“FolkCore DeTour, the first live album from Romania’s groovy folk metal ensemble Dirty Shirt, hooked me as it waltzed out the door with clarinet and plucked strings on ‘Rapsodia Romana.'” AMG has always had a soft spot for folk metal, so see what he has to say about Romania’s first gypsy metal band. Eurovision, eat your heart out!
“Until now the Finns proved largely exempt from the Law of Diminishing Recordings™. Unsung Heroes may have polarized the metal community, yet in my estimation, an inability to execute on lofty goals, not a weakening sound, purpled that particular nurple. 2015’s One Man Army proved as much. Still, time marches on, and Two Paths proves no one is above the Law.” Folk law.
“Hailing from the wooded glens of Ontario, Hexenklad come bearing as many cursed furs as their teetering carts can bear. Many will recognize SIG:AR:TYR guitarist Mike Grund, but only those hooked into the Canadian black metal scene may notice frontman Timothy “Voldemort Voldamares” Johnston, former member of the now-defunct Eclipse Eternal and contributor to David Gold tribute Heart of Gold.” From the Great White (Blackened) North.
“I like folk metal. It’s best when it takes the form of black metal infused with instrumentation and arrangements native to its respective country. Saor, Panopticon, and Nechochwen are truly great examples of this. The upbeat frolics of Finntroll, Korpiklaani, and their ilk are not merely average by comparison but actively annoying. I find their attempts at inducing happiness grating and vapid. There are logically two conclusions which I would likely reach following my random selection of Atlas Pain’s What the Oak Left: delight or irritation.” Not liking Korpiklaani is like hating dogs.
“I’ll be honest with you, my first blush with Finland’s Dark Sarah, upon receiving their promo folder had me wallowing in despair, my lamentation palpable through gritted teeth for the seemingly poor choice I had made. Wading through publicity photos with the aesthetic charm of an easel that has been beaten to death by a rainbow, reading the insufferably trite album bio that speaks of mysterious caves and split personalities and the aforementioned laughable album cover all served to shrivel my hopes that I had discovered a ziggurat filled with wondrous music.” Dark Sarah has a dragon (and a cave troll).
“Somewhere along my personal timeline of listening to extreme music I formed an imaginary line dividing two equally valid camps of folk metal. On one side, you have your bands of brooding boys who like to pose next to frozen streams for their promo shots in between discussions of just how great Windir was; on the other, you have your gangs of drunken revelers, crowding into the nearest tavern to relate raucous tales of wenches and trolls to any half-willing passersby.” Is that a troll on the cover or are you just happy to see me?
It’s hard not to be in the mood for some folk metal when I wake up every morning surrounded by towering pine trees and solar-eclipsed mountains. The birds chirping incessantly, the sun patiently ascending the treetops, and the gentle breeze carrying the sweet smell of dew-tickled pine needles. These are the surroundings that make folk metal. And what better way to take in this lush atmosphere than with a new Equilibrium release? Sure, there are bands better suited for my morning cup of coffee, but these Ensiferum and Finntroll worshipers have been delivering quality folk metal for close to fifteen years. 2016 finds them in a dark mood—a mood altogether surprising to a band known for being folking fun. So what happens when the band unleashes Armageddon on its fans? Is it too late to shut this off before the trees catch fire?
“We all have a little touch of crazy inside us. You know what I mean; trapped laughter that rumbles out with such force it makes your belly hurt. Sadly with all the hullabaloo and day-to-day grind we forget to stop and breath, but more importantly, we forget to laugh. American melo-death merchants, Nekrogoblikon have made it their mission to remind us that tapping into our crazy and embracing the silly is just downright necessary and I support that!” Goblins are the medium, meta is the message.
“I’m finding it tough to grasp the fact that it’s been two years since Los Angeles, CA’s Nekrogoblikon released Stench. While being one of the silliest, over-the-top albums I picked up in 2011, it was packed with just the right level of gore, disembowelment, blood and great folk infused melodic death (as only goblins can deliver) that their dark onslaught just didn’t date! Goblins, hobgoblins and gore, oh my! These are a few of Madam X’s favorite things. Join her as she examines the weirdly melodic death metal of Nekrogolikon.
I sometimes have wondered whether or not Finntroll is proof that we live in someone’s hypothetical universe. This smarmy imagineer in a banal universe somewhere, may have constructed an elaborate The Producers-like scheme to produce a flop that makes him money. “How about,” he says to himself, “a group of Finns, speaking in a minor dialect of Swedish, dressed up as characters from the LARP version of Changeling: The Dreaming and make folk-influenced heavy metal, complete with a screaming madman instead of a singer! Who on earth would buy that?” Were this hypothetical businessman able to see into our not-so-hypothetical universe he would most certainly be surprised to see that this motley menagerie of Österbottningar that fits his description are releasing their 6th full-length record in just a few days time — and it’s their second on one of metal’s premier labels.
