Dio

Lightning Strikes – Lightning Strikes Review

Lightning Strikes – Lightning Strikes Review

“Well, the US presidential elections are over. And no matter how hard I tried to write and edit reviews last night, I could not ignore the votes rolling in. Sure, the half-bottle of bourbon didn’t help my focus either, but you can’t blame me for trying to take the edge off. After a long night of suspense and bewilderment, this morning finds a fog encasing the house as I wait for a sunrise they tell me should arrive.” To the 80s we must flee!

Serious Black – Mirrorworld Review

Serious Black – Mirrorworld Review

“I can’t believe it’s already been a year since Serious Black’s fantastic debut As Daylight Breaks. An album that proved dream teams can exist and can work. Not only that, but this supergroup achieved it via a style that rarely receives RotY nods from yours truly. Urban Breed, et al. even had El Cuervo singing along to tunes like “High and Low” and “Sealing My Fate” whilst leaving the AMG restrooms in terrible condition for the n00bs to clean up. And now, a year and change later, Serious Black is back with Mirrorworld.” Clean up in Aisle Trve!

Flummox – Selcouth Review

Flummox – Selcouth Review

“I usually try to pick bands to review based on my prior knowledge of them, partly because I’m risk-averse, but mainly because I’m very lazy and I dislike having to make the effort to look up a band’s information. Unfortunately, this same laziness also means I’m often last to check what’s available for review, so end up with the unknowns spurned by the rest of the AMG workforce. Flummox were one such unknown, but I had a good feeling about the band. Distinguishing themselves from the rest of the metal scene with a quirkiness that extends from their artwork to their lyrics to their range of musical influences, on paper Flummox are a fascinating prospect. Though generally not a fan of jam-bands, especially on record, a sneak preview of “The Ghost of Ronnie Dio” suggested Flummox could combine their influences and personality into well-written, entertaining, proper songs. So how does Selcouth fair as a whole?” Guess.

Trivium – Silence in the Snow Review

Trivium – Silence in the Snow Review

“Well, kids, let this be a lesson to you all. Dropping clickbait jokes and fucking too much with the AMG HR department results in the dropping of various hammers. In my case, punishments manifested themselves in the form of name-calling (Steel called me a “Master Baiter”) and a metalcore promo for review.” The core will flow until you praise our new logo.

Unleash the Archers – Time Stands Still Review

Unleash the Archers – Time Stands Still Review

“If it was a bunch of one-man black metal bands before, now it’s a bunch of cheez whiz coming Count Grier’s way. Previously it was in the form of the slick The Valiant/Valiant’s/Variant/Variant’s Fire release by Damnation Angels and now it’s Time Stands Still from Canadian-based Unleash the Archers.” Don’t they mean “unleash the arrows”?

Tribulation – The Children Of The Night Review

Tribulation – The Children Of The Night Review

“Although they began as progenitors of fuzzed-out Entombed-style death metal, Sweden’s Tribulation has been on a trajectory towards smarter, more structured music since their second record, 2013’s The Formulas of Death. Their latest album boasts the Dio-worthy title The Children Of The Night.” Tribulation is a tricky little wicket. You never know what they’ll do next.

Manilla Road – The Blessed Curse/After the Muse Review

Manilla Road – The Blessed Curse/After the Muse Review

“You can’t accuse Manilla Road of jumping on many bandwagons. Since forming in the late 70s, they’ve lingered in a perpetually kvlt phantom zone, honing their uniquely clunky proto-metal sound. While doing so, they’ve steadfastly remained oblivious to how the metal world evolved around them, and practiced willful ignorance toward modern production technology and recording advances. Because of this admirable history of stubborn stick-to-it-ness, I can’t accuse them of joining the double album trend we see developing of late, though a double album they doth deliver.” Another double album in 2015? This may become the Year of Too Much Metal!

Johnny Touch – Inner City Wolves Review

Johnny Touch – Inner City Wolves Review

Johnny Touch may be one of the all time worst band names, sounding more like the local playground creeper than the throwback 80s metal act they are (the cover art totally makes up for it though). That aside, this little known Aussie act has adopted an extremely old school sound influenced by early American acts like Riot and Cities as well as the earliest Dio, Ozzy and Yngwie solo albums. Basically this is as retro as metal can get since there’s scant room to crawl further up the genre’s ass before you’re stumbling across The Rolling Stones and Elvis Presley.” Steel Druhm reenacts The Old Man and the Sea, but with metal.

Coven 13 – Destiny of the Gods Review

Coven 13 – Destiny of the Gods Review

“Nostalgia. Unfinished business. Hearing your work translated by younger, more established bands. There are many, many reasons for long-dormant groups to give it a second go-around. Detroit’s doom metallers Coven had only one album, 1987’s Worship New Gods, before changing their name to Coven 13 and calling it a day in 1991. Twenty years later, the original members decided to give it the ol’ college try, regrouped with an extra guitarist, and put together their first album in 26 years, Destiny of the Gods.” Ya gotta love long delayed reunions by super marginal acts who made virtually no impression in their heyday. What? You DON’T have to love that? My bad….