty ape cash at your old school death metal album: 1) Make it sound like it came from between 1987 and 1992, 2) Be as riffy and aggressive as possible, 3) Tie together nods to Obituary, Asphyx, and Death circa Leprosy / Spiritual Healing, 4) Cram some Possessed influence into all the cracks like so much snot grout. Greek death metal act Abyssus do all these things on sophomore platter Death Revival, and what’s more, they make it fun and mindlessly enjoyable to boot.” Abyssus for all of us.

Feed the Corpses to the Pigs  – This Insidious Horror Review

Feed the Corpses to the Pigs – This Insidious Horror Review

“Promo selection is not always a calculated plan of precision. I’m sure every AMG writer has their own methodical ways or quirky preference when they dive into the sordid world of metal promos. But in some cases, it’s the promise of simple pleasures that can allure. Case in point is the new album from New Mexico’s deathgrind/crossover crew Feed the Corpses to the Pigs. I must admit it was their part cool, part clumsy moniker, and deathgrind tagging that dragged me in.” Hurls before swine.