“Frostbite Orckings may have claim to the most interesting premise in metal, at least in 2023. Based on recordings from hired session musicians, the project is a work of purely AI-generated power metal. The Orcish Eclipse is the project’s debut full-length release, and heralds itself as “the world’s first AI-generated heavy metal album.”” Orc in the machine.
2023’s cleaning protocols are finally complete, and here comes the Filter scrappings from November and December. Taste them all, then consult a funeral director.
“Some metal bands are, by their nature, divisive. This divisiveness can take many forms (a gross name, misanthropic actions, controversial statements) and may be intentional (as a way of garnering attention) or just part of who the band are. Spider God, a UK-based black metal outfit, fall into the latter category. They exploded on the scene in 2022 with Black Renditions, which took classic pop tracks, blackened ‘em up, and released them on an unsuspecting metal scene. It was audacious, it was confrontational, it was antithetical to what many consider one of the sacred tenets of black metal: namely that this is not saccharine music for the masses in general, and teenage girls in particular.” Harlot’s web.
![Bull of Apis Bull of Bronze – The Fractal Ouroboros [Things You Might Have Missed 2023]](https://www.angrymetalguy.com/wp-content/uploads/2024/01/Bull_of_Apis_Bull_of_Bronze-The_Fractal_Ouroboros-768x768.jpeg)
“Bull of Apis Bull of Bronze manages to create a mammoth hour-and-fifteen length that takes its precious time before crushing your soul with calculated second-wave intensity. The swell and lull of its atmosphere has its time and place, thus lending The Fractal Ouroboros its immense but supremely organic feel, each track moving fluidly among its influences and giving each track a unique identity to fuse into the tapestry of the album’s pitch-black palette and atmosphere.” Bull in a delicate shop.
“Look, I love drone. I love getting lost in the swaths of noise and soundscapes that pervade its classics, as albums like Earth’s Earth 2, Sunn O)))’s Black One, and Boris’ Flood offer otherworldly and mammoth wilderness to explore. Riffs don’t offer adrenaline, but mountains instead, while vocals and percussion, if there are any, are the last semblance of humanity amid the utter saturation of sound. Its utter overwhelm of sound makes it controversial, its void of relatability offers little reprieve, and its slow depiction of devastation is hypnotic. All that to say, while I was maybe hoping for the next Holy Fawn with Megaton Leviathan’s talk of shoegaze, drone, and doom, I don’t know what the fuck to make of Magick Helmet.” All noise, no sword.
“One can’t credibly accuse Genus Ordinis Dei of a lack of ambition. Predecessor Glare of Deliverance used bombastic symphonic death metal to weave a tale of religious prosecution and witchcraft. The entire storyline was accompanied by a series of self-produced music videos. A big project, but the album itself was undercut by bloat and failed to impress me as much as 2017’s Great Olden Dynasty had done. Now, as the year draws to a close, the Biblical story-weavers bring us The Beginning, another religion-themed concept album accompanied by videos, but with only 4 videos and a pared-down running time, I felt hopeful the Italians would not be making the same mistake twice.” Big religion.
“Eight years ago, Australian brutal death duo Revulsed dropped one of the most overlooked slabs of quality murderizing, Infernal Atrocity. Dripping with grimy licks, slithering riffs, and enough pinch harmonics to pop your nipples right off your torso, Infernal Atrocity demanded the attention of all who would encounter it. The fact that it was the band’s debut outing makes it only that much more impressive. Now it’s 2023, going on 2024. Revulsed found their way into Everlasting Spew’s roster, and at long last sophomore follow-up Cerebral Contamination prepares for ultimate unleashment.” Irresistable revulsion.
“Cryptworm’s 2022 Spewing Mephitic Putridity debut completely satisfied my shameful desires for a death metal album sounding like someone vomiting gut slime and mega-maggots for 33 minutes. It was repulsive, obnoxious, stupid, and fun. It was also really heavy, borrowing key chapters from Autopsy and early Carcass. I go back to it regularly, so the UK-based blokes did something right. Now hot on the heels of this grisly triumph, we get a brand new splatter platter called Ooozing Radioactive Vomition.” The Worm has (re)turned.
“There’s disgusting death metal, there’s brutal death metal, then there’s death metal that walks into a room and makes you wonder if anyone else in that room has a restraining order against it. Autopsy may have pioneered this brand of whiplash, burner phone grooves against parole-violating subject matter, but Jarhead Fertilizer—featuring mostly current or former members of grinders Full of Hell—has taken the campy idea of that putrid stance and added to it a real-world violence.” Feel the Fertilizer.
“I appreciate modern black metal. The original stuff is not for me at all, but there’s something about a well-polished flame of rage that just works for me. Stepping away from pure, often theatrical, hatred and into such things as emptiness, suffering, frustration—that stuff speaks to me. So when I read that Abseits des Lichts (“Outside of the Light”), the sophomore full-length from the German black metal Grau, lyrically focuses on “pain, emptiness, and the animalistic aspect of the human mind,” well, I was, to put it lightly, intrigued.” Suffering through the holidays.
