Finnish Metal

Bad Baron – Ace of Hearts Review

By Itchymenace on September 4, 2022 in Reviews, 51 comments

“Bad Baron pay tribute to the B and C list artists who littered 80s movie soundtracks with vapid rock anthems and forgettable saccharine power ballads. It was a strange and wonderous time for those of us who lived through it. While artists like Peter Cetera, Phil Collins and Kenny Loggins found renewed popularity on the silver screen, countless unknown artists tested their metal on the soundtracks to the endless VHS atrocities that littered the local mini mart’s back corner. What attracted Finnish masochists Bad Baron to the bottom of the barrel in one of music’s most terrible eras? Who knows?” Baron of the 80s Wastelands.

Morbid Evils – Supernaturals Review

By Dolphin Whisperer on August 25, 2022 in Reviews, Death Metal, Doom Metal, Sludge Metal, 23 comments

“Loudness is a weapon. Many great sludge bands know that. Amplified judiciously, altered maliciously, sludge has the potential to be gargantuan, overwhelming—the thick ooze of a proper harmonized rumble can leave your innards sufficiently massaged with low-end pleasure. Morbid Evils knows this well, with previous encounters showering us with growling guitars moving at a funeral pace against a drowned-out, stoner backdrop. While changes across their previous outings arrived at a tectonic pace, Supernaturals erupts this mighty Finnish trio into a form that is far more visceral.” Are you loud and morbid?

Mimorium – The Route of Haeresis Review

By Maddog on August 22, 2022 in Reviews, Black Metal, Melodic Black Metal, 32 comments

“The Route of Haeresis gave me a rare opportunity to nab a band that earned praise from the mighty Grier. The angrier doc gushed about Mimorium’s second release Blood of Qayin in 2020, comparing it favorably with Dissection’s classics. Mimorium is back with another album of energetic melodic black metal that tries to scratch the same itch as the iciest Swedish bands of the mid-90s. Many have tried this, and few have succeeded.” Theft in the autopsy suite.

Tomb of Finland – Across the Barren Fields Review

By Grymm on August 15, 2022 in Reviews, Death Metal, Doom Metal, 31 comments

“As I inch closer to hitting a full decade of writing for Angry Metal Guy Industries, Ltd., I like going back and revisiting bands I reviewed before, normally in hopeful anticipation of new material. Not only is it because of morbid curiosity in seeing any progress, but this is kinda-sorta like watching a child grow older before your eyes. You want what’s best for them. In 2015, I reviewed Below the Green, the debut album from Tom of… TOMB. TOMB of Finland. Sorry. That “b” is important, kiddos.” Look at this photograph!

Hautajaisyö – Ei hauta kysy lupaa Review

By Twelve on August 8, 2022 in Reviews, Death Metal, 15 comments

“It’s always nice to get what you expect. Lately it’s been slim pickings in promo land—my vulture-esque colleagues have snatched up what little was there to begin with for the month of August, leaving me with naught but death metal and grindcore to choose from. Despite not having a ton of experience with the style—and yes, that is a disclaimer—I went with death metal. Finland’s Hautajaisyö, now releasing their fourth full-length album Ei hauta kysy lupaa, are promoted as death metal, used that cover over there for their album, and apparently believe “in raw and brutal music and dark themes.”” Haut in the city.

Horizon Ignited – Towards the Dying Lands Review

By Twelve on July 10, 2022 in Reviews, Melodic Death Metal, 18 comments

“”It’s been a while since I’ve enjoyed some good ol’ melodeath,” so thought I as I opted to review Towards the Dying Lands, the sophomore full-length release from Finland’s Horizon Ignited. And, indeed, it has been—I feel like it’s been forever since I’ve really enjoyed new melodeath. And, of course, my well-meaning colleagues and cellmates here at Angry Metal Guy do tend to descend on all new melodeath entries like vultures, so I often have to rely on their opinions about new releases in the style, which are of dubious quality at best. All of this is to say I was fairly excited to begin listening to Towards the Dying Lands, which, it turns out, is a solid sample of the genre.” Melo bellows.

Altaria – Wisdom Review

By Steel Druhm on July 8, 2022 in Reviews, Heavy Metal, Power Metal, 31 comments

“Finland’s Altaria are one of those fourth-tier melodic metal acts I stumbled upon back in the early aughts and took a flyer on. 2004s Divinity had a few worthwhile cuts but was largely forgettable faux-power/hard rock in the vein of Allen/Lande or Eden’s Curse. By the time 2006s The Fallen Empire hit I was less interested in what they were doing and essentially consigned them to the darkest corners of my music collection. I slept on 2009s Unholy and was mildly surprised to see their name emerge from the skunk weeds of the promo sump some 12 years after they last sallied forth. So what does fifth album Wisdom offer the curious listener?” Unsolicited wisdom.

A Lie Nation – Sociopathology Review

By Carcharodon on July 6, 2022 in Reviews, Death Metal, Melodic Death Metal, Metalcore, 13 comments

“Sociopathology is A Lie Nation’s debut full-length, despite the band having been around since 2009 and follows two EPs, Begin Hate and Human Waves released in 2015 and 2017, respectively. Described as melodic blackened death metal, there’s more than a hint of the most recent Obscura to be found here but heavily diluted by something that sounds suspiciously like metalcore in places.” What lies beneath.

Ianai – Sunir Review

By Dear Hollow on June 21, 2022 in Reviews, Ambient, Dark Neofolk, Folk, Neofolk, 30 comments

“Ianai is a “single-entity” project shrouded in mystery. Its secretive mastermind Trevenial offers twelve tracks influenced by folk music across the globe, equally evocative and primitive. With ties to England (mastered by Orgone Studios’ owner Jaime Gomez Arellano) and Finland (produced by Jaani Peuhu), and featuring a classical orchestra and world music artists, as well as a vast array of guests, from notable acts like HIM, Sisters of Mercy, Swallow the Sun, and The Rasmus, Sunir is a debut loaded with potential and questions in equal measure.” It takes a global village.

Serpent Ascending – Hyperborean Folklore Review

By Carcharodon on June 16, 2022 in Reviews, 9 comments

“Knocking about since 2008, Finland’s Serpent Ascending is the solo handiwork of Slugathor bassist Jarno Nurmi, formerly of Desecresy and Nerlich also. It wasn’t until 2016 that Nurmi released this project’s full-length debut, Aṇaṅku. A slab of blackened death metal in the vein of Desecresy and with more than a little Cruciamentum in the mix, Aṇaṅku packed a decent punch into its pleasingly trim 30-minute run. Another six years slithered by before the reptile resumed its climb to the surface, appearing now for second full-length outing Hyperborean Folklore.” Snakes on a fjord.